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Doctor Who: Wish World (Review)

“We’re going to bring down God. Are you with us?”

In many ways, Wish World feels like a thesis statement for Davies’ return to Doctor Who.

It is a story that is, very overtly, about the power of stories and narratives to warp reality. It is a story about the violence that comes from attempts to impose restrictive and suffocating conformist narratives upon people, and how media can bend reality to a point that doubt can cause the world itself to literally crack open. Davies’ return to Doctor Who has been fascinated by the porous nature of reality and the power of television as a medium, and all of that comes crashing to a head with Wish World.

A delightful John-ty adventure.

Wish World is very obviously setting up The Reality War, the big blockbuster-sized finale that will be the first episode of Doctor Who to premiere on BBC One since The Giggle, allowing for the Christmas Specials The Church on Ruby Road and Joy to the World. A significant portion of the episode amounts to pieces being moved around the board so that they can deliver in the season finale, to the point that the Rani herself has to acknowledge that the final act of the episode is largely “exposition.” It is always difficult to discuss the first part of a two-part episode in isolation, and that is especially true of a the first part of a season finale.

However, Wish World works largely on its own terms, crystalising the ideas that have been simmering across these twenty episodes since The Star Beast, articulating themes that are clearly weighing on Davies’ mind.

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New Escapist Column! On “The Flash” as a Two-Hour-Long Shareholders’ Memo…

I published a new In the Frame piece at The Escapist on Friday. With the release of The Flash in cinemas, it seemed like a good opportunity to consider the movie.

What is interesting about The Flash is that it is a movie almost entirely devoid of any artistic sentiment whatsoever. It is a movie that does not exist because anybody working on it had a brilliant idea that needed to be realised. It exists largely because Warner Bros. decided that they needed a Flash movie, and so – against all laws of nature and reality – simply willed that movie into existence.

You can read the piece here, or click the picture below.

289. The Princess Bride (#—)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Aoife Barry, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Rob Reiner’s The Princess Bride.

As a young kid lies sick in bed, wasting time on video games, his grandfather decides to pay a visit. Taking the opportunity to indulge in a timeworn family tradition, the grandfather decides to share a timeless tale of romance and adventure that has been passed down from one generation to another: S.W. Morganstern’s The Princess Bride.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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284. Doctor Strange in the Multiverse of Madness (#—)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Luke Dunne, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Sam Raimi’s Doctor Strange in the Multiverse of Madness.

The master of the mystic arts, Doctor Stephen Strange, is attending the wedding of his ex-girlfriend Christine Palmer when New York is attacked by a strange creature chasing a young refugee named America Chavez. Strange finds himself drawn into a chase across the vast and infinite multiverse, questioning the nature of the reality in which he has found himself.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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New Escapist Column! On the “Doctor Strange in the Multiverse of Madness” as a Parable About the Dangers of Rejecting Reality…

I published a new In the Frame piece at The Escapist this evening. With the release of Doctor Strange in the Multiverse of Madness, it seemed like a good opportunity to talk about the film.

Despite its title, Doctor Strange in the Multiverse of Madness seems refreshingly wary of the multiverse as a concept, understanding that the collapse of reality is not necessarily a good thing. Indeed, despite the title, the film is largely about the importance of embracing and accepting one’s original reality, and a cautionary tale about the dangers of retreating into fantasy. In particular, Doctor Strange in the Multiverse of Madness is a horror story about the lengths that people will go to preserve their fantasies – and the consequences of those actions.

You can read the piece here, or click the picture below.

New Escapist Column! On the “Jungle Cruise” and the Journey Into the Uncanny Valley…

I published a new In the Frame piece at The Escapist this evening. With the release of Jungle Cruise this week, it seemed like a good opportunity to take a look at the Dwayne Johnson and Emily Blunt vehicle.

It isn’t particularly surprising that Jungle Cruise takes place in an unreal environment. After all, this is a feature film based on a theme park ride. However, it is striking how completely and how eagerly it rejects anything resembling reality. Jungle Cruise draws openly from films like The Mummy, The African Queen, Raiders of the Lost Ark, Romancing the Stone and Pirates of the Caribbean: The Curse of the Black Pearl, globe-trotting adventures that blend special effects with beautiful location work. In contrast, Jungle Cruise unfolds entirely within the hard drive of a computer.

You can read the piece here, or click the picture below.

New Escapist Column! On the Tenets of TENET…

I published a new In the Frame piece at The Escapist this evening. With TENET now on streaming, it seemed like a good time to dive into the film’s position within Christopher Nolan’s filmography.

Most discussions of Nolan’s filmography focus on the director’s obsession with time, and TENET makes sense in that context. However, the film also ties into more existential anxieties that simmer through Nolan’s body of work, in particular the question of reality actually is and how best to respond to a world that can fundamentally chaotic, hostile and unknowable. TENET deals this this theme, confronting its audience and its characters with a reality that appears to be unraveling.

You can read the piece here, or click the picture below.

 

New Escapist Column! On How “WandaVision” Plays Sitcom as Horror and Nostalgia as Nightmare…

I published a new In the Frame piece at The Escapist this evening. With WandaVision currently streaming on Disney+, it seemed like an interesting opportunity to look at the show’s use of the language of sitcoms.

In particular, sitcoms have long been a staple genre of American television. However, they don’t just reflect cultural norms, they also project an aspirational ideal. For generations of Americans, the domestic sitcom presented a vision of domestic life that shaped and informed popular consciousness. In WandaVision, those nostalgic fantasies become a trap and a waking nightmare, as characters build themselves a life of seeming domestic bliss dictated by decades of television. Wanda has built herself a cage, treating television as a mirror.

You can read the piece here, or click the picture below.

209. Shutter Island – Summer of Scorsese (#156)

Hosted by Andrew Quinn, Jay Coyle and Darren Mooney, with special guest Kurt North, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This time, continuing our Summer of Scorsese season, Martin Scorsese’s Shutter Island.

Martin Scorsese is one of the defining directors in American cinema, with a host of massively successful (and cult) hits that have shaped and defined cinema across generations: Who’s That Knocking at My Door?, Boxcar Bertha, Cape Fear, CasinoThe Aviator, The Departed, Silence. The Summer of Scorsese season offers a trip through his filmography via the IMDb‘s 250.

Federal Marshall Teddy Daniels makes a trip across Boston Harbour to visit the psychiatric institution on Shutter Island, investigating the mysterious disappearance of one of the patients. However, as Teddy probes deeper and deeper into the workings of the facility, it becomes very clear that things are not as they appear.

At time of recording, it was ranked 156th on the Internet Movie Database‘s list of the best movies of all-time.

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188. The Truman Show (#177)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Kurt North, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This time, Peter Weir’s The Truman Show.

Truman Burbank has the perfect life. He has a good job, a loving wife, a charming best friend. He lives an idylised existence, one where he wants for nothing. However, a series of freak occurences jolt Truman out of his blissful world and force him to confront a potentially horrifying reality: what if everything that he knows is just an elaborate lie?

At time of recording, it was ranked 177th on the list of the best movies of all time on the Internet Movie Database.

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