margaret thatcher | the m0vie blog

Non-Review Review: Censor

Posted on August 4, 2021 by Darren

Censor is a love letter to the era of so-called “video nasties” and an exploration of the moral panic that tends to encompass discussions of the genre.

Niamh Algar plays Enid, the eponymous moral guardian with a traumatic back story who has committed herself to protecting the nation’s sanity by watching and rating the low-rent horrors flooding the market. Over dinner conversation, Enid takes offense when her mother asks if she has seen any good movies recently. “It’s not entertainment, Mam,” Enid snaps. “I’m protecting people.” It’s very clear that Enid believes this, taking meticulous notes and engaging in rigorous debates about exactly how much eye-gouging the public can tolerate.

The Green Night.

On the surface, Censor is a movie with a plot that loosely suggests something akin to Hardcore or 8mm. Throughout the film, hints are dropped about Enid’s traumatic past, including the mysterious disappearance of her younger sister while the two girls were playing together. When the latest film from a provocative auteur named Frederick North crosses her desk, Enid seems to recognise one of the on-screen victims. Is her sister still alive? Has she been swallowed by this world of exploitation horror cinema? More to the point, can Enid finally rescue her and bring her home?

The beauty of Censor lies in how co-writer and director Prano Bailey-Bond plays with this familiar set-up, building a movie around the idea that horror movies are a form of escapism for moral guardians as much as the intended audience, a space into which these people can project their own nightmares and anxieties without ever having to confront the reality of the world around them.

Signalling concern.

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Filed under: On Second Thought | Tagged: censor, film, horror, horror cinema, margaret thatcher, Movie, niamh algar, non-review review, prano bailey-bond, review, video nasties | Leave a comment »

Non-Review Review: Blinded by the Light

Posted on July 11, 2019 by Darren

If the type of jukebox musical codified by the success of Bohemian Rhapsody, Mamma Mia and Rocketman is to become a fixture of the pop cultural landscape, there are certainly worse ways to approach the template than Blinded by the Light.

Many of the beats and structures of Blinded by the Light will be familiar to audiences. Blinded by the Light is a variety of familiar genres blended together; a nostalgic pop period piece rooted in the late eighties, a coming of age story about an insecure teen, a culture clash dramedy about an immigrant family in turbulent times. On top of all that, it is a loving ode to the music of Bruce Springsteen in particular, and more broadly to the power of musical fandom in the life of a wayward teenager.

“Stay on the streets of this town, and they’ll be carvin’ you up all night.”

Blinded by the Light knows the track relatively well. It hits most of its marks. There are few surprises nestled within the run-time of this life affirming story of a young man treating the music of Bruce Springsteen as a spiritual guide. Indeed, there is even a little clumsiness on display. Blinded by the Light makes a strong thematic argument for the importance of family and friends, particularly those around frustrated teenager Javed. However, those characters tend to drop into and out of the narrative, disappearing for extended periods.

However, Blinded by the Light is elevated by infectious enthusiasm. Blinded by the Light – for better and for worse – captures that teenage intoxication of excitement and interest, with a compelling vulnerability and with all the energy of youth. Blinded by the Light is cringy and silly and goofy, but knowingly so. It doesn’t just capture the awkwardness of teenage fantasy, but embraces it. There is a sense that Blinded by the Light is aware of the embarrassment and the stupidity obscured by teenage enthusiasm, and refuses to look away. There’s something joyous in that.

“In Candy’s room, there are pictures of her heroes on the wall,
but to get to Candy’s room, you gotta walk the darkness of Candy’s hall.”

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Filed under: Non-Review Reviews | Tagged: blinded by the light, bruce springsteen, drama, eighties, film, Gurinder Chadha, margaret thatcher, Movie, music, non-review review, period, review | Leave a comment »

Doctor Who – The Shakespeare Code (Review)

Posted on June 21, 2013 by Darren

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

The Shakespeare Code originally aired in 2007.

Goodnight, Doctor.

Nighty night, Shakespeare.

– talk about your British icons

The Shakespeare Code is the third season’s opening trip into British nostalgia, a celebrity historical where the Doctor journeys back in time to meet a famous character and to deal with alien menaces masquerading as something altogether more sinister. This time, the Doctor and Martha travel back to meet William Shakespeare. It’s a little on the nose, but perhaps that’s not a bad thing. After all, teaming the Doctor up with Queen Victoria in Tooth and Claw did seem a little cynical when the show opened with a gag at the expense of Margaret Thatcher.

The rather safe and occasionally quite “postcard-y” portrayal of British history aside, The Shakespeare Code is more interesting as a rather novel form of arc-building for the show. “Saxon” was the arc word for the show’s third season, but restricted to those episodes set in the present. However, The Shakespeare Code winds up offering major thematic foreshadowing of the season ahead.

Where there’s a Will…

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Filed under: Television | Tagged: arts, bbc, Billie Piper, Charles Dickens, doctor, DoctorWho, Globe Theatre, London Bridge, margaret thatcher, Martha, Martha Jones, Online Writing, Queen Victoria, School Reunion, science fiction, shakespeare, Shakespeare Code, Southwark, Story arcs in Doctor Who, William Shakespeare | 1 Comment »

Doctor Who: Tooth and Claw (Review)

Posted on February 7, 2013 by Darren

Tooth and Claw originally aired in 2006.

I want her to say “we are not amused.” I bet you five quid I can make her say it.

Well, if I gambled on that, it’d be an abuse of my privileges of traveller in time.

Ten quid?

Done.

– Rose and the Tenth Doctor are “cute”

There’s something quite interesting at the heart of Tooth and Claw, which might be the best “historical celebrity + monster” mash-up of the Davies era. It’s a wonderful pulpy genre hybrid run-around with Queen Victoria, ninja monks and a werewolf, but it’s also a quite interesting vehicle to explore the way that the show deals with historical characters. After all, Queen Victoria is a British icon, a monumentally important part of the British Empire. It would be tempting to reduce her to a bunch of catch-phrases and a stiff upper lip. It’s a testament to Davies as a writer that he can flesh her out a fully-drawn character.

However, there does seem to be something quite strange about a show that opens with a cheap shot at Margaret Thatcher only to wallow in the iconic status of Queen Victoria.

This year’s Bad Wolf is in Torchwood…

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Filed under: Television | Tagged: arts, bbc, British Empire, Dalek, Davies, doctor, DoctorWho, Ian Hanmore, John Conroy, literature, margaret thatcher, Muppet Movie, Parting of the Ways, Pauline Collins, Queen Victoria, rose, rose tyler, russell t. davies, science fiction, tardis, thatcher, Unearthly Child | Leave a comment »

Non-Review Review: Lincoln

Posted on January 14, 2013 by Darren

Steven Spielberg’s Lincoln might just be the most fascinating exploration of the overlap between legal, moral and democratic power ever produced. Abraham Lincoln’s name might brand the film, and Daniel Day-Lewis’ sensational performance might hold it together, but there’s a very clear sense in watching Lincoln that the film is more preoccupied with lofty philosophical questions about the role of a ruler in a democracy. The Civil War and the 13th Amendment provide a backdrop, but Lincoln seems more concerned with how those elected must wield the mandate given from the people. Must they always represent the views of the people who elected them, or is their job to lead?

Note: Not a Vampire Hunter…

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Filed under: Movies | Tagged: Abraham Lincoln, Academy Award, Confederate States of America, Daniel Day-Lewis, film, history, Lincoln, margaret thatcher, Mary Todd Lincoln, Movie, non-review review, r eview, spielberg, steven spielberg, Tony Kushner, United States | 1 Comment »

The Final Cut (Review)

Posted on June 15, 2012 by Darren

The third and final part of the House of Cards trilogy, The Final Cut exists to bring to a close the story of Francis Urquhart, the iconic and conniving fictional British Prime Minister. Portraying Urquhart during his twilight years, the series presents a man who has arguably faced and overcome all the challenges that the world has to offer. While The Final Cut lacks a clear focal point like House of Cards and To Play the King, it is a fitting conclusion to the epic saga, with a powerhouse central performance from Ian Richardson as the Machiavellian Tory Prime Minister.

Still in his Prime?

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Filed under: Television | Tagged: Canada, Diane Fletcher, Francis Urquhart, history, House of Cards, Ian Richardson, king, Larry Jordan, margaret thatcher, Minor characters in the House of Cards trilogy, Prime Minister, Prime Minister of the United Kingdom, To Play The King, United States, Urquhart, winston churchill | Leave a comment »

To Play the King (Review)

Posted on April 4, 2012 by Darren

The wonderful folks at the BBC have given me access to their BBC Global iPlayer for a month to give the service a go and trawl through the archives. Read my thoughts on the service here, but I thought I’d also take the opportunity to enjoy some of the fantastic content.

You’ve got the King against the Prime Minister, the Lords against the Commons. The bishops are in now, you’ve got “don’t blame the royals”, and – in particular – you’ve got Urquhart’s plan to bring down the monarchy for good and all. And they’ve all played the personal morality card. Every one of them. Which means, in my book, that everybody’s private life is now up for grabs. And I mean everybody’s!

– Sir Bruce Bullerby sums it up

The second part of the House of Cards trilogy has some fairly interesting subject matter. While Francis Urquharts Machiavellian rise to power was enough to ground the first four-part serial, it does occasionally feel like To Play The King has just a bit too much going on. Of course, Andrew Davies’ tight scripting ensures that all the necessary subplots are tidied up before we reach the end credits of the final episode, but things do occasionally feel just a little bit too packed. Still, it’s hard to blame a television show for having too much substance, and there’s a compelling issue at the heart of To Play The King, as novelist Michael Dodds takes the opportunity to explore Britain’s constitutional monarchy, and the possibility of friction that a proactive King might present.

A crowning accomplishment for the BBC?

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Filed under: Television | Tagged: bbc, Charles Prince of Wales, Chief Whip, christianity, David, Denis Thatcher, Francis Urquhart, god, Great Britain, Great Is the Lord, Holy Is the Lord, House of Cards, Ian Richardson, Iron Lady, king, King Jesus, margaret thatcher, meryl streep, Phyllida Lloyd, Praise and Worship, Religion and Spirituality, Scotland, Social work, stephen frears, To Play The King, Urquhart, Wales, Wisdom | 2 Comments »

House of Cards (Review)

Posted on April 2, 2012 by Darren

You might very well think that… I couldn’t possibly comment.

House of Cards is an uncanny political drama. Based on the book written by Michael Dodds, the former “baby faced assassin” for Margaret Thatcher, one wonders just how much of this very dark thriller might actually be based on fact. Charting the rise of the Chief Whip of the Conservative Party, Francis Urquhart, it’s a disturbing exploration of the workings of the system as our villainous protagonist manages to efficiently (and sometimes brutally) remove any obstacles on his path to power. It’s often darkly hilarious, brutally sinister and strangely compelling – sometimes at the same time. While airing, it was granted a sense of relevance by the resignation of then-sitting Prime Minister Margaret Thatcher, but it remains a gripping example of British television drama even two decades after it originally aired.

Clocking in as a compelling lead actor...

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Filed under: Television | Tagged: bbc, BBC iPlayer, Conservative, Conservative Party, David Cameron, david fincher, Francis Urquhart, House of Cards, house of cards (bbc tv show), house of cards (bbc), house of cards (netflix), Ian Richardson, margaret thatcher, netflix, Parties, politics, Prime Minister, United States | 2 Comments »

Non-Review Review: Hunky Dory

Posted on February 26, 2012 by Darren

This film was seen as part of the Jameson Dublin International Film Festival 2012.

There’s very little in Hunky Dory that we haven’t seen before. It’s a story set in the past about a young and idealistic teacher attempting to give her students a more rounded and useful education before they enter the big bad world. It’s set in Wales in 1976, giving the movie a bit of character and contextualising this period as the calm before the storm. Margaret Thatcher, that most divisive and controversial of British Prime Ministers, can be heard faintly on the television in the background; tough economic times lie ahead; skinheads roam the streets; and the Falklands War is just around the corner. As Vivienne, our young drama teacher, attempts to offer some guidance to students who might otherwise slip through the cracks, the sinister forces of the establishment seem to conspire against her.

Joyeux de Viv!

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Filed under: Non-Review Reviews | Tagged: art, Bel Ami, david bowie, dublin, Falklands War, Film festival, Hunky Dory, jameson dublin international film festival, Jameson Dublin International Film Festival 2012, Man Who Sold the World, Marc Evans, margaret thatcher, Minnie Driver, Movie, United States | Leave a comment »

Non-Review Review: The Iron Lady

Posted on January 7, 2012 by Darren

Margaret Thatcher is a complex character. She’s certainly a divisive political figure, but I think that her detractors and her supporters would both admit that the woman isn’t a two-dimensional pop psychology case. The biggest problem with The Iron Ladyis the way that it attempts to offer a simplistic analysis of Thatcher, presenting her as a failure of a wife and a mother who compensated by running her cabinet and her country like a stern matriarch. While Streep gives a solid performance, and director Phyllida Lloyd tries her best to make the movie visually engaging, it feels a bit cheap and shallow. It doesn’t help that the movie trots out the familiar Oscar-baiting bio-pic clichés as if it were assembling an IKEA cabinet. Whatever you may think of Thatcher, she deserved more nuance and complexity than The Iron Lady affords her.