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Non-Review Review: When the Lights Went Out

At its best, When the Lights Went Out feels like a cinematic throwback, almost like The Woman in Black. While The Woman in Black harked back to a period of classic British horror, the height of Hammer’s gothic schtick, When the Lights Went Out feels like an affectionate homage to the urban haunting movies of the seventies, like The Amityville Horror with a Yorkshire accent. Although the final third comes off the rails in a fairly massive way, there’s enough charm and nostalgia to keep When the Lights Went Out entertaining for most of its runtime. It’s not just the setting and the aesthetic that hark back to the seventies, but also the tone and the mood.

I hope she’s not left hanging…

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Non-Review Review: The Hound of the Baskervilles (1959)

Back in its heyday, Hammer Horror had a reputation as an assembly-line studio, churning out cheesy exploitation horror after cheesy exploitation horror with an efficiency that would make battery farmers jealous. I won’t pretend that the reputation is entirely undeserved, although I do have a certain fondness for the delightful schlock the studio would produce. Still, I think that this reputation tends to overshadow the occasional gem that the studio would produce, something that managed to transcend the cost-effective scenery and cookie-cutter approach to film-making. While it probably isn’t the definitive adaptation of the tale, Hammer’s The Hound of the Baskervilles is still an absolute delight for gothic horror aficionados.

Put that in your pipe and smoke it…

Note: This review contains spoilers. I consider a classic novel and fifty-year-old film to be fair game.

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Non-Review Review: The Woman in Black

The Woman in Black is a stately, old-fashioned horror film – the kind of Victorian era ghost story that I honestly feared had vanished from the multiplex. James Watkins’ adaptation of Susie Hill’s cult 1983 horror novel revels in the classic horror conventions, complete with jump scares, a stylish atmosphere and a hyperactive orchestral string section. It’s very much a loving resurrection of the type of classy conventional scary movies that have been replaced by serial killer or found footage films. There are moments when the movie might stick a little bit too close to that classic formula, and it feels a little brisk in the middle, but it’s a hugely enjoyable and thrilling experience.

Potter at the gates at dawn?

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Non-Review Review: Dracula – Prince of Darkness

It’s interesting that Hammer chose to package Dracula: Prince of Darkness in the “best of” collection I picked up for my gran over Christmas. It isn’t that it’s hardly the strongest entry in Hammer’s canon, but it’s also not the strongest instalment in their Dracula franchise. It’s the third release in the series chronologically (and, arguably, in terms of quality), following The Horror of Dracula and The Brides of Dracula). It’s not a bad film, if you’re a fan of these sorts of sixties gothic horrors, but it’s not necessarily a good one either. It’s functional, if not efficient, and never really finds anything particularly compelling about any of its characters or its set up.

You can Count on me!

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Non-Review Review: Wake Wood

This film was seen as part of the Jameson Dublin International Film Festival.

Even though I never lived through their “golden age” of schlock horror films, I still feel a sympathetic affinity for Hammer’s House of Horror. Watching movies late into the night with my gran and grandfather was one of those treats my younger self enjoyed on returning from abroad for Summer or Christmas holidays. As such, it’s nice to see Hammer producing movies again. Let Me In was a fairly major success for the company, remarking the already-classic vampire film Let the Right One In, but it didn’t feel as deeply rooted in Hammer’s horror traditions as the Irish horror the Wake Wood does. For better or worse, the Wake Wood is pure Hammer Horror.

The truth always comes to light...

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Non-Review Review: Scream Blacula Scream

I curse you with my name. You shall be… Blacula! Vampire!  

– the only thing worse than Dracula is racist!Dracula  

I have to concede, Scream Blacula Scream (what a title!) is actually pretty high end blaxploitation. Sure it’s cornier than my foot after a long hike, but it never truly descends into the realm of self-parody that we seem to have (at least retroactively) come to expect from such blaxploitation films. This is actually a sequel to the previous year’s Blacula. Although I wasn’t really going in expecting much, what I got was certainly better than a large portion of the generic Hammer Horror films of the era. This is certainly helped no end by the lead performance from William Marshall who – even in a silly cape – manages to lend proceedings a touch of class.  

Fangs for the memories...

Note: I have to concede that I am pretty ticked off with MGM HD. They’ve been running this as the UK High Definition Premiere of “Blacula”, but it’s actually the sequel. Not that I’m complaining too much, but it feels weird to see the sequel before the original.  

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