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Non-Review Review: Casa De Mi Padre

This film was seen as part of the Jameson Dublin International Film Festival 2012. It was the first “surprise” film.

Will Ferrell’s Casa De Mi Padre is perhaps the most esoterical comedy ever produced. The comedian has his legion of loyal fans, but it’s difficult to imagine that there’s a large crossover between those who enjoy Ferrell’s work and those with an affection for Mexican telenovelas. Filmed in “Mexico Vision”, with pretty much all of the dialogue in Spanish (rather than, as one DEA agent puts it, “American”), the movie displays an astonishing commitment to its basic premise, which is effectively one joke sustained over its runtime. I can sense already that Ferrell’s latest project will be his most divisive to date, dividing film fans into “love it” or “hate it” camps. I fall strongly into the former.

A que no me alcanzas!

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Non-Review Review: Saving the Titanic

This film was seen as part of the Jameson Dublin International Film Festival 2012.

Saving the Titanic is an interesting blend of documentary and drama, exploring the efforts of the engineers onboard the ill-fated ship, fighting to keep her afloat and alight just a little bit longer. The narration from Liam Cunningham suggests that the selfless bravery of those working in the bowels of the ship allowed her to survive more than an hour and a half longer than she should have. While the docu-drama never really reconciles the two approaches it takes to events – creating the impression that it should have opted for a “one or the other” style of approach – it is a fascinating look at one of the most important events of the twentieth century.

It's a dirty job...

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Win Tickets to the Jameson Cult Film Club Screening of Reservoir Dogs…

Thanks to the wonderful folks over at The Jameson Cult Film Club, we have a lovely prize to give away. Two tickets to the Jameson Cult Film Club screening of Quentin Tarantino’s Reservoir Dogs during the Jameson Dublin International Film Festival. For those unfamiliar with the brilliance of the Jameson Cult Film Club, the group stage immersive cinema screenings in interesting locations around the city. To get an idea, check out the excellent job they did with Ridley Scott’s Alien. The location of this screening is top secret, but it will take place Tuesday February 21st. And Michael Madsen, aka Mister Blonde, will be in attendance at the screening.

We have a pair of tickets to give away, more information after the jump.

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Jameson Dublin International Film Festival 2012 Highlights

The Jameson Dublin International Film Festival have released their programme for 2012. Taking over the city centre from the 16th through to the 26th of February 2012, the team have been working tirelessly to put together a schedule offering something for everybody. I have to admit, I’m quite looking forward to a number of these films, and have included some of my own choices and preferences below.

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Ten Best Movie Moments of 2011…

I’ve compile my list of my own favourite films of 2011, but I thought I’d take the opportunity to outline my own favourite movie moments of 2011 – those breathtaking sequences when I was glad to be setting in a darkened room surrounded by strangers. Sometimes it’s easy to forget the raw combination of images and sounds can have such a dramatic effect on you, moving you and bringing you to from the height of joy to the depths of sorrow. I’m very happy with 2011 as a year for cinema, and these are just ten reasons why.

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Cinematic Nostalgia: Old Films on the Big Screen…

Jameson, the wonderful people behind the Jameson Dublin International Film Festival and the Jameson Cult Film Club are planning on launching their own film blog this week. It’ll be well worth a look and, based on their passion for good cinema, it’s sure to be wonderful. Anyway, as part of the launch, I was delighted to be invited along to a screening of Chinatown with a few other Irish film bloggers. Hosted in a lovely little cinema, I have to admit that there was just something incredible about watching a classic film I had only ever seen on television projected on to a big screen like (I suppose) it had always been intended to be shown. Given how much any love affair with cinema draws on classics from eras long gone, I have to admit that I was genuinely blown away by the chance to see such a classic film on such a big screen.

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We Won the Pop Culture Award at the Irish Blog Awards!

We won the Best Pop Culture Blog prize at the Irish Blog Awards! I had a “Melissa Leo” moment at the podium (it was the first award of the night and I was really not expecting it), so I thought I might clarify some of my thanks and articulate them in a more sophisticated fashion.

That is, one which isn’t a deep piercing sound growing from my lower gut which sounds a little like the opening notes of the CSI: Miami theme song.

I’d like to thank Damien and the team for organising the awards. It’s deadly. Recognition is great when it comes from anyone – be it your boss telling you “you really synergised that paradigm!” or a conversational drunk at your bus stop telling you that you smell like the first roses of spring – but it means a lot to come from the people who do what you do. People who know what it’s like to stare at an empty page and wonder “what the hell am I going to write now?” or “there’s no chance anybody will ready this!” Recognition from people who do what you do, and are the best at what you do, means a lot. This was the last awards that they will organise – so it means a lot to have won.

I’d also like to thank my fellow nominees. They really are a stunning bunch, and it was an honour to be nominated alongside them. If you haven’t checked them out, you should:

Also the sponsors, movies.ie, who make this possible. Thanks for sponsoring the category.

And, of course, to the person known anonymously on this blog as “better half.” Thanks for your continuing support, honest opinions and well-practiced typo-spotting (not that it’s too difficult).

And, to you guys, for reading and commenting. I honestly appreciate every opinion I read here, and you guys make the blog what it is. Thanks guys.

In Defense of Blockbusters: Are We Unduly Harsh on Big Budget Hollywood Movies?

I was just remarking how much I love cinema – how much I am predisposed to like a film – and I got thinking, why are we so harsh on big budget Hollywood films? Don’t get me wrong, the studio system produces its fair share of crap, but it seems to be the target of choice for any person looking to decry the death of modern culture. We’re assured, virtually everywhere, that the blockbuster is meant to be a cheap, disposable form of entertainment – and that it’s simply a “guilty pleasure”, if at all. I’ve noticed this trend quite a bit of late, as this is the time of the year that movie geeks look ahead to the summer season and realise… seemingly to their horror (though it can’t possibly be to their surprise)… that the summer is filled with big-budget mainstream blockbusters from wall-to-wall. Ignoring the fact that Hollywood’s annual cycle is highly predictable these days (save only the emerge of what I like to call “quirky March” in recent years), why is the arrival of the summer fare universally treated as a bad thing?

Swimming with sharks...

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Non-Review Review: A Somewhat Gentle Man

This film was seen as part of the Jameson Dublin International Film Festival.

A Somewhat Gentle Man was a very pleasant little surprise to catch on the last day of the Jameson Dublin International Film Festival. It’s a delightfully dark Norwegian comedy about a man recently released from prison, trying to make his way in the world.

He's got snowhere to go...

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Critical Predisposition: What Preconceptions Do You Bring Into Movies?

Over the last week, I had the pleasure to visit the Jameson Dublin International Film Festival. I saw a lot of films as part of that, and the reviews have been popping up all week. Anyway, they give out an audience award, which gave me occasion to actually score films. Regular readers here know that I am loath to try to objectively rank cinema, as it’s a very subjective medium and I have difficulty reconciling relative grades, but I went along with it. Anyway, they use a four-point scale and, long story short, I found myself using a lot of “3” grades, which is the second-highest rank. This kinda got me thinking: Am I a little too generous to films I really shouldn’t be? How do I approach the cinema? Do I look for things to love? Do I have a pre-disposed bias? Do I want to love films, even if they aren’t especially great?

Me, aged about eight...

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