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Millennium – Darwin’s Eye (Review)

This July, we’re taking a trip back in time to review the sixth season of The X-Files and the third (and final) season of Millennium.

There is a reckless abandon to the the late third season of Millennium that is oddly endearing.

The first half of the year seemed almost cautious and conservative, as if trying to smooth the rough edges off the show in the hopes of turning it into a more generic piece of television. That approach failed spectacularly, and hobbled the rest of the season. Towards the end of the third season, Millennium allowed itself to become a bit bolder and more abstract, proudly flying its freak flag high. The show found an energy and verve, throwing crazy concepts into scripts with reckless abandon and little regard for how they fit together.

Shady theories...

Shady theories…

It doesn’t entirely work. If anything, it underscores just how skilfully the second season had integrated these crazy ideas with a clear creative direction and a solid thematic foundation. The second season know roughly where it wanted to go, and so embarked on an epic journey towards that point. While the third season has its own thematic underpinnings, these feel more like recurring visual motifs and ideas than a clear purpose. As a result, the weirdness can seem detached and purposeless, abstract and surreal.

However, even when the late third season episodes don’t quite work, they remain interesting. There is a breathless energy to these stories that was sadly missing in the first stretch of the year. Darwin’s Eye is a prime example. It is not an episode that could be described as a success by any measure, but it is still ambitious and dynamic in a way that mitigates its failings. Somewhat.

That's one way to get a head in love...

That’s one way to get a head in love…

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