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Non-Review Review: Memento

I figured, what with Inception coming out and all, it was the perfect time in introduce my better half to the rather impressive (and amazingly consistent – indeed, only one of his films did not make my “top 50 films of the decade”) director Christopher Nolan. I discover that she had yet to see Memento, Nolan’s first major American release. We immediately decided to rectify the situation.

Picture perfect...

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Non-Review Review: Toy Story 3

At this stage of my life, I’ve figured out that Pixar are like an old friend you see but once a year. You almost take them for granted until you meet up with them – and they’re filled with amazing stories of adventure, fun and whimsy. Somehow they always have the most exciting tales and wonderful way of spinning their yarns, but they’re also strangely intimate – perhaps it’s because you feel almost like you’ve grown up with them. And then they make you cry. Possibly like a little girl. Who am I to judge, my eyes are still red. And you leave knowing that you’ll see them again around about the same time next year, to share more wonderful fantasies and stories – but you can never hear the same story twice.

Yes Ken Do...

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Non-Review Review: Batman Forever

Was that over the top? I can never tell!

– Edward Nygma, aka The Riddler

Yes, Edward, that was over the top.

“Yeah, Tommy, you got something juuuust here….”

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Non-Review Review: Inception

Does the dreamer dream the dream, or the dream dream the dreamer? Nolan’s Inception somehow finds a way to cram a year’s worth of philosophical questions and big ideas into a two-and-a-half-hour epic which seems fleeting even with that runtime. Indeed there’s so much on offer at this cinematic banquet that I feel I need a second helping to fully savour the flavour. I can see Inception being divisive film – between those who feel it somehow is somewhat conceited and not as clever as it would have you think (many of whom, for example, may focus on the movie’s ending – some may even have honestly claimed to call it) and those who favour a movie which intelligently poses all manner of questions for it’s audience, believing answers – like dreams – are subjective and personal, and to offer or share them is a recipe for disaster. I am firmly in the latter camp.

Mind- (and corridor-) bending...

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Non-Review Review: Hulk

Ang Lee directing a superhero movie? He’s certainly a strange choice to handle the first big screen adaptation of Marvel’s iconic green monster to the big screen, but arguably a smart one. Hulk is at its best when it hints at the psychological melodrama playing out behind its lead character, but suffers greatly from the fact that it is apparently really uncertain about its source material or what it wants to be. It’s weird to see a movie so wonderfully risky in one sense, but so utterly bland in others. Hulk is an experiment, but sadly isn’t consistent enough to be a successful one.

"Hulk Splash!"

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Non-Review Review: Calendar Girls

Calendar Girls is that sort of wonderfully quirky comedy that only the British can pull off. Based on the true story of a bunch of Yorkshire middle-aged women who stripped off for a calendar to raise funds for the local hospital, it’s a wonderfully wry and witty sort of tale that can really be split into two halves: the first exploring the societal pressures and prejudices which surrounded the construction of the calendar and the second an exploration of the consequences of the fundraiser’s success. While the first half is certainly more entertaining than the second, it’s a charming and endearing little film.

Get a load of those buns...

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Non-Review Review: Monsters Inc.

If you don’t love Pixar, you should see a doctor immediately. Because you clearly have no heart, which can lead to all manner of unpleasant complications. Okay, maybe Monsters Inc. is one of the more conventional entries in Pixar’s animated canon, but it’s an example of how – even when being as close to conventional as they can – Pixar are still absolutely incredible, blowing all the other major American animation studios out of the water.

Scarily good...

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Non-Review Review: Dick Tracy

There’s a good movie somewhere inside Dick Tracy. It’s hidden pretty deep inside, but I’m sure it must be there somewhere. All the trappings – costume design, set design, make-up and even some of the direction – run the gamut from good to great, but the movie is hampered by terrible performances and a really awful script. Seriously, it seems like the move was written on crayon in bright colours, which might fit well with the aesthetic that Beatty was going for – but does not a good film make.

Quit Dickin' around...

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Non-Review Review: Predators

It must be genuinely one of the toughest and most unforgiving tasks in moviedom to produce a belated sequel to a beloved franchise. Even Spielberg and Lucas messed up in producing the long-delayed Indiana Jones & The Kingdom of the Crystal Skull or Lucas’ prequels to Star Wars. The original film has just been lying there so long that it has built up its own legacy and reputation – to the point where it’s arguably not so much a film as a legend. Okay, maybe the original Predator and the modern Predators shouldn’t really be classified as legends in the same way as the earlier examples (or, say Chinatown and its disappointing follow-up The Two Jakes), but this is undeniably a cult franchise. The good news is that – while far from perfect – Predators actually lives up to its legacy quite well.

Preying for a way out...

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Non-Review Review: The Last Castle

The Last Castle is a bit of a disappointing movie. On one hand, it’s so ridiculously conventional that every step of the movie is choreographed from the moment that the two leads (the “leader of men” prisoner played by Robert Redford and the typical “sadistic warden” played by James Gandolfini) appear on screen together. You know there’s going to be a battle of wills which unfolds and escalates, costing some lives and leading to a (literally, if not figuratively) explosive finale. However, given the on-screen talent on the project, you’d be forgiven for expecting a bit more than the movie delivers.

Redford finds the castle in general disarray, with the warden willing to practice corporal punishment...

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