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The X-Files – Monday (Review)

This July, we’re taking a trip back in time to review the sixth season of The X-Files and the third (and final) season of Millennium.

It always ends the same way. As is appropriate for a story about a time loop, Monday begins with an ending. The teaser catches the last few minutes of one of the episode’s repeating time loops. It is a striking image. Everybody dies – including Mulder and Scully. How could the episode possibly continue past that point? It is simple. Time resets. The universe snaps back into shape around Mulder and Scully, much like it did at the climax of Dreamland II. Everybody gets another chance to set things right. The show bounces back to its status quo, as it did with One Son.

Time for a do-over. Revise it until it’s right.

A ticking clock...

A ticking clock…

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Non-Review Review: Takers

The obvious point of comparison for Takers is The Town, Ben Affleck’s bank-robbing thriller that opened around the same time. However, I think it’s a misleading comparison, if only because Affleck’s film feels far more specific and nuanced in scope than this heist thriller. Instead, I think the best point of reference for this particular feature film is to consider is as Heat for the MTV generation.” Of course, any film’s going to come out quite badly from that synopsis, but I do think it’s fair, as it speaks to both the strengths and (perhaps more importantly) the weaknesses of this particular film.

Are the crew being taken for a ride?

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Non-Review Review: The Town

It’s interesting to see how well Ben Affleck has redeemed himself as a director. After seeing Gone Baby Gone two years ago, I was willing to forgive the actor his roles in bad films like Jersey Girl, Phantoms and even Daredevil. I know he did Gigli too, but I can never forgive him for that. His second film behind the camera, The Town, demonstrates that he isn’t a one-hit wonder – but I have to admit that perhaps I am a bit disappointed. It isn’t that The Town is a bad or even an average film, it’s just one that I heard so much about that I had almost psyched myself up to watch. It’s a well-made exploration of urban decay which tackles its subjects with what seems (to a guy educated and living in a different country) to be a lot more honesty and neutrality than most films on the same subject matter.

So good it's criminal?

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