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Doctor Who: Eve of the Daleks (Review)

“Here we are again.”

“Yeah, here we are again.”

In hindsight, it’s surprising that it has taken Doctor Who this long to do a proper time-loop episode. After all, this is a show about a literal time machine.

Time-loop stories are inherently fun. As Dan points out, Groundhog Day codified a narrative template that is easy to replicate while also being fun to play with. As recently as last year in the United Kingdom and the previous year in the United States, Palm Springs demonstrated how such a story could resonate in this era of a global pandemic, when the feeling of being stuck in an unending loop living the same day over and over again tapped into a fairly widespread feeling.

Shelf storage, am I right?

On a more basic level, these sorts of stories are fun for writers, directors and audiences. It has become increasingly common for television shows to have timeloop episodes. Star Trek: The Next Generation had Cause and Effect, which perhaps remains the gold standard. Stargate: SG-1 had the charming Window of Opportunity. The X-Files had Monday. Even Star Trek: Discovery had Magic to Make the Sanest Man Go Mad. These sorts of stories are that rare blend of a simple high concept with an incredible range of narrative opportunities; they can be funny or tragic, straightforward or complicated, character- or plot-driven.

So it is strange that it has taken Doctor Who so long to attempt something like this, even if the results are depressingly familiar within the larger context of the Chris Chibnall era. It feels very much like a repetition of the era’s most glaring flaws, squandering a fun supporting cast and playful concept on a script that seems completely disinterested in capitalising on either. Instead, it just plays the clichés of these sorts of stories over and over again.

Lifting the holiday spirits.

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The X-Files – Monday (Review)

This July, we’re taking a trip back in time to review the sixth season of The X-Files and the third (and final) season of Millennium.

It always ends the same way. As is appropriate for a story about a time loop, Monday begins with an ending. The teaser catches the last few minutes of one of the episode’s repeating time loops. It is a striking image. Everybody dies – including Mulder and Scully. How could the episode possibly continue past that point? It is simple. Time resets. The universe snaps back into shape around Mulder and Scully, much like it did at the climax of Dreamland II. Everybody gets another chance to set things right. The show bounces back to its status quo, as it did with One Son.

Time for a do-over. Revise it until it’s right.

A ticking clock...

A ticking clock…

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