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Non-Review Review: Godzilla (2014)

Gareth Edwards’ Godzilla remake exhumes the classic movie monster for one more epic city-destroying brawl. Appropriately enough, the film feels like something of a relic itself – albeit a relic from an era more recent than the prime of its featured monster. Opening with the excavation of a giant skeleton in the Philippines, and with the revelation that the titular creature was first awakened in 1954, there’s a sense of coy self-awareness to Gareth Edwards’ monster movie tribute.

This wry self-awareness only extends the film so much leeway. At the heart, Godzilla feels like a nineties blockbuster created with modern technology. If the film had a sense of humour, it would look a lot more like Godzilla-by-the-way-of-Roland Emmerich than the 1998 attempt to reintroduce the character to American audiences.

Who says Godzilla is washed up?

Who says Godzilla is washed up?

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Wolverine: Japan’s Most Wanted (Review/Retrospective)

This May, to celebrate the release of X-Men: Days of Future Past, we’re taking a look at some classic and modern X-Men (and X-Men-related) comics. Check back daily for the latest review.

The only way to read Wolverine: Japan’s Most Wanted is on a personal tablet.

Part of Marvel’s “Infinite Comics” initiative, Japan’s Most Wanted is a comic specifically tailored to the digital experience. Although a print version of the comic is available, it can’t help but seem inferior to the way the comic was meant to be experienced. Demonstrating that digital is not just a new format for comic books, but also a new medium, the work done by Yves Bigerel storyboarding the thirteen-part adventure is nothing short of astounding. It’s a fantastic experience.

A slice of the action...

A slice of the action…

The story Japan’s Most Wanted is fairly light. This makes sense. Japan’s Most Wanted isn’t intended to push Marvel’s continuity forward or to build off a lot of what has come before. Launched in the lead-up to the release of The Wolverine, Japan’s Most Wanted is a rather transparent attempt to appeal to those interested in Wolverine’s second solo trip to the big screen – playing more as a collection of imagery and iconography than a story in its own right.

The adventure is set in Japan and pits our hero against legions of ninja, playing up to Frank Miller and Chris Claremont’s iconic Wolverine miniseries. However, it also features action set pieces on a bullet train and in an abandoned village, two of the more notable action sequences showcased in the trailer for James Mangold’s The Wolverine. The story wrapped around these sequences is almost incidental, perhaps the most basic of Jason Aaron’s Wolverine stories, as scripted by collaborator Jason LaTour.

Run and jump...

Run and jump…

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Non-Review Review: The Wind Rises

Best known in Europe and America for beautiful animated fantasies like Ponyo, Howl’s Moving Castle or Spirited Away, Hayao Miyazaki has opted for something a little bit different with his final – heavily publicised as “farewell” – film. The Wind Rises has touches of fantasy and looks absolutely beautiful, it represents a different sort of animated film. More of a historical drama and romance than an escapist fantasy, The Wind Rises is a thoughtful exploration of Japan in the lead-up to the Second World War.

Focusing on Mitsubishi aircraft designer Jiro Horikoshi, the film is a lavish animated period drama about the construction of the infamous Japanese “Zero Fighter” – the A6M Zero. The fighter of choice during the Second World War, The Wind Rises notes that the pilots flying those planes never came back as the film reflects on the social context of Japan’s march towards war, and the characters caught in the middle like an umbrella trapped in a strong wind.

thewindrises3

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Watch! New Wolverine Trailer!

I’m actually slightly looking forward to The Wolverine. Yes, I’m aware that X-Men Origins: Wolverine was… less than good. On the other hand, I have a soft spot for James Mangold, and I like the idea of giving the character a (relatively) fresh start free from all the continuity and characters of the previous X-Men films. I’m not expecting an instant classic, just a nice popcorn film.

Enjoy!

 

The Spirit Archives, Vol. 1 (Review/Retrospective)

Join us the December as we take a dive into the weird and wonderful Will Eisner Spirit Archives, the DC collections of the comic strip that helped define the medium.

It’s hard to overstate the impact that Will Eisner had on comic books as a medium. The writer, entrepreneur and artist is known as “the father of the graphic novel”, with A Contract With God regard as one of te very first examples of the format. Eisner made massive in-roads into developing comics as a medium that merited discussion and attention, trying frantically to break out of the ghetto where the artform is so frequently trapped. While he has made countless pivotal contributions, arguably Eisner’s largest and most influential body of work can be found in The Spirit, the weekly comic strip that the author syndicated across America. Packaged with any number of respected newspapers, it was among the most widely-read comic strips in the country, but it also allowed Eisner the freedom to expand and develop his craft.

DC have collected the bulk of the character’s history in a series of their superb “Archive Editions”, from the first strip published through to Eisner’s last work on the title (with a supplementary volume published by Dark Horse). Here, in the first volume, we can see the artist honing his craft and developing the series into one of the most important in comic book history.

That’s his name!

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Non-Review Review: The Day of the Jackal

The Day of the Jackal is a fascinating entry in the assassination subgenre, most impressive for the careful and meticulous way that it examines the unfolding events – it’s more of a procedural than a cat-and-mouse thriller. Indeed, it’s almost an hour into the film before the two detectives chasing the eponymous hit man appear on screen. Fred Zinnemann’s movie has a two-and-a-half hour runtime, but doesn’t rely on a shifting or twisting narrative to fill it. Instead, it simply allots the characters and the world that they inhabit a bit more room to breathe, to the point where The Day of the Jackal seems a great deal more human and personal than most assassination thrillers, as we get a sense of the people tied up in a plot to assassinate Charles de Gaulle.

Tie a grey rope ’round the old… I’m not sure what type of tree that is…

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Warren Ellis’ Stormwatch, Vol. 1 (Hardcover) (Review)

Warren Ellis in free flow is a truly beautiful thing to watch. In the right frame of mind, working on the right idea, Ellis has a unique ability to throw out radical ideas, fascinating constructs and subversive notions, all without ever losing his step or his flow. With Bryan Hitch, Ellis’ acclaimed and respected run on The Authority firmly altered the trajectory of mainstream comic books. Part of it was definitely the style that Ellis and Hitch brought to the book, promising “widescreen” dynamic action. However, it was the ideas that gave the book a significant amount of weight. Ellis demonstrated that you could take realpolitick and graft it into a superhero book, lending the adventures a bit more depth, potency and relevance than any publisher would have dared attempt before. These ideas are all present in Ellis’ original run on Stormwatch, the series that led into that iconic game-changing comic book.

I blame it on the Weatherman…

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Kitty Pryde and Wolverine (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

Chris Claremont didn’t invent Wolverine, but he defined him. Long before Wolverine was appearing in multiple team books and multiple solo series, the short and hairy Canadian was developed within Claremont’s Uncanny X-Men. When the time came to develop the character beyond that, it was Claremont that handled the four-issue Wolverine series, and it was Claremont who handled this six-issue Kitty Pryde & Wolverine miniseries. The market had yet to reach Wolverine saturation. However, Kitty Pryde & Wolverine is remarkable as a spiritual extension of Claremont’s Uncanny X-Men run. Without the influence of Frank Miller, this six-issue collection feels more distinctly like a microcosm of Claremont’s extended work on the franchise, bringing into focus his strong character work, his pulpy sense of storytelling and, occasionally, his excessively purple prose.

Stayin’ sharp…

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Chris Claremont & Frank Miller’s Wolverine (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

It’s almost hard to believe that Wolverine only earned his first solo miniseries in 1982. The character had first appeared as a foe in The Incredible Hulk in 1974, and was coopted in the X-Men with Len Wein’s Giant-Sized X-Men #1 a year later. During Chris Claremont’s celebrated Uncanny X-Men run, Wolverine emerged a hugely popular character. In fact, I think you could make the argument that Wolverine and Storm were the central protagonists of Claremont’s epic X-Men run. Still, given how ubiquitous the character has become in recent years, it’s impressive that it took so long for him to get a solo adventure. The four-part Wolverine miniseries, written by Chris Claremont and illustrated by Frank Miller, is generally regarded as one of the best miniseries that Marvel ever produced, and I think that it provided a lot of the momentum and characterisation that would sustain the character over three more decades of solo appearances.

Get some…

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The Adventures of Tintin: The Blue Lotus (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

While I think that the early run of stories from Cigars of the Pharaoh were among Hergé’s most impressively pulpy output, populated with opium traders and sinister conspiracies seemingly spanning the globe, I do tend to have rather eclectic taste. For example, I am quite partial to The Black Island and The Shooting Star, two of the oft-malign chapters in The Adventures of Tintin. Similarly, I’ve found myself slightly underwhelmed by widely-praised instalments like The Secret of the Unicorn or The Blue Lotus. It’s not that I think they’re bad (far from it), merely that I feel they aren’t as good. Still, the animated adaptation of Tintin in America managed to construct an engaging little adventure from a disjointed story, so I wonder how this episode will handle its source material?

Shang-hai Noon...

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