• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Non-Review Review: Bill & Ted Face the Music

Bill and Ted Face the Music is a solid legacy sequel, if not a spectacular one.

The third Bill and Ted movie has been in the works for a long time. It has been gestating for years in various states, driven by the enthusiasm of writers Chris Matheson and Ed Solomon, and stars Keanu Reeves and Alex Winter. Bill and Ted’s Bogus Journey had the relative good fortune to arrive only two years after Bill and Ted’s Excellent Adventure, but Bill and Ted Face the Music emerges after a thirty-year gap in which the original films have gone from charming curiosities to bona fides cult classics.

Old friends.

This is to say that Bill and Ted Face the Music faces a challenge that is every bit as impossible as that facing the eponymous heroes. Providing a fitting capstone to a franchise that has grown from humble beginnings to legendary status is a monumental task, on par with trying to unite the world through music. Indeed, perhaps the smartest thing about Bill and Ted Face the Music is the way in which it recognises that the task it has set itself and its two leads is insurmountable.

Bill and Ted Face the Music is a charming film, one that largely coasts on the delightful ironic earnestness of its two lead protagonists and a sincere affection for all of its characters. It’s hard to resist Bill and Ted Face the Music, with its playfulness and its breezy sensibility. However, the film doesn’t entirely work. It struggles with pacing, it struggles to anchor its ensemble together, and it often feels like it is trying to do far too much within its modest (but nimble) eighty-minute runtime. Bill and Ted Face the Music won’t save the world, but might make it a little happier.

Music to my ears.

Continue reading

Non-Review Review: What Richard Did

The latest film from Lenny Abrahamson is a solid slow boil moral and psychological drama. It treads well-worn ground, exploring the relationship between guilt and entitlement, but does so in a relatively charming way, navigated by Abrahamson’s solid direction and a great central performance from Jack Reynor. However, it’s hard not see this as a variation on a familiar story, one we’ve seen rendered in an American and a British context quite often. Malcolm Campbell’s overly melodramatic script never quite manages to ground to film in a particularly Irish setting, despite the posh Blackrock background and the occasionally recognisable landmark. Even the title change, eschewing the novel’s Bad Day in Blackrock for a more generic What Richard Did seems to try to broaden the scope of the film, losing a lot of the more potentially fascinating avenues that could be explored.

More than his ego is bruised…

Continue reading

Non-Review Review: Chicken With Plums

This film was seen as part of the Jameson Dublin International Film Festival 2012.

As the follow-up to Persepolis, it doesn’t seem unreasonable to suggest that there’s a lot of expectations around Marjane Satrapi’s follow-up, Chicken With Plums. The second in her trilogy of graphic novels, Chicken With Plums might fall a bit short of the heights that its predecessor reached, but there’s no denying that Satrapi and her co-director, Vincent Paronnaud, have composed a truly beautiful film. In fact, I would go so far as to say that Chicken With Plums might be the most beautiful film that you will see this year – a bold statement for late February. There are some very fundamental problems with the movie, most stemming from the fact that it can never decide if it’s a story or a collection of anecdotes, but it’s held together by superb artistic direction and a charming central performance from Mathieu Amalric.

A man at peace, but with inner violin...

Continue reading