horror | the m0vie blog

Tomb of Dracula Omnibus, Vol. III (Review/Retrospective)

Posted on October 24, 2012 by Darren

Darkness spreads across the land like a bone-chilling evening mist. It swirls, boils and froths.

Then, at the moment when midnight madness is at its greatest, the darkness takes form and substance and becomes a thing of hell-born horror.

This is… THE TOMB OF DRACULA.

Pray you can avoid its deadly embrace…

Sometimes classic movie monsters just look better in black and white, eh? Marv Wolfman and Gene Colan told pretty much a complete Tomb of Dracula epic in the seventy issues of the main title produced in the previous two omnibus collections. This third gigantic tome collects a lot of what might be considered “a Tomb of Dracula miscellany”, collecting various odds and ends from Marvel’s Draculacomics during the seventies to sort of expand and enhance the story told in the main title. It isn’t as consistent as that seventy-issue run, with a variety of weaving story threads, one-shots, text stories and a variety of artistic and authorial talent, but it’s still an interesting look at Marvel’s horror comics during the seventies.

Feed your Dracula addiction!

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Filed under: Comics | Tagged: adam sandler, arts, black swan, Bram Stoker, Colan, Colin Callender, dracula, Exorcist, gene colan, green lantern, hbo, horror, Hotel Transylvania, Jonathan Rhys-Meyers, London, Marv Wolfman, marvel comics, NBC, Romania, Selena Gomez, Tomb of Dracula, Vlad, wolfman | 1 Comment »

American Vampire, Vol. 2 (Review)

Posted on October 15, 2012 by Darren

This October, to get us in the mood for Halloween, we’re taking a look at some awesome monster comics. Check back in every Monday this month for a review of Scott Snyder’s American Vampire Saga.

What happens to those childhood monsters when there are no more shadows to hide in? Do they leave? Do they move on? Or do they simply learn to live in the light?

– Cashel McCogan pretty much sums up American Vampire

The more I read, the more I like Scott Snyder’s American Vampire. The author has proven himself quite adept when it comes to writing comic books, handling his short stint on Detective Comics with great skill and proving a worthy scribe for Swamp Thing. Outside the mainstream superhero books, Snyder has defined himself as one of the leading writers of comic book horror. He did an outstanding job on Severed, but his on-going American Vampire might be the finest work I have read from the writer.

No bones about it, this something special…

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Filed under: Comics | Tagged: American Vampire, arts, Bram Stoker, Chats and Forums, Death Race, halloween, horror, Interview with a Vampire, los angeles, Otherkin, People, rafael albuquerque, Scott Snyder, Skinner Sweet, Snyder, stephen king, swamp thing, United States, vampire | Leave a comment »

Son of Danse Macabre On Sale Now!

Posted on October 10, 2012 by Darren

I’m not a big fan of using the blog to give endorsements on how to spend your money – after all, I’m not even sure I trust my own opinion, so why should you? – but this is too good to ignore.

The wonderful Bryce Wilson from over at Things That Don’t Suck has published his eBook, Son of Danse Macabre. Bryce is just about one of the best writers on horror in cinema that I know, and he has a passion that shines through in his writing. All that, and he’s a nice guy. It’s always great to see a guy like that get a break.

Besides, any affectionate reference to Steven King’s superb (if sadly dated) horror handbook Danse Macabre demonstrates that it’s starting from a good place. As an added bonus, if you buy the book, Bryce is willing to review a horror film of your choice. Now that’s service with a smile. I’m just hoping nobody nominates Crossroads. That film scarred me.

You can buy the book directly here, but I also think it’s worth taking a look at Things That Don’t Suck to get a feel for his style of writing. Think of it as a massive and entertaining free sampler. If that doesn’t convince you, I don’t know what will.

Filed under: Movies | Tagged: arts, Bryce, Bryce Wilson, danse macabre, Faint, Great Comet, horror, House Next Door, Might & Magic Heroes VI, Steven King | 2 Comments »

American Vampire, Vol. 1 (Review)

Posted on October 8, 2012 by Darren

In the end, though, it’s all about giving back the teeth that the current “sweetie-vamp” craze has, by and large, stolen from the blood suckers.

– Stephen King’s introduction to the collection

Stephen King, who wrote the origin half of this collection based off Scott Snyder’s notes, remarks in his wonderful foreword, “Here’s what vampires shouldn’t be: pallid detectives who drink Bloody Marys and only work at night; lovelorn southern gentlement; anorexic teenage girls; boy-toys with big dewy eyes.” American Vampire seems to be a strong rebuttal to all those modern and soft depictions of the blood-sucking monsters we’ve been swamped with over the last decade or so.

If that isn’t enough to at least interest you, then I don’t know what will.

Ch-ch-ch-changes…

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Filed under: Comics | Tagged: American Century, American Vampire, comic books, Comics, danse macabre, dc, dc comics, horror, los angeles, monsters, rafael albuquerque, Scott Snyder, Skinner Sweet, stephen king, United States, vampire, vampires, vertigo | Leave a comment »

Non-Review Review: Sinister

Posted on September 25, 2012 by Darren

Sinister is a few great ideas, wrapped in a hokey plot and executed in a reasonably efficient manner. To be fair, this latest movie from “the producers of Paranormal Activity and Insidious“ works best when it adopts a minimalist approach, with director Scott Derrickson and composer Christopher Young providing a suitably overbearing and overwhelming atmosphere. However, the movie runs into problems when it’s forced to play its hand, and when it feels the need to “follow through” on its scares with something more substantial. At that point, the movie becomes a bit clunky, which seems quite a shame – as Derrickson otherwise minimalist approach creates an unsettling canvas to set the story against.

Reel life…

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Filed under: Non-Review Reviews | Tagged: Christopher Young, Derrickson, Ellison, ethan hawke, Exorcism of Emily Rose, film, horror, iphone, James Ransone, Juliet Rylance, Movie, non-review review, paranormal activity, review, Scott Derrickson, Sinister, stephen king | 2 Comments »

Non-Review Review: When the Lights Went Out

Posted on August 20, 2012 by Darren

At its best, When the Lights Went Out feels like a cinematic throwback, almost like The Woman in Black. While The Woman in Black harked back to a period of classic British horror, the height of Hammer’s gothic schtick, When the Lights Went Out feels like an affectionate homage to the urban haunting movies of the seventies, like The Amityville Horror with a Yorkshire accent. Although the final third comes off the rails in a fairly massive way, there’s enough charm and nostalgia to keep When the Lights Went Out entertaining for most of its runtime. It’s not just the setting and the aesthetic that hark back to the seventies, but also the tone and the mood.

I hope she’s not left hanging…

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Filed under: Non-Review Reviews | Tagged: Amityville Horror, Amityville New York, arts, Colin Wilson, daniel radcliffe, film, Hammer Film Productions, horror, Lutz, Movie, non-review review, pat holden, review, stephen king, when the lights went out, Woman in Black | 2 Comments »

Non-Review Review: Dracula (1931)

Posted on July 4, 2012 by Darren

I have a soft spot for classic Universal horror. Not that it should come as a surprise – I’m a sucker (ha!) for some vintage Hammer Horror as well, and all other forms of classical horror (even if they may occasionally veer into the realm of kitsch). It’s really hard to overstate the massive influence that the 1931 Universal version of Dracula had on the subsequent adaptations of Stoker’s truly iconic novel. I honestly don’t believe that the character would the same without Bela Lugosi’s truly magnificent central performance, as seen here. Sure, I’m less than convinced about the ending, but most of Tod Browning’s adaptation is a feast for the eyes and pulpy horror classic.

Stairway to heaven?

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Filed under: Non-Review Reviews | Tagged: Abbott & Costello Meet Frankenstein, art, Béla Lugosi, Bram Stoker, Carla Laemmle, Count Orlok, dracula, film, frankenstein, horror, Jonathan Harker, Lugosi, Movie, non-review review, Nosferatu, Renfield, review, Romania, Stoker, Tod Browning, universal monsters, vampire, Van Helsing | 9 Comments »

Non-Review Review: Critters 3

Posted on May 11, 2012 by Darren

I have a confession to make. I have never seen a Critters film before. They were always sitting there on the lower shelves of the horror section in the shop where I used to rent DVDs, but I just never picked one up. I can’t quite explain why – that sort of trashy horror-comedy would probably have seemed right up my street, but I guess I was probably more fascinated with the more iconic horror monsters and menaces. Anyway, my better half has always had a bit of affection for Leonardo DiCaprio, and when we discovered that his first big screen role was as a kid in Critters 3, I suggested that we could watch both watch it. And, I’m surprised to admit, it was nowhere near as bad as I thought it was going to be.

Laugh it up, fuzzball…

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Filed under: Non-Review Reviews | Tagged: art, arts, Comedy horror, Critters, critters 3, DiCaprio, DVD, entertainment, film, Frances Bay, george lucas, horror, jonah hill, Jordan Belfort, Leonardo diCaprio, martin scorsese, Movie, Movies, new york, nightmare on elm street, non-review review, review, Wolf of Wall Street | 2 Comments »

Non-Review Review: Cabin in the Woods

Posted on April 12, 2012 by Darren

Part of me wonders when it’s appropriate to start ranking the year’s films. I say that, because I’ve just had the pleasure of catching The Cabin in the Woods, which is easily one of the best films of the year so far, and the best horror movie I’ve seen in a long, long time. I know those sound like trite clichés, but Joss Whedon and Drew Goddard’s exploration of the horror genre just bristles with a raw energy that sweeps up the audience.

It’s a rare horror film that has you laughing when it wants you to laugh, while keeping you anticipating shocks that you know it knows you know are coming. In many ways, it seems like Cabin in the Woods comes from a very raw and personal place from both director and writer, one conflicted over the genre as a whole. From the outset it’s clear that Whedon and Goddard truly love the conventions and the thrills, while loathing the inherent voyeurism and nihilism that is almost inseparable from those aspects. It’s a weird dichotomy, and Cabin in the Woods is a weird film, but weird in that most brilliant of ways.

Who is afraid of the big bad wolf?

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Filed under: Non-Review Reviews | Tagged: arts, Bradley Whitford, Cabin in the Woods, chris hemsworth, criticism, deconstruction, Drew Goddard, film, Goddard, horror, Horror film, joss whedon, meta-fiction, Movie, review, Richard Jenkins, self-awareness, voyeurism, Whedon, Woods | 5 Comments »

Non-Review Review: Scream 4 (Scre4m)

Posted on March 28, 2012 by Darren

Alright, Kirby, then it’s time for your last chance. Name the remake of the groundbreaking horror movie in which the vill…

Halloween, uh, Texas Chainsaw, Dawn of the Dead, The Hills Have Eyes, Amityville Horror, uh, Last House on the Left, Friday the 13th, A Nightmare On Elm Street, My Bloody Valentine, When A Stranger Calls, Prom Night, Black Christmas, House of Wax, The Fog, Piranha. It’s one of those, right? Right?

(beat)

I got it right. I was &@#!ing right.

– Ghostface and Kirby redefine the frame of reference

In many ways, Scream 4 feels like a fitting end to the Scream franchise. In fact, it feels like it has come something of a full circle from the first film, which was envisaged as something of an obituary for the dying slasher genre. In the years since, prompted in a large part by the success of the original Scream, the genre has been resurrected. Watching the grind of horror films released, it seems that Hollywood has been churning out nothing but empty roman-numeral-denoted sequels and hallow remakes, with very little thought or creativity. Scream 4 feels a like a reflection on the “success” that the first film wrought, and actually feelings like a fitting closing act.