This February and March, we’re taking a trip back in time to review the fourth season of The X-Files and the first season of Millennium.
Maranatha provides a nice close to Chip Johannessen’s four scripts for the first season of Millennium.
At its core, Maranatha is a story about stories. It is a tale about mythmaking and storytelling. It is about a monstrous man who seeks to transform himself into a creature of legend, brutally slaughtering innocent people in order to feed the idea that he is something much more than a corrupt political official. As such, the story sits quite comfortably alongside Johannessen’s other three scripts for the season, each of which is about storytelling or mythmaking in some form or another.
The power of Antichrist compels you…
In Blood Relatives, James Dickerson attends the funerals of people he never knew, pretending to have been a part of the lives of the recently deceased; he tells stories and memories that never happened. In Force Majeure, Frank Black encounters a radical group of people who believe in the story of the end times; whether true or false, this story provides meaning to the life of the otherwise lost Dennis Hoffman. In Walkabout, Frank Black tries to piece together his recent history, constructing a narrative to account for out-of-character behaviour.
Maranatha serves as something of a culmination of this approach to Millennium. It the story of a sadist who seeks to elevate himself to the status of legend, dictating and shaping his own narrative through fear and manipulation.
“I wanna take his face… off!”
Filed under: Millennium | Tagged: antichrist, Chip Johannessen, Cold War, doomsday, end of days, maranatha, millennium, prophecy, Russia, russian mafia, russian mob, Soviet Union, the x-files | 4 Comments »
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