• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Non-Review Review: Black Christmas (2019)

Black Christmas is an interesting misfire.

There’s something inherently clever about using the familiar template of a slasher movie to engage with the idea of toxic masculinity and the horrors of campus culture. Sophia Takal and April Wolfe certainly have a lot to say, and producer Jason Blum deserves a great deal of credit for positioning a film like this as part of the larger “social thriller” milieu that includes films like The Invisible Man or Get Out or Us. There’s a lot bubbling through Black Christmas, and it’s great to see a slasher film dabbling in these ideas.

Take a bow.

The biggest problem with Black Christmas is that it simply doesn’t work as a horror film. In terms of basic narrative mechanics and pacing, Black Christmas is a mess. The film suffers from many of the same structural problems that haunt so many disposable horror movies; the characters are thinly sketched, the film’s slow build-up feels a little too slow and its climactic confrontations feel a little too rushed and its internal logic is close to non-existent. These problems are compounded by the fact that actually positioning this movie as a remake creates an extra level of extraction.

Black Christmas has good ideas, but is somewhat lacking in the execution.

Don’t choke.

Continue reading