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New Podcast! Scannain Podcast (2018) #12!

The twelfth edition of the new and revived Scannain podcast discusses the week that has been in Irish and international film.

This week, I’m joining Jason Coyle, Ronan Doyle and Emma Fagan to discuss everything from zero-budget Irish indie The New Music to the internal logic of It Follows. As usual, we discuss what we’ve watched over the past week or so, jump into the top ten, and talk about the new releases landing in Irish cinemas.

Check it out here, or give it a listen below. You can access the New Music GoFundMe here.

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The X-Files – Fight Club (Review)

This September, we’re taking a trip back in time to review the seventh season of The X-Files and the first (and only) season of Harsh Realm.

Fight Club is an unpleasant episode of The X-Files.

It’s not “unpleasant” in a good way, like (arguably) Signs and Wonders or (definitely) Theef. It is “unpleasant” in a way that feels ill-judged and tone-deaf. Following on the charm and whimsy of Hollywood A.D., the script for Fight Club seems packed with forced charm and staged whimsy. At its most basic level, Fight Club is a comedy episode that simply isn’t funny. More than that, it’s an episode that isn’t particularly funny or clever to begin with, but then spends forty-five minutes insisting upon its own wit.

"Some of us are looking at the stars..."

“Some of us are looking at the stars…”

There is also a sense of unpleasantness about the themes and content of the episode in the context of the late seventh season. After all, it is no secret that the production team were facing considerable internal and external pressure. These pressures included a lawsuit involving the show’s lead actor and the show’s creator (not to mention the show’s network) and the fact that everybody on the production team was waiting for David Duchovny to determine if they would have a job the following season.

With all of this going on in the background, maybe an episode the implicitly features the show’s two lead actors knocking the stuffing out of each other for no good reason is not the best idea in the world.

"Hm..."

“Hm…”

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Millennium – Darwin’s Eye (Review)

This July, we’re taking a trip back in time to review the sixth season of The X-Files and the third (and final) season of Millennium.

There is a reckless abandon to the the late third season of Millennium that is oddly endearing.

The first half of the year seemed almost cautious and conservative, as if trying to smooth the rough edges off the show in the hopes of turning it into a more generic piece of television. That approach failed spectacularly, and hobbled the rest of the season. Towards the end of the third season, Millennium allowed itself to become a bit bolder and more abstract, proudly flying its freak flag high. The show found an energy and verve, throwing crazy concepts into scripts with reckless abandon and little regard for how they fit together.

Shady theories...

Shady theories…

It doesn’t entirely work. If anything, it underscores just how skilfully the second season had integrated these crazy ideas with a clear creative direction and a solid thematic foundation. The second season know roughly where it wanted to go, and so embarked on an epic journey towards that point. While the third season has its own thematic underpinnings, these feel more like recurring visual motifs and ideas than a clear purpose. As a result, the weirdness can seem detached and purposeless, abstract and surreal.

However, even when the late third season episodes don’t quite work, they remain interesting. There is a breathless energy to these stories that was sadly missing in the first stretch of the year. Darwin’s Eye is a prime example. It is not an episode that could be described as a success by any measure, but it is still ambitious and dynamic in a way that mitigates its failings. Somewhat.

That's one way to get a head in love...

That’s one way to get a head in love…

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Star Trek – I, Mudd (Review)

The first Star Trek pilot, The Cage, was produced in 1964. To celebrate its fiftieth anniversary, this December we are reviewing the second season of the original Star Trek show. You can check out our first season reviews here. Check back daily for the latest review.

I, Mudd is delightfully silly.

This is probably the broadest Star Trek comedy episode ever produced. It is very difficult to imagine any Star Trek ensemble outside the original cast pulling off an episode like this. While The Trouble With Tribbles is easily the show’s most iconic comedy episode (and the franchise’s, to boot), there is something rather plucky and endearing about I, Mudd. One of features of the later Star Trek spin-offs was a tendency to take themselves quite seriously. This isn’t a problem of itself, but it does make it impossible to do a show like I, Mudd.

Mudd in yer eye...

Mudd in yer eye…

As with other second-season episodes, there is a sense that the show is stretching its wings a bit. Catspaw was a clear attempt to do a horror story, and Wolf in the Fold was a slasher or occult film in Star Trek form. Episodes like Amok Time and Journey to Babel are very consciously building out the Star Trek universe. Episodes like I, Mudd and The Trouble With Tribbles demonstrate that Star Trek can do comedy.

To be fair, it is perfectly reasonably to argue that shows like I, Mudd led the show to think that Spock’s Brain was a good idea. Still, I, Mudd is just so much fun – demonstrating the sense of goofy and theatrical fun that ran through so much of classic Star Trek.

"Stella, Stella... You're putting me through hell-a!"

“Stella, Stella… You’re putting me through hell-a!”

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Star Trek – Sarek by A.C. Crispin (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

One of the more interesting things about the expanded Star Trek universe is the diversity. It is possible for supporting characters and guest stars to carry their own narratives and stories within the grand sweeping tapestry of the Star Trek universe. Despite his importance to the mythos, Mark Lenard’s Sarek only made a handful of appearances across the history of the franchise. He only appeared once in the entire classic Star Trek television show, in Journey to Babel.

It is a testament to Mark Lenard’s dramatic abilities and D.C. Fontana’s writing that Sarek would recur across Star Trek: The Animated Series, Star Trek: The Next Generation and even the original Star Trek movies. The character – despite only appearing in a supporting role across four televised episodes and four feature films – remains one of the most intriguing supporting characters across the franchise.

A.C. Crispin’s Sarek offers a fascinating glimpse at one of the show’s most compelling guest stars, even if the novel does suffer a bit trying to “fix” some of the problems that the author seems to see in Star Trek VI: The Undiscovered Country.

tos-sarek

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The Art of Bat-Deduction…

My copy of Grant Morrison’s Batman & Robin hardcover should be shipping from Amazon today. In recognition of that fact, and in acknowledgement of Grant Morrison’s description of his book as the Adam West television show filtered through the lens of David Lynch, I give you perhaps my favourite moment of 1960s Batman, from Batman: The Movie. Batman and the Boy Wonder have just been attacked by a shark, leading to the infamous “Bat Shark Repellent” scene, and the Caped Crusader (because it’s just… wrong to call Adam West’s version of the character the Dark Knight) must figure out who was behind the plot:

Batman: Pretty fishy what happened to me on that ladder.
Gordon: You mean, where there’s a fish, there could be a Penguin.
Robin: But wait! It happened at sea! See? “C” for Catwoman!
Batman: Yet — that exploding shark was pulling my leg!
Gordon: The Joker!
O’Hara: It all adds up to a sinister riddle… Riddle-er. Riddler?

And the scariest part? He’s 100% right. They don’t call him the world’s greatest detective for nothing.

On the phone? That's justice...