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Non-Review Review: Leon (The Professional)

What makes Leon so fascinating is the combination a wonderfully disturbing script that puts a novel and unsettling twist on that “suddenly a father” subgenre, Besson’s understated direction, Eric Serra’s atmospheric score and a trio of fantastic central performances. The movie is never less than completely engaging, especially when it’s being very deeply uncomfortable. The movie is very much a “messed up”portrait of the survivor of a family massacre and her unconventional surrogate father figure, with the difficulties that both have adapting to their situation, although it’s probably Gary Oldman’s powerhouse villainous performance that you’re going to leave the film thinking about.

Leon is a bit daunted by the scope of fatherly responsibility...

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Non-Review Review: Ronin

Ronin is the perfect example of a movie that knows exactly what it is. It’s a high-octane thriller which bends and curves and uncertainties and all manner of similar complications. There’s no tangential elements to the plot, like an awkwardly-inserted love-story or an attempt to humanise any of the people involved. It’s just a well-made thriller with fantastic locations and wonderfully-staged action. At one stage, the grizzled French mercenary Vincent remarks, “No questions, no answers. That’s the business we’re in.” It’s refreshing and honest, and frank.

DeNiro's the big gun here...

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