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Non-Review Review: Shaft (2000)

It feels like something of a backhanded compliment to describe Shaft as John Singleton’s best movie since Boyz n the Hood. Singleton has been one of those directors who has found himself living in the shadow a tremendously influential and successful debut, struggling to find a way to match or surpass it. I think that his take on the most famous blaxploitation hero of all time, while deeply flawed, works so well because it seems intentionally light. It’s not attempting to be big or epic, or even especially socially conscious, it’s just trying to be a decently entertaining – if slightly cheesy – little thriller.

Who's the cat who won't cop out when there's danger all about?

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Non-Review Review: Brick

We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir. Today’s theme is “alterna-noir” – just looking at slightly unusual choices.

You’ve helped this office out before.

No, I gave you Jerr to see him eaten, not to see you fed.

Fine. And very well put.

Accelerated English, Mrs. Kasprzyk.

Tough teacher?

Tough but fair.

– Brendan and Assistant Vice-Principal Trueman

Brick works by taking all the facets of the film noir we love, and transposing it against a high school background. Like cheese and onion, it’s a combination that really shouldn’t work so well, but makes for one tasty snack.

Phone a friend?

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