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“It Will Always Be Broken!” The Strange Melancholy of Martin Scorsese’s “Hugo”…

The podcast that I co-host, The 250, has been running a season of coverage of director Martin Scorsese. Last weekend, we discussed Scorsese’s Hugo. It’s a fun, broad discussion. However, watching the film and talking about the film got me thinking about the film’s strange melancholy.

Martin Scorsese is a more complex and nuanced filmmaker than a casual glimpse at his filmography might suggest.

The clichéd depiction of Scorsese is largely shaped and defined by his most popular movies: Taxi Driver, Raging Bull, Goodfellas, CasinoGangs of New York, The Departed, The Wolf of Wall StreetThe Irishman. Based on these films, there is a tendency to pigeonhole Scorsese as a director who makes violent films about violent men, usually filtered through the lens of the seedy underbelly of organised crime or urban decay. This does not quite capture the breadth and the scope of Scorsese’s interests.

Indeed, Scorsese is a much more interesting filmmaker than that list of classics might suggest, reflected in films as diverse as Alice Doesn’t Live Here Anymore, New York, New York, The Last Waltz, After Hours, The Colour of Money, Age of InnocenceThe Last Temptation of Christ, Kundun and The Aviator. However, even allowing for that range, Hugo stands out as an oddity in Scorsese’s filmography. The film was something of a flop when it was released opposite The Muppets, and is often glossed over in accounts of Scorsese’s career and history.

This is shame. Hugo suffers slightly from arriving in the midst of a late career renaissance for Scorsese that includes some of the best and most successful films that the director ever produced: The Departed, Shutter Island, The Wolf of Wall Street, The Irishman. In the context of that body of work, Hugo is often overlooked. This is a shame, as it’s a magical and wonderful film. It manages to be a children’s film as only Martin Scorsese could produce, suffused with a melancholy and introspection that is rare in the genre.

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Ten Best Movie Moments of 2011…

I’ve compile my list of my own favourite films of 2011, but I thought I’d take the opportunity to outline my own favourite movie moments of 2011 – those breathtaking sequences when I was glad to be setting in a darkened room surrounded by strangers. Sometimes it’s easy to forget the raw combination of images and sounds can have such a dramatic effect on you, moving you and bringing you to from the height of joy to the depths of sorrow. I’m very happy with 2011 as a year for cinema, and these are just ten reasons why.

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