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Non-Review Review: Casa De Mi Padre

This film was seen as part of the Jameson Dublin International Film Festival 2012. It was the first “surprise” film.

Will Ferrell’s Casa De Mi Padre is perhaps the most esoterical comedy ever produced. The comedian has his legion of loyal fans, but it’s difficult to imagine that there’s a large crossover between those who enjoy Ferrell’s work and those with an affection for Mexican telenovelas. Filmed in “Mexico Vision”, with pretty much all of the dialogue in Spanish (rather than, as one DEA agent puts it, “American”), the movie displays an astonishing commitment to its basic premise, which is effectively one joke sustained over its runtime. I can sense already that Ferrell’s latest project will be his most divisive to date, dividing film fans into “love it” or “hate it” camps. I fall strongly into the former.

A que no me alcanzas!

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Cannes in Review

Well, it’s almost over. The Cannes film festival – generally praised as the height of sophisticated cinema – will wrap up on Sunday evening. I may have been a bit negative in my coverage of Cannes this year – with jabs at Lars von Trier and Quentin Tarantino who were screening at the festival – but I’m absolutely delighted with how the festival seems to have gone, and with the weather the way it is over here, I figured it was time to run some good news.

Things I like about Cannes #1: I like that it's always sunny in Cannes...

Things I like about Cannes #1: I like that it's always sunny in Cannes...

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Try Harder, Von Trier

Okay, I get it. We’re sick. We need help. We’re a culture obsessed with violence and pain and suffering. I miss the days when the gory slasher (or torture porn or gorn, depending on your preference) was solely the affairs of one-week-wonders produced on shoestrings and making a bit of money for studios to pump into other projects. However, with the autuer circuit’s growing fascination with paracinema (making the low brow high brow), it seems that these disturbing little films have become an arthouse favourite. Lars Von Trier’s effort at Cannes with Antichrist seems to have shown that critics are growing tired of it, but what on earth convinced artsy directors that this was a good genre to tackle?

This is another sort of gorn. It is also the only worksafe image we have on the topic.

This is another sort of gorn. It is also the only worksafe image we have on the topic.

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