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Non-Review Review: The Mortal Instruments – City of Bones

The Mortal Instruments: The City of Bones is just about wry enough and smart enough to launch itself snugly into the gap in the “young adult” movie market left by the end of franchises like Twilight or Harry Potter. This franchise-launcher, based on Cassandra Clare’s 2007 novel, is at its best when it’s self-aware, with young starlet Lilly Collins reacting with quiet bemusement to the surreal urban fantasy or Irish supporting actor Robert Sheehan picking holes in the plot.

It’s over-the-top and deliciously campy, but indulgently so. Refusing to merely bask in the clichés of urban fantasy, The Mortal Instruments practically revels in them. Subtext becomes supra-text, twists are shrewdly signposted in a way welcoming to genre aficionados and there’s an endearing sense of pulp to the whole thing. The movie only really suffers when it tries to take things entirely seriously, slowing down for an almost interminable second act and casting the so-wooden-he-should-probably-be-varnished Jamie Campbell Bower as the obligatory “mysterious hunky teenager.”

A cut above?

A cut above?

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Tomb of Dracula Omnibus, Vol. III (Review/Retrospective)

Darkness spreads across the land like a bone-chilling evening mist. It swirls, boils and froths.

Then, at the moment when midnight madness is at its greatest, the darkness takes form and substance and becomes a thing of hell-born horror.

This is… THE TOMB OF DRACULA.

Pray you can avoid its deadly embrace…

Sometimes classic movie monsters just look better in black and white, eh? Marv Wolfman and Gene Colan told pretty much a complete Tomb of Dracula epic in the seventy issues of the main title produced in the previous two omnibus collections. This third gigantic tome collects a lot of what might be considered “a Tomb of Dracula miscellany”, collecting various odds and ends from Marvel’s Draculacomics during the seventies to sort of expand and enhance the story told in the main title. It isn’t as consistent as that seventy-issue run, with a variety of weaving story threads, one-shots, text stories and a variety of artistic and authorial talent, but it’s still an interesting look at Marvel’s horror comics during the seventies.

Feed your Dracula addiction!

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Non-Review Review: Shelter

Shelteris a horror with an intriguing original premise. However, it’s also packed with tonnes of other premises, some of which are remotely interesting, while others are quite mundane. It’s an uneven film, which actually works best when it paces itself more as a thriller or a mystery than an out-and-out horror, but there are weaker choices out there.

Psyche!

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