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The Spirit Archives, Vol. 5 (Review/Retrospective)

With The Spirit Archives, Vol. 5, we get our first real taste of what The Spirit looks like without Will Eisner. I’ve always felt like The Spirit belonged to Eisner in a way that very few iconic American comic book characters belong to a particular creator. The Spirit belonged to Eisner in the same way that The Adventures of Tintin belonged to Hergé. I am fond of Darwyn Cooke’s revival of the character, and there’s something interesting about the Kitchen Sink anthology series, but those exist mainly as curiosities or companion pieces to Eisner’s work on the character.

In many ways, this stretch of strips, published by Eisner’s staff and colleagues during his army service, feels the same sort of way. It’s more of a historical curiosity than an end to itself.

Lighten up…

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American Vampire, Vol. 4 (Review)

This October, to get us in the mood for Halloween, we’re taking a look at some awesome monster comics. Check back in every Monday this month for a review of Scott Snyder’s American Vampire Saga.

American Vampireis a wonderful vehicle for Scott Snyder to explore his obvious fascination with the social history of the United States. In this fourth volume of the series, Snyder brings the action into the fifties. The fifties time that seemed to be rife with great social change coming out of the Second World War. However, despite those origins, they would ultimately just serve as a prelude to the more dramatic social developments during the sixties. This collection of issues allows Snyder to hint on a number of familiar themes that fit quite well with the setting, including the conflict between old and new – something that has been at the heart of the series since the very beginning.

Grabbing the snake by the… whatever it is you grab snakes by…

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Tomb of Dracula Omnibus, Vol. III (Review/Retrospective)

Darkness spreads across the land like a bone-chilling evening mist. It swirls, boils and froths.

Then, at the moment when midnight madness is at its greatest, the darkness takes form and substance and becomes a thing of hell-born horror.

This is… THE TOMB OF DRACULA.

Pray you can avoid its deadly embrace…

Sometimes classic movie monsters just look better in black and white, eh? Marv Wolfman and Gene Colan told pretty much a complete Tomb of Dracula epic in the seventy issues of the main title produced in the previous two omnibus collections. This third gigantic tome collects a lot of what might be considered “a Tomb of Dracula miscellany”, collecting various odds and ends from Marvel’s Draculacomics during the seventies to sort of expand and enhance the story told in the main title. It isn’t as consistent as that seventy-issue run, with a variety of weaving story threads, one-shots, text stories and a variety of artistic and authorial talent, but it’s still an interesting look at Marvel’s horror comics during the seventies.

Feed your Dracula addiction!

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Tomb of Dracula Omnibus, Vol. II (Review/Retrospective)

It’s fantastic that Marvel have gone to such pains to collect all of the classic seventies Tomb of Dracula. The main title is collected in the first of three volumes, with this second oversized hardcover rounding out Marv Wolfman and Gene Colan’s run on the on-going series. Indeed, with Colan’s consistent pencils and Wolfman’s long-form plotting, Tomb of Dracula feels remarkably close to a single long-form story, one massive epic in seventy-odd chapters, with ideas hinted and developed years before they would eventually pay off. As such, the collection holds up remarkably well, and is a joy to read. While the second half of the series might not be as solid as Wolfman and Colan’s work on the first thirty-odd issues, it still makes for a satisfying conclusion to this chapter of Dracula’s story.

Out for the Count?

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Tomb of Dracula Omnibus, Vol. I (Review/Retrospective)

It’s almost hard to imagine, looking at today’s comic book industry, but there was a time when horror comics were a major money-spinner for the “big two” comic book companies. The Tomb of Dracula stands out as the longest running and most successful of Marvel’s horror titles from the seventies, but there were a whole line of books being published featuring monsters old and new. It’s great that Marvel have taken the time and care to publish the complete series in three deluxe hardcover volumes. The Tomb of Dracula is a gem in Marvel’s seventies publishing crown, a delightfully enjoyable pulpy horror series that feels palpably more mature than a lot that the company was publishing at the same time.

A tome of Tomb…

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The Punisher by Rick Remender Omnibus (Review/Retrospective)

Rick Remender’s Punisher is a fun run. It’s not the most important or iconic take on the character, nor is it the writer’s best work at Marvel (or in the industry as a whole). It’s disjointed, it’s awkwardly paced, it seems to resolve itself merely because Remender was moving on to another title, but it’s also fun, exciting and interesting. Somewhat akin to Jason Aaron’s Ghost Rider work, it’s a great writer cutting lose with a grindhouse character and concentrating on telling a tale that is entertaining rather than definitive. In many respects, Remender’s Punisher really shouldn’t work half as well as it does, and that’s certainly a testament to the writer’s skill.

Here there be monsters…

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