slasher | the m0vie blog

336. Jeepers Creepers: Reborn (-#37)

Posted on May 27, 2023 by Darren

Hosted by Andrew Quinn and Darren Mooney, this week joined by special guests Joey Keogh and Billie Jean Doheny, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This week, Timo Vuorensola’s Jeepers Creepers: Reborn.

Twenty-three years after its last feeding frenzy, the mysterious “Creeper” has emerged from its rest, and it hungers. Finding itself drawn to a horror convention in Louisiana, the Creeper plans to unleash a nightmare all of its own upon the unsuspecting cosplayers.

At time of recording, it was ranked 37th on the list of the worst movies of all time on the Internet Movie Database.

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Filed under: The Bottom 100, This Just In | Tagged: #metoo, billie jean doheny, hollywood, horror, ip, jeepers creeper, jeepers creepers: reborn, joey keogh, me too, nathan winters, podcast, reboot, sequel, sexual assault, slasher, The 250, The Bottom 100, the creeper, Timo Vuorensola, victor salva | Leave a comment »

325. Child’s Play (#—)

Posted on May 20, 2023 by Darren

Hosted by Andrew Quinn, Darren Mooney and Charlene Lydon, this week joined by special guest Bren Murphy, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This week, Tom Holland’s Child’s Play.

Young Andy Barclay just wants one thing for his birthday: a Good Guy Doll. However, the coveted toy is outside his mother’s price range. Luckily, fate brings a discount doll into her hands, but things quickly become complicated. Andy finds himself at the centre of a series of mysterious deaths and is convinced that his beloved companion has taken on a life of his own, inheriting the spirit of the serial killer Charles Lee Ray, better known as “Chucky.”

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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Filed under: The 250 | Tagged: Brad Dourif, charlene lydon, child's play, consumerism, don mancini, horror, imdb, killer dolls, mayhem, murder, podcast, slasher, The 250, Tom Holland | Leave a comment »

New Escapist Video! “Scream VI is a Safe but Sturdy Slasher”

Posted on March 9, 2023 by Darren

I’m thrilled to be launching movie and television reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a five-minute film review of Scream VI, which was released in cinemas this weekend.

Filed under: Movies | Tagged: escapist, franchise, high-concept, horror, Randy, review, Scream, scream vi, sequel, slasher, the escapist | Leave a comment »

New Escapist Column! On How “Scream 4” Took the Franchise’s Self-Awareness to Its Logical Endpoint…

Posted on March 8, 2023 by Darren

We’re launching a new column at The Escapist, called Out of Focus. It will publish every Wednesday, and the plan is to use it to look at some film and television that would maybe fall outside the remit of In the Frame, more marginal titles or objects of cult interest. With the upcoming release of Scream VI, it seemed like a good opportunity to take a look back at the criminally underrated Scream 4.

The last film in the franchise to be written by Kevin Williamson or directed by Wes Craven, Scream 4 exists in a weird space. It is separated from the two film either side of it by more than a decade, the only point in time where the franchise wasn’t coming out on a regular basis. However, it’s a movie that feels very firmly ahead of its time. It was released years before Star Wars: Episode VII – The Force Awakens and David Gordon Green’s Halloween, but it feels in conversation with a wider culture caught in a feedback loop of Gen X nostalgia.

You can read the piece here, or click the picture below.

Filed under: Movies | Tagged: 1990s, Emma Roberts, franchise, gen x, horror, Kevin Williamson, meta, nineties, nostalgia, out of focus, Scream, self-awareness, slasher, wes craven | Leave a comment »

New Escapist Column! On How “Scream” Went From a Deconstruction to a Celebration of Horror Tropes…

Posted on January 23, 2023 by Darren

I published a new In the Frame piece at The Escapist this evening. With the looming release of Scream VI, it seemed like as good a time as any to consider the state of the modern horror franchise.

When Scream premiered, it was a radical deconstruction of classic slasher movie tropes that breathed new life into the genre. It even helped to resurrect troubled slasher franchises like Halloween or Child’s Play. So it’s interesting that, as the series has progressed, it has become more and more like the kinds of movies that it was originally a reaction against. It’s a fascinating illustration of how these franchises evolve over the decades since their original release.

You can read the piece here, or click the picture below.

Filed under: Movies | Tagged: deconstruction, franchise, horror, in the frame, Movie, Scream, scream 6, slasher, trailer | Leave a comment »

New Escapist Column! On “Scream 2” as the Perfect Slasher Sequel…

Posted on October 19, 2022 by Darren

I published a new In the Frame piece at The Escapist last week. With the film’s 25th anniversary approaching and Halloween coming up, it seemed like a good time to talk about Scream 2, Kevin Williamson and Wes Craven’s underrated slasher sequel.

Scream 2 is in many ways the perfect sequel to a smash success like the original Scream, despite its rushed and troubled production. Scream 2 is a movie that manages to both double-down on what made Scream so compelling, while also honing in on the emotional heart of the story being told. It’s the rare sequel that manages to heighten an already heightened premise, without ever losing sight of the characters within the story. It’s clever, it’s funny, but it’s also very sharply observed.

You can read the piece here, or click the picture below.

Filed under: Movies | Tagged: academic, escapist, film criticism, halloween, horror, in the frame, meta, Scream, Scream 2, self-aware, slasher, tragedy, trauma, wes craven | Leave a comment »

New Escapist Video! “Halloween Ends, Thank Goodness”

Posted on October 17, 2022 by Darren

I’m thrilled to be launching movie reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a five-minute film review of Halloween Ends, which is in cinemas and on Peacock now.

Filed under: Movies | Tagged: david gordon green, escapist, halloween, halloween ends, michael myers, Movie, nightmare, review, slasher, universal | Leave a comment »

New Escapist Column! On the Meanness and Meaninglessness of “Halloween Kills”…

Posted on October 10, 2022 by Darren

I published a new In the Frame piece at The Escapist this evening. With the upcoming release of Halloween Ends, it seemed like a good opportunity to take a look back at the last entry in the horror franchise.

Halloween Kills is a divisive addition to the slasher movie canon, a grubby and nihilistic horror movie that completely lacks a central ordering principle. Halloween Kills is a movie without a hero. Instead, it is just a monster and his victims. The result is a surprisingly brutaly and bloody slasher movie from a major studio, at a point in time where these films are becoming increasingly homogenised by the logic of intellectual property brand management. Halloween Kills is a film in which there is no reason or logic for the horror that unfolds, and that only serves to make it more scary.

You can read the piece here, or click the picture below.

Filed under: On Second Thought | Tagged: brutality, escapist, halloween kills, Hero, horror, horror franchises, in the frame, laurie strode, meaninglessness, michael myers, murder, nihilism, slasher, slasher movies, studio horror | Leave a comment »

New Escapist Column! In the “Texas Chainsaw Massacre” Franchise…

Posted on February 22, 2022 by Darren

I published a new In the Frame piece at The Escapist earlier this week. With the release of Texas Chainsaw Massacre on Netflix, it seemed like a good opportunity to take a look back at the larger franchise spawned from The Texas Chain Saw Massacre.

The Texas Chain Saw Massacre is one of the defining horror movies of the seventies, an innovative and influential low-budget indie that demonstrated what was possible outside the mainstream production machine. However, few horror classics have been as poorly served by the sequels that followed as The Texas Chain Saw Massacre. While most other major horror franchises can boast a genuine (or even just cult) classic among their sequels, the sequels to The Texas Chain Saw Massacre have been a slow and brutal slog into generic horror nonsense. Texas Chainsaw Massacre is just the latest stop on that journey.

You can read the piece here, or click the picture below.

Filed under: On Second Thought | Tagged: commentary, escapist, gore, horror, in the frame, leatherface, slasher, texas chain saw massacre, the escapist, the texas chainsaw massacre, violence | Leave a comment »

New Escapist Column! On How the “Chucky” Franchise Is About Being Both Mass Produced and Remaining One of a Kind…

Posted on January 14, 2022 by Darren

I published a new In the Frame piece at The Escapist this evening. I’ve been watching the Child’s Play and Chucky franchise, and so it seemed like a good opportunity to delve into one of the more distinctive major horror franchises.

There’s an interesting tension to the Chucky franchise, one that plays out across the various entries. This is a horror series about a mass-produced piece of children’s entertainment, controlled by the demented soul of a monstrous serial killer. Much of the franchise is about the contrast between those two ideas: the factory-assembled doll and the distinctive spirit inside of it. It works well as a metaphor for the larger Chucky franchise as a whole, which has changed form repeatedly across its various incarnations, but somehow managed to retain a unique and consistent identity.

You can read the piece here, or click the picture below.