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Non-Review Review: AntiViral

AntiViral is a dirty film. It’s uncomfortable. It’s awkward. It’s unnerving. It’s not for the squeamish. And I mean that in a good way. It’s a fairly disturbing exploration of the public’s (and the media’s) relationship to celebrity, and the lengths to which people will go in order to insert themselves into the life of their idol or role model. It’s a vicious and sometimes unsettling look at what our attitude towards those people says about us as a society, imagining a world that sadly isn’t too far from the world as we know it. I think that might be the most disturbing facet of AntiViral. It’s not too far from where we are now.

What a vial trade…

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Non-Review Review: A Dangerous Method

Charles Issawi once formulated Syre’s Law, named for noted academic Wallace Stanley Sayre. “In any dispute the intensity of feeling is inversely proportional to the value of the issues at stake,” he argued. “That is why academic politics are so bitter.” Set in the shadow of not one but two looming European conflicts, David Cronenberg’s A Dangerous Method, adapted from the play The Talking Cure, makes sure that we know just how bitter academic politics can be. Ably supported by two strong performances from its three leads, the movie is at its most fascinating in exploring the ideological and personal relationships of Carl Jung and Sigmund Freud, but loses a large amount of momentum when we’re asked to accept Keira Knightley as a mad Russian.

Psycho-analysts, assemble!

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