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The X-Files – Monday (Review)

This July, we’re taking a trip back in time to review the sixth season of The X-Files and the third (and final) season of Millennium.

It always ends the same way. As is appropriate for a story about a time loop, Monday begins with an ending. The teaser catches the last few minutes of one of the episode’s repeating time loops. It is a striking image. Everybody dies – including Mulder and Scully. How could the episode possibly continue past that point? It is simple. Time resets. The universe snaps back into shape around Mulder and Scully, much like it did at the climax of Dreamland II. Everybody gets another chance to set things right. The show bounces back to its status quo, as it did with One Son.

Time for a do-over. Revise it until it’s right.

A ticking clock...

A ticking clock…

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Non-Review Review: The Monster Squad

The Monster Squad is an affectionate celebration of the monster movies of yesteryear, written from the point of view of a generation that grew up with the Universal Horror monsters. When Dracula conspires with his monstrous brethren to conquer the world, it’s up to a gang of plucky kids and their knowledge of horror movie tropes and clichés to stop the lord of the vampires from swaying the balance of good and evil once and for all. It’s an understandably cheesy celebration of those old monster movies, one that benefits from never taking itself or its subject matter to seriously. However, there’s a deep and abiding affection to be found in The Monster Squad, a polite and endearing salute to the iconic monsters of the thirties (through the fifties) from a generation that has its own scary subjects to worry about.

Staying under wraps…

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Non-Review Review: Source Code

A special thanks to the guys over at movies.ie for sneaking us into an advanced preview screening.

Duncan Jones really grabbed our attention with Moon, one of the most boldly original films of the last decade. However, it’s often the second film of a promising young director that is the most fascinating to watch, as the weight of expectation is measured against a (typically) larger budget and profile. Too many young talents fizzle out or stumble at the second hurdle. I’m glad to report that Jones manages to make it safely across. While Source Code might lack the power of his debut, it’s still a fascinating little science-fiction thriller, one I’m still thinking of hours after I left the screening. And that is certainly a mark of quality.

Has Colter gone off the rails?

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