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Non-Review Review: Once Upon a Time… In Hollywood

Once Upon a Time… in Hollywood is a fairy tale, for better and for ill.

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Star Trek – The Immunity Syndrome (Review)

The first Star Trek pilot, The Cage, was produced in 1964. To celebrate its fiftieth anniversary, this December we are reviewing the second season of the original Star Trek show. You can check out our first season reviews here. Check back daily for the latest review.

The Immunity Syndrome is an underrated masterpiece, the first genuine classic overseen by producer John Meredyth Lucas.

It is bold, brilliant and more than a little bit weird. This is Star Trek as pure sixties science-fiction. It is a psychedelic ecological tale focused on mankind’s place in the larger universe. It doesn’t just pit the Enterprise against a giant space amoeba, it suggests that the universe itself is a singular gigantic organism, a complex system in which the Enterprise is just one part. The Immunity Syndrome is weird and wonderful, eerie and beautiful in equal measure. It is one of Star Trek‘s most effective encapsulations of the sixties.

Freak out!

Freak out!

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The X-Files – Oubliette (Review)

This November (and a little of December), we’re taking a trip back in time to review the third season of The X-Files and the first (and only) season of Space: Above and Beyond.

There’s a plausible argument to be made a large part of The X-Files‘ third season is doing what worked in the first and second seasons, only better.

The Walk feels very similar to a less racist and sexist version of Excelsis Dei. 2Shy decides to split the difference between Tooms and Irresistible, with David Nutter directing. The show keeps the mythology two-parters during sweeps, and David Duchovny gets to contribute to two key stories over the course of the season. It’s not a bad approach, and it pays dividends. There is a reason that the third season of The X-Files works as well as it does. It’s a ruthlessly efficient television production machine.

Drowning his sorrows...

Drowning his sorrows…

If that argument holds water, then perhaps Oubliette can be seen as an update to Aubrey. Both stories build on the idea that horrific crimes leave very lasting consequences, and that women often have to live with the scars inflicted by men. More broadly, they are shows about our relationship with history – the idea that the past cannot ever be escaped, and that violence and pain tend to linger on years after they are initially inflicted.

Given the broader themes of the mythology in the third season, about the secret shameful legacy of America’s conduct in the aftermath of the Second World War, Oubliette plays like a thematic prelude to Nisei and 731. However, that doesn’t do the episode justice. Oubliette is a thoughtful, moving and sentimental episode that tempers its darkness with the very faintest traces of optimism. While it is a story about abuse and exploitation and neglect and failure, it is also a story about empathy.

Shining some light on the issue...

Shining some light on the issue…

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