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Tomb of Dracula Omnibus, Vol. II (Review/Retrospective)

It’s fantastic that Marvel have gone to such pains to collect all of the classic seventies Tomb of Dracula. The main title is collected in the first of three volumes, with this second oversized hardcover rounding out Marv Wolfman and Gene Colan’s run on the on-going series. Indeed, with Colan’s consistent pencils and Wolfman’s long-form plotting, Tomb of Dracula feels remarkably close to a single long-form story, one massive epic in seventy-odd chapters, with ideas hinted and developed years before they would eventually pay off. As such, the collection holds up remarkably well, and is a joy to read. While the second half of the series might not be as solid as Wolfman and Colan’s work on the first thirty-odd issues, it still makes for a satisfying conclusion to this chapter of Dracula’s story.

Out for the Count?

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Tomb of Dracula Omnibus, Vol. I (Review/Retrospective)

It’s almost hard to imagine, looking at today’s comic book industry, but there was a time when horror comics were a major money-spinner for the “big two” comic book companies. The Tomb of Dracula stands out as the longest running and most successful of Marvel’s horror titles from the seventies, but there were a whole line of books being published featuring monsters old and new. It’s great that Marvel have taken the time and care to publish the complete series in three deluxe hardcover volumes. The Tomb of Dracula is a gem in Marvel’s seventies publishing crown, a delightfully enjoyable pulpy horror series that feels palpably more mature than a lot that the company was publishing at the same time.

A tome of Tomb…

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Non-Review Review: Dracula (1931)

I have a soft spot for classic Universal horror. Not that it should come as a surprise – I’m a sucker (ha!) for some vintage Hammer Horror as well, and all other forms of classical horror (even if they may occasionally veer into the realm of kitsch). It’s really hard to overstate the massive influence that the 1931 Universal version of Dracula had on the subsequent adaptations of Stoker’s truly iconic novel. I honestly don’t believe that the character would the same without Bela Lugosi’s truly magnificent central performance, as seen here. Sure, I’m less than convinced about the ending, but most of Tod Browning’s adaptation is a feast for the eyes and pulpy horror classic.

Stairway to heaven?

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