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New Podcast! Scannain Podcast (2018) #34!

It’s time for the latest Scannain podcast!

This week, I join Jason Coyle, Ronan Doyle, Grace Duffy and Andrew Quinn to discuss the week in film. As usual, we talk about the top ten and the new releases, as well as what we’ve watched this week. In this episode, we discuss the work and legacy (and delayed appreciation) of Agnès Varda, the charm of When Harry Met Sally, the appeal of the original Halloween and the horror of The Exorcist.

You can listen to the episode here, or click the link below.

Top Ten:

  1. The Nun
  2. Black ’47
  3. BlacKkKlansman
  4. Christopher Robin
  5. Hotel Transylvania 3: A Monster Vacation
  6. Mamma Mia: Here We Go Again!
  7. Incredibles II
  8. The Meg
  9. Searching…
  10. Ant Man and the Wasp

New Releases:

  • A Mother Brings Her Son to be Shot
  • The Predator
  • Crazy Rich Asians
  • King of Thieves
  • The Rider

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New Podcast! Scannain Podcast (2018) #33!

Bringing us completely up to date with the Scannain podcast, it’s this week’s episode!

This week, I join Grace Duffy, Ronan Doyle and Luke Dunne from Film in Dublin for a jam-packed discussion of the week in film news. There’s a lot of great stuff here, covering everything from the closure of the Village Voice to the strong feelings that Luke and I had towards the Peter Berg and Mark Wahlberg action vehicle Mile 22. It’s also a big week for new releases, including Bart Layton’s American Animals, Corin Hardy’s The Nun and Lance Daly’s Black ’47. The latter of which will be the largest Irish cinematic release ever, screening in one hundred cinemas North and South.

Give it a listen at the link, or check it out below.

Non-Review Review: The Nun

Nobody really talks about how strange The Conjuring is.

James Wan has effectively managed to fashion Hollywood’s second most successful shared universe from a variety of old-fashioned horror tropes stitched together with a more modern blockbuster aesthetic. The films in franchise – which include The Conjuring 2, Annabelle and Annabelle: Creation – are remarkable because they seem like such a strange basis for a twenty-first century blockbuster franchise. They are all period piece jump-scare driven retro jorror movies that are produced with a very slick and modern sensibility.

Bad habits.

The Nun is another worthy (and interesting) addition to that canon. As with the other films in the series, its basic structure wields more modern storytelling and filmmaking techniques to a more classic horror tone. As with the other films, the production team also understand the appeal of a certain level of variety within that familiar template. The Conjuring was a throwback to beloved seventies haunted house films, Annabelle set its horror against the backdrop of the sixties, The Conjuring 2 moved to England and Annabelle: Creation unfolded against the backdrop of rural America.

The Nun evokes gothic horror. Set in a creepy abbey in Romania during the fifties, following an investigator dispatched from the Vatican to investigate the suicide of a young nun, The Nun thrives in this environment with this iconography. The Nun falters a little bit in its storytelling, especially its exposition, and it stumbles a little bit when it comes to building a climax that works as both an action film and as a horror. However, the film is canny enough in its choice of setting and imagery that it never completely comes apart.

Who goes stair?

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