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X-Men: Inferno – Daredevil (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

This weekend, we’re taking a look at one or two of the smaller Inferno crossovers. These issues are collected in the crossovers companion book.

From what little I’ve read of Ann Nocenti’s Daredevil, I really like it. My experience of her work on the title has been mainly limited to crossovers and tie-ins, but Nocenti has always managed to put her own spin on events – rather than feeling like a satellite title to Mutant Massacre or Fall of the Mutants, her connected issues felt like Daredevil stories staring at a world gone completely mad. It’s a subtle distinction, but one that too few authors remember in this era of event-driven comics. Inferno is no different, as Nocenti manages to take a massive and unfolding X-Men crossover and make it work for her own narrative and characters.

This city’s really going to hell…

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Non-Review Review: Critters 3

I have a confession to make. I have never seen a Critters film before. They were always sitting there on the lower shelves of the horror section in the shop where I used to rent DVDs, but I just never picked one up. I can’t quite explain why – that sort of trashy horror-comedy would probably have seemed right up my street, but I guess I was probably more fascinated with the more iconic horror monsters and menaces. Anyway, my better half has always had a bit of affection for Leonardo DiCaprio, and when we discovered that his first big screen role was as a kid in Critters 3, I suggested that we could watch both watch it. And, I’m surprised to admit, it was nowhere near as bad as I thought it was going to be.

Laugh it up, fuzzball…

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Win! Tickets to the Jameson Cult Film Club Screening of ‘The Blues Brothers’…

The Jameson Cult Film Club have teamed up with the m0vie blog to offer one lucky reader a pair of tickets to the electrifying screening of the iconic comedy, The Blues Brothers (1980) in a secret Dublin location on May 8th. This very special screening promises to transport the audience right into the world of Jake and Elwood Blues as they resurrect their old blues band and run from the Illinois Law Enforcement! Join the ‘Blues Brothers’ along with the California Highway Patrol at this exclusive Jameson Cult Film Club screening on May 8th in the Joilet Correctional Centre (Dublin) – get onto www.jamesoncultfilmclub.ie and register for free tickets (shades optional!)

More info after the jump.

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Non-Review Review: Extremely Loud and Incredibly Close

Stephen Daldry’s latest film, and surprise Best Picture nominee, looks lovely. It opens with a credit sequence that see Tom Hanks falling through the air like an even more stylish version of the Mad Men opening credits. The blue background is just the right shade, the picture is crisp, the focus is tight. Of course, that beautifully illustrative opening sequence exposes the primary flaw with Extremely Loud & Incredibly Close. Some things just aren’t meant to look pretty, and some events can’t be wrapped up inside a feel-good blanket with a tidy ribbon on the outside.

Not quite picture perfect...

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Negotiating Potential Hazards: The Art of Movie Negotiation…

I’m kinda looking forward to Man on a Ledge, if only because it looks like the sort of high-concept thriller that could be fascinating viewing – I’m hoping for something similar to Phone Booth or Buried or other movies that take a fairly simple situation and centre a thriller around it. I’m a sucker for a good negotiation thriller. There’s something about that sort of film that just intrigues me. Whether it’s a hostage situation, a botched bank robbery or something else entirely, I think that those kinds of movies that manages to combine large-scale epic drama with a more intimate personal conflict. I think that’s a dynamic that’s somewhat hard to mess up, there’s just something inherently compelling about such a small-scale interaction with such large-scale consequences that it’s very hard not to get sucked up in the drama of it all.

High stakes game...

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Non-Review Review: Shame

Shame is a masterpiece, a master class in cinema, and the perfect example of a director and lead actor working synchronously and seamlessly. The movie wouldn’t work without director Steve McQueen willing to push it as far as possible, knowing when to pull back and when to dive in, matched by Michael Fassbender’s fearlessness, throwing himself into a naked performance. (This is where I make a cheap joke about it being “in more ways than one.”) Shame is pretty much the perfect note on which to start 2012.

Stands out from the crowd...

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The Beginning of the End? Is It Too Early To Be Talking About “The Best of the Year”?

The New York Critics’ Circle has moved the date of their annual awards forward to 28th November. I don’t know about you, but that sounds like an awfully early date for a festival designed to celebrate the best of the year that has been – especially when you consider that the logistics of posting and counting votes. It’s a full month before the end of the year! How many films are yet to be screened at this point? It got me thinking about the “best of…” polls that we inevitably see as the year draws to a close? When do people start compiling those lists?

Well, I guess we can all cut this one out of our NYCC pools...

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Y: The Last Man – The Deluxe Edition, Book V (Review)

In an effort to prove that comic books aren’t just about men in spandex hitting each other really hard, this month I’m reviewing all of Brian K. Vaughan’s superb Y: The Last Man. In April, I took a look at all the writer’s Ex Machina.

You know, I think I’m not entirely sure what to make of the conclusion to Brian K. Vaughan’s superb Y: The Last Man, which wraps up here after sixty issues. It’s strange, as if the saga wraps up almost more than I expected, while still remaining the wonderfully intimate adventure that roped me in from the start.

Colour me sad that it's coming to an end...

Note: As we’re reaching the end, expect spoilers. Lots of them. And big ones too. If you want a recommendation… well, go read one of the earlier reviews, or just pick up the first collection and give it a shot.

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Ex Machina: The Deluxe Edition – Volume V (Review)

In an effort to prove that comic books aren’t just about men in spandex hitting each other really hard, this month I’m reviewing all of Brian K. Vaughan’s superb Ex Machina. And in June, I’ll be reviewing his Y: The Last Man.

If you follow any story to its real conclusion, you always get the same thing. Regret. Pain. Loss. That’s why I like superhero books. Month after month, they just keep going. So no matter what terrible things happen, you know there’ll always be another chance for wrongs to get righted. It’s like, without a last act, those stories never get to become tragedies.

I guess that’s why they call ’em comics.

– Mitchell Hundred, Vice

This is it. The end. The final run of issues where Brian K. Vaughan wraps up his second hugely successful and hugely acclaimed original comic book series, as we follow Mayor Mitchell Hundred through the final traumatic year in Gracie Mansion…

… and beyond.

Ex mayor?

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Ex Machina: The Deluxe Edition – Volume I (Review)

In an effort to prove that comic books aren’t just about men in spandex hitting each other really hard, this month I’m reviewing all of Brian K. Vaughan’s superb Ex Machina. And in June, I’ll be reviewing his Y: The Last Man.

I don’t think that any creator has had quite the success of Brian K. Vaughan when it comes to original comic book series over the past decade (okay, maybe Robert Kirkman). Both of his famous original books recently came to a close after runs of over fifty issues each, and are both being collected in superb deluxe editions. Ex Machina doesn’t quite have the same dramatic hook or clarity of focus as Y: The Last Man does, but that’s not to say that it isn’t a stunning example of pulp fiction – wonderfully well-written social fantasy which is cleverly observed and even more smartly constructed.

All cogs in The Great Machine...

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