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Non-Review Review: RED

The way that society treats its elderly makes for great fodder for films. After all, what happens to us when we climb over that hill – when we make it all the way to retirement and cease to contribute in the most conventional manner? Will anybody care? Will anybody notice? It’s something that will (hopefully) happen to a lot of us, but it’s not necessarily something we give a lot of thought to – perhaps because we wouldn’t be too comfortable with the answers we’d find. “I never thought this would happen to me,” Joe Matheson confesses at one point as he strolls around “Green Spring Rest Home” with his old colleague, Frank. When Frank asks what he means, Joe elaborates, “Getting old.”

Up to their old tricks...

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Oscar Fatigue and the Pain of a Predictable Race…

You know what? At this stage I’ve seen nine of the ten Best Picture nominees this year, and I’m quite happy. There isn’t a stinker amongst them, and all I’m short is 127 Hours (maybe this weekend, before the ceremony). And yet, despite being happier with the field than I have been in quite a while, I have to admit I’ve grown somewhat tired of the Oscars this year. Usually there’s some element of surprise, but everything this year seems so sown up that there’s really no energy left in the race. One need only look at the overwhelming consensus at Awards Daily to get a feeling for how stale the race is. Admittedly there’s generally a frontrunner or two, but this year it seems that most of the major awards might as well be handed out before the ceremony begins (just to make things more efficient).

You'd have to be trapped under a rock not to see the way this race is going...

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Eye See You: How Do We Watch Movies?

The Dynamic Images and Eye Movement (DIEM) Project conduct research into where our eyes focus while watching entertainment. They run an informative blog here which goes into their function in more depth and they also have a vimeo channel here. I happened to catch a recent upload from them, covering six minutes from There Will Be Blood. Various circles on the screen indicate where the viewers’ eyes were focused (and for how long). Most of it seems fairly obvious (generally on movement in the foreground, but occasionally the background), but there were one or two surprises (the focus on a light bulb, for example). Watch it below:

There’s also a rather interesting one covering the opening sequence of The Simpsons. This is perhaps more interesting, as you can literally feel the eyes racing to keep track with everything presented at such speed – there’s a lot of movement in it, rather than the relatively static shots from the above film clip.

Also worth a luck (because there’s quite a lot going on) is the trailer for Harry Potter and the Half-Blood Prince. this is another case where the viewer is bombarded with information in quick succession and they are asked to take in a lot in a short time.

I can’t really say that there’s too much here that surprises me, but’s still fascinating to see where the typical viewer’s eye may wander during a given film clip. I wonder if there are directors and cinematographers looking at these clips right now, trying to figure out how to better construct shots.

Either way, it’s a fascinating little look at how we watch those film clips.

Non-Review Review: Infernal Affairs

We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir. Today’s theme is “foreign noir” – a look at some of the neo-noir films from outside America.

In case you are unfamiliar with the Hong Kong classic, Infernal Affairs is perhaps most recognisable to Western audiences as the film which inspired Martin Scorsese’s The Departed. The film finally won Scorsese a long overdue Oscar, but the raw materials he found himself working with certainly contributed in some manner. The movie succeeds by taking a wonderfully original plot that still fits within the themes of the best crime stories, and telling it in a wonderfully engaging manner.

Go to Hell...

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Non-Review Review: Insomnia (2002)

We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir. Today’s theme is “a brighter shade of noir” – neo-noir that eschews the dark aesthetic for which the genre is famous.

How do you make a film noir set in a community where the sun never sets? You get the Swedes to do it, and then you ask Christopher Nolan to remake it.

I love a good mist-erie...

Note: Unlike most of my noir-related posts, this review will include spoilers for the film. In fairness, you could argue that these are the type of spoilers included in a run-of-the-mill synopsis – but better safe than sorry. If you’re looking for a recommendation, go see this film.

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Noir A.D.: Why Sci-Fi Is Better Hardboiled…

We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir. Today’s theme is “cyber noir” – the unlikely combination of sci-fi and film noir to make an oh-so-tasty film.

Nobody’s entirely certain who it was that came up with the idea of combining peanut butter and jelly. It isn’t exactly a logical leap, after all. The most popular theory seems to be that it was American soldiers, who had been issued with ration packs containing peanut butter and jelly during the Second World War. With these two items in their packs, the soldiers decided to pair them up and eat them as part of the same sandwich. However, though this might suggest that the two were thrown together by coincidence, they stayed together because they just work so well. So it is with science-fiction and noir, that most unlikely of combinations which can’t help but go down a treat.

The alpha and the omega?

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Non-Review Review: Dark City (Director’s Cut)

We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir. Today’s theme is “cyber noir” – the unlikely combination of sci-fi and film noir to make an oh-so-tasty film.

A man jolts awake in a bathtub in a strange motel, and seems somewhat surprised by his surroundings. As seems to be mandatory in all good sleazy establishments, the light bulb on the ceiling swings back and forth – teasing illumination around the otherwise dark tiled room, but never showing everything. Confused, the resident stumbles to his feet, and searches frantically for what must be his clothes. However, there’s an unpleasant surprising waiting for him inside the anonymous cheap room: a dead body of a beautiful woman, carved and cut up in a mysterious spiral pattern. Our protagonist recoils, horrified by the discovery, and leaves the seedy dive as soon as possible. He assures himself, repeatedly, that it isn’t what it looked like. He isn’t a killer, he’s a good man.

However, it would be much easier to make that argument if he could remember anything before waking up in the water. Even his own name.

One to watch...

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Non-Review Review: Blade Runner

We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir. Today’s theme is “cyber noir” – the unlikely combination of sci-fi and film noir to make an oh-so-tasty film.

Blade Runner is arguably more of a film noir than a science-fiction film. Sure, it features robots and flying cars, but the atmosphere is set by a constant downpour in the streets, while characters wandering around in trenchcoats and questions of identity and moral ambiguity hang heavily in the air. Though the funky Vangelis soundtrack may lead you to believe otherwise, Blade Runner is perhaps one of the most faithful films in the neo-noir film movement. The flying cars are just on top of that.

Facing the facts...

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Non-Review Review: Black Swan

We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir. Today’s theme is “alterna-noir” – just looking at slightly unusual choices.

Wow. That was disturbing. It’s really rare to get such a strong reaction to a film, and to feel so distinctly uncomfortable. Well, it’s easy to feel distinctly uncomfortable – rent a Lars Von Trier film or The Human Centipede. However, the Black Swan feels bold and vivid and disturbing, without ever feeling cheap. It seems to be a very tough line to walk (especially given some of the sequences which could be deemed “trashy” in the hands of lesser directors), but the Black Swan manages to make the viewer squirm in their seats without ever feeling dirty.

Let's dance!

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Non-Review Review: Brick

We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir. Today’s theme is “alterna-noir” – just looking at slightly unusual choices.

You’ve helped this office out before.

No, I gave you Jerr to see him eaten, not to see you fed.

Fine. And very well put.

Accelerated English, Mrs. Kasprzyk.

Tough teacher?

Tough but fair.

– Brendan and Assistant Vice-Principal Trueman

Brick works by taking all the facets of the film noir we love, and transposing it against a high school background. Like cheese and onion, it’s a combination that really shouldn’t work so well, but makes for one tasty snack.

Phone a friend?

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