Jameson Dublin International Film Festival 2012

Non-Review Review: Courage (Wymyk)

Posted on March 1, 2012 by Darren

This film was seen as part of the Jameson Dublin International Film Festival 2012.

Courage is a fascinating little Polish film, with an interesting dramatic hook. Director Greg Zglinski offers a searing portrait of masculinity and impotence in the twenty-first century, where ever moment and action and decision seems to be documented for future use – our private failures of judgment ultimately become public spectacles, and in this era of globalisation and instant media connections, it’s impossible to escape the consequences of one bad split-second decision. While Zglinski’s film might overstay even its relatively short runtime, it does raise some interesting and challenging ideas about heroism in the twenty-first century.

Oh, brother!

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Filed under: Non-Review Reviews | Tagged: Academy Award, Academy Award for Best Foreign Language Film, Agnieszka Holland, art, arts, Cinema of Poland, Courage, dublin, Europa, film, Filmmaking, Florida, Fred, In the Sewers of Lvov: A Heroic Story of Survival from the Holocaust, Jameson Dublin International Film Festival 2012, Jerzy, Jews, Movie, Movies, non-review review, politics, review, United States | 2 Comments »

Non-Review Review: This Must Be The Place

Posted on February 28, 2012 by Darren

This film was seen as part of the Jameson Dublin International Film Festival 2012. It was the second “surprise” film.

This Must Be The Place is a film that has several interesting components, but keeps them so thoroughly isolated from one another through almost deft use of road movie clichés that nothing ever clicks. Paolo Sorrentino hasn’t so much made a movie as he has stapled a bunch of holiday snapshots together, treating us to a holiday slideshow full of half-finished anecdotes, banal details and no real sense of structure. That’s not to say that there aren’t moments of brilliance scattered through the over-long and self-indulgent mess of a film, but the fact is they can’t add enough flavour to salvage the film.

Here's lookin' at you, punk...

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Filed under: Non-Review Reviews | Tagged: art, David Byrne, dublin, film, Film festival, France McDormand, Harry Dean Stanton, Ireland, Irish Film Board, jameson dublin international film festival, Jameson Dublin International Film Festival 2012, Movie, non-review review, Paolo Sorrentino, review, sean penn, This Must be the place (film), this must be the place (movie), titanic, United States | 7 Comments »

Non-Review Review: The Raid (Redemption)

Posted on February 28, 2012 by Darren

This film was seen as part of the Jameson Dublin International Film Festival 2012.

I am not a fan of absolutes. They generally scare me, because they leave so little room for error. With that in mind, I have two things to say about Gareth Evans’ The Raid, the first film to pick up both the Dublin Film Critics’ Circle award for best film and the Jameson International Film Festival’s Audience Award. Put simply, The Raid is the best action movie I have seen in years. The second is that watching it in a cinema with hundreds of film fans feeling the exact same thing might be one of the best movie-going experiences of my life.

That’s a pretty big deal.

Everybody was kung-fu fighting...

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Filed under: Non-Review Reviews | Tagged: Audience Award, dublin, Evans, film, Film festival, Gareth Evans, jameson dublin international film festival, Jameson Dublin International Film Festival 2012, jdiff 2012, Linkin Park, Movie, non-review review, Raid, review, swan lake, the raid (film), the raid (movie), the raid: redemption, United States | 10 Comments »

Non-Review Review: Death of a Superhero

Posted on February 26, 2012 by Darren

This film was seen as part of the Jameson Dublin International Film Festival 2012. This was the closing gala.

Cancer is a tough topic to address in film, if only because mortality offers a thin line to walk between sincere reflection and blatant emotional manipulation. It is an even greater problem when you’re dealing with a younger protagonist, one who has barely had a chance at life before the disease conspires to rip them away from the world and their loved ones. Death of a Superhero is far to schmaltzy for its own good, often pandering to its audience while trying to distract away from its cloying manipulations with predictable doses of humour and a wry cynicism that the hero must vanquish before his untimely passing.

Holding out for a hero...

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Filed under: Non-Review Reviews | Tagged: Aisling Loftus, andy serkis, art, California, Death of a superhero, dublin, film, Film festival, Filmmaking, jameson dublin international film festival, Jameson Dublin International Film Festival 2012, Michael McElhatton, Movie, non-review review, review, superhero, United States | 4 Comments »

Non-Review Review: Hunky Dory

Posted on February 26, 2012 by Darren

This film was seen as part of the Jameson Dublin International Film Festival 2012.

There’s very little in Hunky Dory that we haven’t seen before. It’s a story set in the past about a young and idealistic teacher attempting to give her students a more rounded and useful education before they enter the big bad world. It’s set in Wales in 1976, giving the movie a bit of character and contextualising this period as the calm before the storm. Margaret Thatcher, that most divisive and controversial of British Prime Ministers, can be heard faintly on the television in the background; tough economic times lie ahead; skinheads roam the streets; and the Falklands War is just around the corner. As Vivienne, our young drama teacher, attempts to offer some guidance to students who might otherwise slip through the cracks, the sinister forces of the establishment seem to conspire against her.

Joyeux de Viv!

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Filed under: Non-Review Reviews | Tagged: art, Bel Ami, david bowie, dublin, Falklands War, Film festival, Hunky Dory, jameson dublin international film festival, Jameson Dublin International Film Festival 2012, Man Who Sold the World, Marc Evans, margaret thatcher, Minnie Driver, Movie, United States | Leave a comment »

Jameson Cult Film Club: Reservoir Dogs & A Talk With Michael Madsen (JDIFF 2012)

Posted on February 25, 2012 by Darren

This event was held as part of the Jameson Dublin International Film Festival 2012.

Last year’s Jameson Dublin International Film Festival served as the launch of the Jameson Cult Film Club, with a screening of The Usual Suspects with Kevin Spacey in attendance. To celebrate the first anniversary of that launch, the guys organised a special treat for movie fans in the capital – a screening of Reservoir Dogs, with Michael Madsen in attendance. It goes almost without saying that the Jameson folks threw one hell of a shindig, converting Dublin’s CHQ into the warehouse from Tarantino’s iconic debut – a film that had hosted its Irish premiere as part of the festival twenty years ago, a screening that host Rick O’Shea remembered fondly. It was a great evening, organised with the same impeccable style as ever.

Note: This is just an article about the wonderful screening held by the Jameson Cult Film Club, including an interview with the man himself, Michael Madsen. I’ll be running a review of Tarantino’s masterpiece sometime next week, when I’ve had a bit more sleep.

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Non-Review Review: Chicken With Plums

Posted on February 25, 2012 by Darren

This film was seen as part of the Jameson Dublin International Film Festival 2012.

As the follow-up to Persepolis, it doesn’t seem unreasonable to suggest that there’s a lot of expectations around Marjane Satrapi’s follow-up, Chicken With Plums. The second in her trilogy of graphic novels, Chicken With Plums might fall a bit short of the heights that its predecessor reached, but there’s no denying that Satrapi and her co-director, Vincent Paronnaud, have composed a truly beautiful film. In fact, I would go so far as to say that Chicken With Plums might be the most beautiful film that you will see this year – a bold statement for late February. There are some very fundamental problems with the movie, most stemming from the fact that it can never decide if it’s a story or a collection of anecdotes, but it’s held together by superb artistic direction and a charming central performance from Mathieu Amalric.