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Star Trek: Deep Space Nine – Rivals (Review)

Star Trek: Deep Space Nine is twenty years old this year. To celebrate, I’m taking a look at the first and second seasons. Check back daily for the latest review or retrospective.

Rivals doesn’t work. However, while the second season has produced a string of noble failures, Rivals fails for a very simple reason. It’s a comedy episode without any comedy. It’s a guest-star focused episode which centres on a hopelessly miscast Chris Sarandon. Sarandon is an Oscar-nominated actor, and he should be something of a casting coup for the show. This second season has already featured Louise Fletcher, Frank Langella and John Glover – so it seems fair to acknowledge that the casting people were on a bit of a roll.

However, due to a reheated script and Sarandon’s lack of interest or engagement, Rivals winds up feeling stale. There is potential here, but it’s squandered as the writers forget the first rule of a good comedy episode. They forgot to bring the laughs.

I feel a similar way...

I feel a similar way…

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Non-Review Review: Fright Night (1985)

I have a soft spot for the original Fight Night. It feels like an affectionate slice of pulp nostalgia, harking back to a simpler time in cinematic horror. It rejects the growth and expansion of the slasher subgenre to focus on the original celluloid monster. As a result, Fright Night offers a conventional vampire story, told in a decidedly unconventional manner. While it is occasionally just a little bit too cheesy and too dated for its own good, it’s hard not to enjoy the conscious callbacks to an older time.

Don’t cross him…

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Negotiating Potential Hazards: The Art of Movie Negotiation…

I’m kinda looking forward to Man on a Ledge, if only because it looks like the sort of high-concept thriller that could be fascinating viewing – I’m hoping for something similar to Phone Booth or Buried or other movies that take a fairly simple situation and centre a thriller around it. I’m a sucker for a good negotiation thriller. There’s something about that sort of film that just intrigues me. Whether it’s a hostage situation, a botched bank robbery or something else entirely, I think that those kinds of movies that manages to combine large-scale epic drama with a more intimate personal conflict. I think that’s a dynamic that’s somewhat hard to mess up, there’s just something inherently compelling about such a small-scale interaction with such large-scale consequences that it’s very hard not to get sucked up in the drama of it all.

High stakes game...

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