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Non-Review Review: Ford v. Ferrari (Le Mans ’66)

Ford v. Ferrari very much the Ford model of mid-budget adult-skewing awards fare.

It’s sturdy and reliable. It handles well. It also doesn’t have too many surprises under the hood. Ford v. Ferrari knows exactly what the audience wants from a film like this, and it often delivers right down to the shot. The camera is exactly where it needs to be, when it needs to be there – whether capturing the concerned expressions on a family nervously leaning in close to a radio or flying by the team manager as he watches his car cross the finish line on one of the last laps.

Food for thought.

It is easy to be cynical about all of this. Were somebody to approach Ford v. Ferrari cynically, they could argue that it is the product of a factory floor that is just as much a conveyor belt as those operated by Ford. However, there is a reason that this model of awards fare became an industry standard. Ford v. Ferrari constantly reminds its audience of the appeal underpinning this factory-built American craftsmanship. This sort of film was a staple of awards seasons for decades, and Ford v. Ferrari demonstrates just why that was.

Ford v. Ferrari is good, old-fashioned, crowd-pleasing awards fare.

Miles to go.

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The X-Files – Young at Heart (Review)

Continuing on from Lazarus, there’s something about Young at Heart that feels very rote, very paint-by-numbers. It’s as if the show has worked so hard to define itself in the first half of the season that the second half of the first season has been dedicated to settling into routine. As far as Chris Carter scripts go, Young at Heart is roughly on par with Fire, and nowhere near as bad as Space, although that’s damning with faint praise. At this rate, Carter should begin to turn out episodes worth watching at some point in the fifth season.

Featuring yet another blast from the past, more gratuitous use of Deep Throat and reckless placing of Scully in danger, Young at Heart feels more like it was assembled from a rough blueprint of what an episode of The X-Files should look like, rather than because it was a story worth telling.

Keep it handy...

Keep it handy…

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The X-Files – Fire (Review)

Well, Fire is probably Chris Carter’s strongest script since The Pilot. I suppose we should be grateful for that, at least.

All fired up...

All fired up…

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The X-Files – Fallen Angel (Review)

Fallen Angel is a remarkable episode. It’s really the point at which the show seems to say “huh, this conspiracy stuff is really exciting.” It’s also a complete reversal from the misfire that was Space, proving that there are people working on the show who can create monsters on a tiny special effects budget and create compelling secondary characters. Following Mulder’s investigation of a downed UFO – the eponymous “fallen angel” – the episode dives headlong into the murky world of cover-ups and secrets, kicking the show’s mythology arc into gear.

Shedding some light on the matter...

Shedding some light on the matter…

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Chris Claremont & Frank Miller’s Wolverine (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

It’s almost hard to believe that Wolverine only earned his first solo miniseries in 1982. The character had first appeared as a foe in The Incredible Hulk in 1974, and was coopted in the X-Men with Len Wein’s Giant-Sized X-Men #1 a year later. During Chris Claremont’s celebrated Uncanny X-Men run, Wolverine emerged a hugely popular character. In fact, I think you could make the argument that Wolverine and Storm were the central protagonists of Claremont’s epic X-Men run. Still, given how ubiquitous the character has become in recent years, it’s impressive that it took so long for him to get a solo adventure. The four-part Wolverine miniseries, written by Chris Claremont and illustrated by Frank Miller, is generally regarded as one of the best miniseries that Marvel ever produced, and I think that it provided a lot of the momentum and characterisation that would sustain the character over three more decades of solo appearances.

Get some…

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Acts of Vengeance: Daredevil vs. Ultron (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.”

In celebration of the release of The Avengers, this weekend we’re taking a look at the massive 1989-90 crossover “Acts of Vengeance”, which pitted various villains against some unlikely heroes. I’ll be looking at some of the most fun match-ups. This arc is collected in the companion omnibus.

I’ll confess that I haven’t read all of Ann Nocenti’s Daredevil run. I’ve just read the issues contained in various crossover collections like Inferno, Mutant Massacre or even Fall of the Mutants. While any run on Daredevil is going to rest in the shadow of Frank Miller’s character-defining work, I find it interesting that Nocenti managed to so effectively tie the book back into the heart of the Marvel Universe. Miller defined the book as a noir adventure, and the tendency has been to follow that approach. While Nocenti writes the same Matt Murdock that Miller defined, she cleverly tends to put him in a different context, producing rather interesting and engaging results. Nocenti’s Daredevil is very much a superhero book, even though it follows Miller’s characterisation, and that gives it a unique flavour.

Stickin’ it to the man…

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Is Avatar a Revisionist Take on Aliens?

I know this isn’t exactly a new idea, but it’s one I’ve been mulling over quite a bit lately – especially since my aunt picked up the Alien Anthology on blu ray for Christmas. It’s been fairly frequently remarked, on-line and in-print that James Cameron’s Avatar bears remarkable similarities to his Aliens. However, it’s not the similarities that interest me, it’s the differences which reveal quite a bit. Most fascinating – at least to me – is the idea that Avatar represents an attempt to revise Cameron’s work on Aliens.

Killer queen...

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