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Non-Review Review: The Nun

Nobody really talks about how strange The Conjuring is.

James Wan has effectively managed to fashion Hollywood’s second most successful shared universe from a variety of old-fashioned horror tropes stitched together with a more modern blockbuster aesthetic. The films in franchise – which include The Conjuring 2, Annabelle and Annabelle: Creation – are remarkable because they seem like such a strange basis for a twenty-first century blockbuster franchise. They are all period piece jump-scare driven retro jorror movies that are produced with a very slick and modern sensibility.

Bad habits.

The Nun is another worthy (and interesting) addition to that canon. As with the other films in the series, its basic structure wields more modern storytelling and filmmaking techniques to a more classic horror tone. As with the other films, the production team also understand the appeal of a certain level of variety within that familiar template. The Conjuring was a throwback to beloved seventies haunted house films, Annabelle set its horror against the backdrop of the sixties, The Conjuring 2 moved to England and Annabelle: Creation unfolded against the backdrop of rural America.

The Nun evokes gothic horror. Set in a creepy abbey in Romania during the fifties, following an investigator dispatched from the Vatican to investigate the suicide of a young nun, The Nun thrives in this environment with this iconography. The Nun falters a little bit in its storytelling, especially its exposition, and it stumbles a little bit when it comes to building a climax that works as both an action film and as a horror. However, the film is canny enough in its choice of setting and imagery that it never completely comes apart.

Who goes stair?

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Tomb of Dracula Omnibus, Vol. III (Review/Retrospective)

Darkness spreads across the land like a bone-chilling evening mist. It swirls, boils and froths.

Then, at the moment when midnight madness is at its greatest, the darkness takes form and substance and becomes a thing of hell-born horror.

This is… THE TOMB OF DRACULA.

Pray you can avoid its deadly embrace…

Sometimes classic movie monsters just look better in black and white, eh? Marv Wolfman and Gene Colan told pretty much a complete Tomb of Dracula epic in the seventy issues of the main title produced in the previous two omnibus collections. This third gigantic tome collects a lot of what might be considered “a Tomb of Dracula miscellany”, collecting various odds and ends from Marvel’s Draculacomics during the seventies to sort of expand and enhance the story told in the main title. It isn’t as consistent as that seventy-issue run, with a variety of weaving story threads, one-shots, text stories and a variety of artistic and authorial talent, but it’s still an interesting look at Marvel’s horror comics during the seventies.

Feed your Dracula addiction!

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Tomb of Dracula Omnibus, Vol. II (Review/Retrospective)

It’s fantastic that Marvel have gone to such pains to collect all of the classic seventies Tomb of Dracula. The main title is collected in the first of three volumes, with this second oversized hardcover rounding out Marv Wolfman and Gene Colan’s run on the on-going series. Indeed, with Colan’s consistent pencils and Wolfman’s long-form plotting, Tomb of Dracula feels remarkably close to a single long-form story, one massive epic in seventy-odd chapters, with ideas hinted and developed years before they would eventually pay off. As such, the collection holds up remarkably well, and is a joy to read. While the second half of the series might not be as solid as Wolfman and Colan’s work on the first thirty-odd issues, it still makes for a satisfying conclusion to this chapter of Dracula’s story.

Out for the Count?

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Tomb of Dracula Omnibus, Vol. I (Review/Retrospective)

It’s almost hard to imagine, looking at today’s comic book industry, but there was a time when horror comics were a major money-spinner for the “big two” comic book companies. The Tomb of Dracula stands out as the longest running and most successful of Marvel’s horror titles from the seventies, but there were a whole line of books being published featuring monsters old and new. It’s great that Marvel have taken the time and care to publish the complete series in three deluxe hardcover volumes. The Tomb of Dracula is a gem in Marvel’s seventies publishing crown, a delightfully enjoyable pulpy horror series that feels palpably more mature than a lot that the company was publishing at the same time.

A tome of Tomb…

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Non-Review Review: Dracula (1931)

I have a soft spot for classic Universal horror. Not that it should come as a surprise – I’m a sucker (ha!) for some vintage Hammer Horror as well, and all other forms of classical horror (even if they may occasionally veer into the realm of kitsch). It’s really hard to overstate the massive influence that the 1931 Universal version of Dracula had on the subsequent adaptations of Stoker’s truly iconic novel. I honestly don’t believe that the character would the same without Bela Lugosi’s truly magnificent central performance, as seen here. Sure, I’m less than convinced about the ending, but most of Tod Browning’s adaptation is a feast for the eyes and pulpy horror classic.

Stairway to heaven?

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