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Moon and Source Code Posters from South by Southwest…

I know I’m late to the party on these, but they are still cool enough to share. Especially with Source Code out this weekend. Basically, these are the posters designed by Ollie Moss for Duncan Jones’ two films at South by Southwest. Appropriately enough for a festival named in honour of Hitchcock, there’s a definite vibe to these posters which reminds me of the great man. Not that the films don’t remind me of him either. Anyway, check them out below.

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March (2011) In Review

That was a fun month.

I’m still, to be honest, entirely speechless. I picked up the Best Pop Culture Award at the Irish Blog Awards earlier this month, and I’m still delighted and humbled and honoured and all those things. I know I don’t blog to win awards, but I really feel motivated to try even harder to justify the huge vote of confidence that it represents.


Other than that, there was tonnes of stuff. I’m currently blogging along with Things That Don’t Suck‘s  “Raimi-fest”, which is a blast. Always a joy to be asked to take part. March also had some fairly decent films – with two brilliant films in Source Code and The Adjustment Bureau, along with a slew of quite good films to go along with it. So that was pretty fantastic. Although maybe I’m just a big softie.

I got to ramble (at length) about the upcoming Superman film, and revisit Sam Raimi’s Spider-Man trilogy (and just why he was so damn suited to it). I had my first honest-to-goodness interview, with the wonderful Grace Dyas.

I defended big budget blockbusters, wondered who killed The Mountains of Madness and got to discuss why this year’s Academy Awards felt like a great big group hug.

It was a fun month. Hopefully the trend will continue!

Non-Review Review: Source Code

A special thanks to the guys over at movies.ie for sneaking us into an advanced preview screening.

Duncan Jones really grabbed our attention with Moon, one of the most boldly original films of the last decade. However, it’s often the second film of a promising young director that is the most fascinating to watch, as the weight of expectation is measured against a (typically) larger budget and profile. Too many young talents fizzle out or stumble at the second hurdle. I’m glad to report that Jones manages to make it safely across. While Source Code might lack the power of his debut, it’s still a fascinating little science-fiction thriller, one I’m still thinking of hours after I left the screening. And that is certainly a mark of quality.

Has Colter gone off the rails?

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Eleven for Eleven: My Ten Most Anticipated Movies of 2011

What with listing my top ten films of the past year and all that, I thought that I’d take the opportunity to look forward rather than backwards. So here are my eleven most anticipated movies coming out in the next year or so. I picked eleven, because I’m not 100% certain about the release date of one. As ever, these are for Irish and British cinemas, so four of these will be arriving in our theatres within the next three weeks. Which, I suppose is something to look forward to. Anyway, without any further adieu, here are my eleven most anticipated films of the year ahead.

Coming soon...

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