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The X-Files (Topps) #38 – Cam Rahn Bay (Review)

This May and June, we’re taking a trip back in time to review the fifth season of The X-Files and the second season of Millennium.

Cam Rahn Bay returns to one of the recurring themes of John Rozum’s run on Topps’ X-Files tie-in comic book.

It is essentially a cautionary tale amount mankind tampering with nature and the unforeseeable repercussions of such meddling. As such, it feels very much in keeping with scripts like Skybuster or Scum of the Earth. This idea of human hubris is a theme that is very much in keeping with The X-Files as a franchise, perhaps most keenly reflected in Chris Carter’s deep affection for Mary Shelley’s Frankenstein and for environmental causes. Cam Rahn Bay is very much in keeping with that aesthetic.

All at sea...

All at sea…

However, there are problems with the story. Most obviously, Rozum’s prose seems a little clunky and awkward. Cam Rahn Bay is a heavy-handed and clumsy meditation on mankind’s fixation with imposing its will over the natural world. However, there is also something slightly hypocritical about the story. As much as Cam Rahn Bay criticises the use of animals in a military capacity, it never seems to question the use of animals in captivity. While the training of dolphins to do military work is treated as deplorable, training them to do tricks for entertainment is lauded.

Cam Rahn Bay feels a little tonally ill-judged, with this fairly significant blindspot undermining a lot of Mulder’s impassioned rhetoric about how mankind treats the natural world.

"Sorry, I was just thinking abotu Deep Throat..."

“Sorry, I was just thinking abotu Deep Throat…”

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Non-Review Review: Limitless

Limitless has an epiphany about half-way through its runtime. We follow our lead, Eddie, as he discovers a miracle drug which manages to somehow make you a genius (he boasts he has “a four-digit IQ”). However, he is stunned to discover that coming off the drug isn’t exactly pretty. Those who haven’t given up have all died. He meets a survivor in a small café, where she recounts how wonderful the experience of using the drug was, but how hallow life seemed afterwards. Having tasted that sort of greatness, she relates how the world seemed boring afterwards, she couldn’t focus and nothing could hold her attention for more than ten minutes. She seems to have been speaking on behalf of the film.

It's all falling into place...

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