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Non-Review Review: Suckerpunch

A special thanks to the guys over at movies.ie for sneaking us into an advanced preview screening. My brother Ciaran stepped in to review the film for me at short notice, so thanks to him as well.

“Don’t write checks with your mouth, that you can’t cash with your ass.”

I feel this quote sums up the movie quite well… pointless.

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Non-Review Review: Evil Dead III – The Army of Darkness

This is a post as part of “Raimi-fest”, the event being organised by the always wonderful Bryce over at Things That Don’t Suck.

It’s interesting how concrete the shift in genre is between the original Evil Dead and the final part of the trilogy. It’s grown from a bona fides video nasty into a dark age comedy I actually wouldn’t have too much trouble watching with my family. I think I’m significantly fonder of the third instalment in the series than most other reviewers are, but it’s a film which is solidly and consistently fun – pure, random, non-sensical fun.

"This... is my BOOMSTICK!"

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Non-Review Review: Limitless

Limitless has an epiphany about half-way through its runtime. We follow our lead, Eddie, as he discovers a miracle drug which manages to somehow make you a genius (he boasts he has “a four-digit IQ”). However, he is stunned to discover that coming off the drug isn’t exactly pretty. Those who haven’t given up have all died. He meets a survivor in a small café, where she recounts how wonderful the experience of using the drug was, but how hallow life seemed afterwards. Having tasted that sort of greatness, she relates how the world seemed boring afterwards, she couldn’t focus and nothing could hold her attention for more than ten minutes. She seems to have been speaking on behalf of the film.

It's all falling into place...

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Non-Review Review: Evil Dead II – Dead by Dawn

This is a post as part of “Raimi-fest”, the event being organised by the always wonderful Bryce over at Things That Don’t Suck.

I don’t think there’s ever been a movie quite like Evil Dead II. Although you could argue that Raimi’s unique stylings are evident in the original Evil Dead, they don’t really come into their own in quite the same way that they would for the sequel. Although the movie is obviously indebted to any number of sources, the film has a crazy energy all of its own. It rockets along at such speed that the audience is caught a little off guard. It’s refreshing and more than a little zesty, which are certainly among the film’s charms.

Has Ash crossed the wrong monsters?

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Non-Review Review: All-Star Superman

March is Superman month here at the m0vie blog, what with the release of the animated adaptation of Grant Morrison’s superb All-Star Superman. We’ll be reviewing a Superman-related book/story arc every Wednesday this month, so check on back – and we might have a surprise or two along the way.

From the outset, it’s immediately clear that All-Star Superman is immensely faithful to the twelve-issue miniseries that inspired it. There are a few key deviations from Morrison’s core text – some of which were made simply to save time or money, but others which are interesting of themselves. Still, this is pretty much as direct an adaptation as we are ever likely to receive – right down to the eight-word introduction (intercut here with the opening action sequence), the power of the origin distilled down to its core attributes. So the movie, based on perhaps the finest Superman story ever told, obviously has a lot of power drawn from its roots – but one has to wonder what the real point of making an animated feature of it ever was.

Shine on...

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Non-Review Review: Source Code

A special thanks to the guys over at movies.ie for sneaking us into an advanced preview screening.

Duncan Jones really grabbed our attention with Moon, one of the most boldly original films of the last decade. However, it’s often the second film of a promising young director that is the most fascinating to watch, as the weight of expectation is measured against a (typically) larger budget and profile. Too many young talents fizzle out or stumble at the second hurdle. I’m glad to report that Jones manages to make it safely across. While Source Code might lack the power of his debut, it’s still a fascinating little science-fiction thriller, one I’m still thinking of hours after I left the screening. And that is certainly a mark of quality.

Has Colter gone off the rails?

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Non-Review Review: The Evil Dead

This is a post as part of “Raimi-fest”, the event being organised by the always wonderful Bryce over at Things That Don’t Suck.

Sam Raimi’s original Evil Dead is actually a pretty decent addition to the zero-budget teens-go-up-to-the-woods-today-and-are-sure-of-a-big-surprise subgenre. It’s a trashy horror which demonstrates a deeper affinity for the genre than a lot of other “video nasty” slasher films are prone to. However, while the film displays clear hints of the director’s developing skill, it still feels just a little bit too much like another random exploitation “schlock and shock” film.

Axe any questions you might have...

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Non-Review Review: Cleopatra

The big budget Cleopatra is renowned as something of a massive contradiction. It was panned mercilessly by critics, and yet picked up four Academy Awards (and five more nominations). It was the most financially successful movie of the year, and yet still turned a fairly substantial loss. It’s one of the last great Hollywood epics, and it almost killed Twentieth Century Fox. So there’s something strangely fitting about the final line, in which it was suggested that the movie’s subject was “the last of so many noble rulers.” In many ways, the film was the last of its kind, but perhaps the most lavish. Perhaps history has been kinder to the production than its initial release was, but it’s still a very flawed film.

I can see Cleo now...

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Non-Review Review: Darkman

This is a post as part of “Raimi-fest”, the event being organised by the always wonderful Bryce over at Things That Don’t Suck.

Spider-Man wasn’t Sam Raimi’s first foray into the world of superheroes. Darkman stands as one of the very few earnest superheroes created originally in the medium of film (as opposed to being adapted from comic books or other pulp fiction), and it’s certainly an interesting and entertaining feature. Going on to produce two direct-to-video sequels, some books, some comic books and even a computer game, the character is the very definition of “cult.”

The real Dark Knight?

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Non-Review Review: Spider-Man II

This is a post as part of “Raimi-fest”, the event being organised by the always wonderful Bryce over at Things That Don’t Suck.

Aside from Nolan’s two superb Batman movies, Spider-Man II was the only other comic book superhero movie to make my top fifty films of the last decade. There’s a reason for that. Part of it is the fact that the movie helped define what the second film in a superhero franchise should really look like, but a larger part of it is that this film represents the moment at which Sam Raimi seemed most at home with his beloved central character – and I think that genuine enthusiasm on the part of the director really shines through over the course of the film.

I reckon Spider-Man polls highly among superhero fans...

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