Posted on February 21, 2012 by Darren
This film was seen as part of the Jameson Dublin International Film Festival 2012.
Director Ron Fricke first came to attention as the cinematographer on Godfrey Reggio’s groundbreaking Koyaanisqatsi. His contributions to Star Wars: Revenge of the Sith not withstanding, he has somewhat followed in the footsteps of Reggio, offering up a series of films without character or narrative that explore man’s relationship with the world around him. Samsara is another entry in the canon that includes Chronos and Sacred Site, and is a direct sequel to Baraka. It goes almost without saying that Fricke’s cinematography is transcendental. Set to music by frequent collaborator Michael Stearns (with Lisa Gerrard and Marcello de Francisci), there’s no denying that Fricke has a canny and incredible eye for beauty. That said, Samsara does suffer a bit from being heavy-handed with its central themes and ideas – quite an accomplishment for a film with no dialogue.
Armed with ideas…
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Filed under: Non-Review Reviews | Tagged: Baraka, film, Fricke, godfrey reggio, jameson dublin international film festival, Koyaanisqatsi, Michael Stearns, Movie, non-review review, review, Ron Fricke, Samsara | 2 Comments »
Posted on February 21, 2012 by Darren
This film was seen as part of the Jameson Dublin International Film Festival 2012.
There’s a common misconception about the films of Mark and Jay Duplass. It’s easy to confuse their films with comedies. Just look at the cast they assembled for Cyrus, including Jonah Hill and John C. Reilly (with Marisa Tomei taking home her Oscar for a comedic turn in My Cousin Vinny), or even the one they’ve gathered here. After all, Jason Segel is still most recognisable from How I Met Your Mother or The Muppets or Forgetting Sarah Marshall. Ed Helms’ filmography includes The Office and The Hangover and Cedar Rapids. While Jay and Mark Duplass include a wonderful amount of humour in their work, it tends to distract away from their core themes or ideas. Beneath the awkward triangle in Cyrus, there’s a coming-of-age family drama. Underneath the witty exterior of Jeff Who Lives at Home, there’s a sincere and optimistic romantic drama. And I’m a sucker for romantic drama.
Rub a dub dub, two men in a tub...
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Filed under: Non-Review Reviews | Tagged: Academy Award, cyrus, Ed Helms, Hangover, jason segel, Jay Duplass, Jeff, Jeff Who Lives at Home, john c. reilly, jonah hill, Marisa Tomei, Mark, Mark Duplass, Movie, susan sarandon | Leave a comment »
Posted on February 20, 2012 by Darren
This film was seen as part of the Jameson Dublin International Film Festival 2012. It was the first “surprise” film.
Will Ferrell’s Casa De Mi Padre is perhaps the most esoterical comedy ever produced. The comedian has his legion of loyal fans, but it’s difficult to imagine that there’s a large crossover between those who enjoy Ferrell’s work and those with an affection for Mexican telenovelas. Filmed in “Mexico Vision”, with pretty much all of the dialogue in Spanish (rather than, as one DEA agent puts it, “American”), the movie displays an astonishing commitment to its basic premise, which is effectively one joke sustained over its runtime. I can sense already that Ferrell’s latest project will be his most divisive to date, dividing film fans into “love it” or “hate it” camps. I fall strongly into the former.
A que no me alcanzas!
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Filed under: Non-Review Reviews | Tagged: business, Casa de Mi Padre, Ferrell, film, Gloucestershire, Illegal drug trade, jameson dublin international film festival, lars von trier, Meta-joke, Mexican people, Mexico, Movie, non-review review, prison, review, Spanish, Spanish language, Sunglasses, Terrence Malick, United States, will ferrell | 3 Comments »
Posted on February 20, 2012 by Darren
This film was seen as part of the Jameson Dublin International Film Festival 2012.
The problem at the heart of Black Gold is that its politics are too simple to fit within the confines of the epic sand-swept adventure that it sets out to tell. It’s hard to construct a standard epic when there’s no clear delineation between the forces of good and evil. While the stylish direction, larger-than-life performances and James Horner’s classic score may point to an old-fashioned adventure film, the fact we’re asked to sympathise with a protagonist burning men alive in tanks or engaging in terrorist tactics creates a surreal dissonance that the movie never quite gets past.
Riders in the sandstorm...
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Filed under: Non-Review Reviews | Tagged: Antonio Banderas, Arab, Arab people, Auda, Banderas, Black Gold, black gold (2012), black gold (film), film, hollywood, James Horner, London, mark strong, Movie, non-review review, review | Leave a comment »
Posted on February 19, 2012 by Darren
This film was seen as part of the Jameson Dublin International Film Festival 2012.
Coming from director John Madden, The Best Exotic Marigold Hotel is fairly straight-forward in what it offers audiences. Unlike Dev Patel’s entrepreneurial “Sonny”, who lures foreign tourists to his Indian hotel using a carefully photoshopped image, there’s no sense that the movie is in any way misleading. It’s a feel-good travel comedy-drama that throws together a wealth of experienced British talent in a story about embracing life and change and various other wonderful aspects of existence. It’s always thrilling to see these sorts of actors afforded the opportunity to shine, and a huge amount of the appeal of The Best Exotic Marigold Hotel is in watching its veteran thespians just cut loose and have a bit of fun.
Lounging around...
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Filed under: Non-Review Reviews | Tagged: Best Exotic Marigold Hotel, bill nighy, Celia Imrie, dev patel, film, india, John Madden, judi dench, London, Maggie Smith, Movie, non-review review, penelope wilton, review, the best exotic marigold hotel, Tom Wilkinson | 6 Comments »
Posted on February 18, 2012 by Darren
This film was seen as part of the Jameson Dublin International Film Festival 2012.
Saving the Titanic is an interesting blend of documentary and drama, exploring the efforts of the engineers onboard the ill-fated ship, fighting to keep her afloat and alight just a little bit longer. The narration from Liam Cunningham suggests that the selfless bravery of those working in the bowels of the ship allowed her to survive more than an hour and a half longer than she should have. While the docu-drama never really reconciles the two approaches it takes to events – creating the impression that it should have opted for a “one or the other” style of approach – it is a fascinating look at one of the most important events of the twentieth century.
It's a dirty job...
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Filed under: Non-Review Reviews | Tagged: cgi, Ciarán McMenamin, Computer-generated imagery, denzel washington, film, Hugh O'Connor, james cameron, jameson dublin international film festival, Jamie Bell, liam cunningham, Movie, non-review review, Papist, programming, review, RMS Titanic, Saving the Titanic, Shepard, Steve Lynch, titanic, United States | 1 Comment »
Posted on February 15, 2012 by Darren
Stephen Daldry’s latest film, and surprise Best Picture nominee, looks lovely. It opens with a credit sequence that see Tom Hanks falling through the air like an even more stylish version of the Mad Men opening credits. The blue background is just the right shade, the picture is crisp, the focus is tight. Of course, that beautifully illustrative opening sequence exposes the primary flaw with Extremely Loud & Incredibly Close. Some things just aren’t meant to look pretty, and some events can’t be wrapped up inside a feel-good blanket with a tidy ribbon on the outside.
Not quite picture perfect...
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Filed under: Non-Review Reviews | Tagged: Academy Award, Academy Award for Best Picture, Asperger syndrome, Extremely Loud & Incredibly Close, film, Jonathan Safran Foer, max von sydow, Movie, new york, non-review review, Oskar, Reader, review, sandra bullock, stephen daldry, tom hanks, viola davis | 3 Comments »
Posted on February 14, 2012 by Darren
What makes Leon so fascinating is the combination a wonderfully disturbing script that puts a novel and unsettling twist on that “suddenly a father” subgenre, Besson’s understated direction, Eric Serra’s atmospheric score and a trio of fantastic central performances. The movie is never less than completely engaging, especially when it’s being very deeply uncomfortable. The movie is very much a “messed up”portrait of the survivor of a family massacre and her unconventional surrogate father figure, with the difficulties that both have adapting to their situation, although it’s probably Gary Oldman’s powerhouse villainous performance that you’re going to leave the film thinking about.
Leon is a bit daunted by the scope of fatherly responsibility...
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Filed under: Non-Review Reviews | Tagged: adam sandler, arts, Éric Serra, Besson, fiction, film, gary oldman, george clooney, GoldenEye, hollywood, Jean Reno, Léon (film), Leon, madonna, Mathilda, Movie, Natalie Portman, New York City, non-review review, Oldman, rain man, review, Shopping, Tinker Tailor Soldier Spy | 5 Comments »
Posted on February 14, 2012 by Darren
I own a blu ray player. I still like to buy my blu ray and DVDs, even if I accept that Netflix might render that a thing of the past. However, I can’t help but feel that some of the distributors are shooting themselves in the foot in how they are handling the medium. I mean, Criterion have suddenly decided to region-lock their blu ray releases, making the highest-quality home media releases less accessible than the DVD editions of the same films. Last week, I went to pick up a copy of Woody Allen’s Midnight in Paris from HMV, making my weekly trip and, while the DVD was present, there was no blu ray to be found.
A long, dark midnight of the format...
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Filed under: Movies | Tagged: art, Black Dynamite, Blu-ray and HD, Blu-ray Disc, david lynch, DVD, home, home video, Midnight in Paris, Movie, netflix, paris, United States, Woody Allen | 4 Comments »
Posted on February 13, 2012 by Darren
Charles Issawi once formulated Syre’s Law, named for noted academic Wallace Stanley Sayre. “In any dispute the intensity of feeling is inversely proportional to the value of the issues at stake,” he argued. “That is why academic politics are so bitter.” Set in the shadow of not one but two looming European conflicts, David Cronenberg’s A Dangerous Method, adapted from the play The Talking Cure, makes sure that we know just how bitter academic politics can be. Ably supported by two strong performances from its three leads, the movie is at its most fascinating in exploring the ideological and personal relationships of Carl Jung and Sigmund Freud, but loses a large amount of momentum when we’re asked to accept Keira Knightley as a mad Russian.
Psycho-analysts, assemble!
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Filed under: Non-Review Reviews | Tagged: A Dangerous Method, Carl Jung, Charles Issawi, Christopher Hampton, Dangerous Method, david cronenberg, film, Freud, Keira Knightley, Knightley, Michael Fassbender, Movie, non-review review, Otto Gross, review, Sabina Spielrein, Sigmund Freud, viggo mortensen | 6 Comments »
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