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Could Kick-Ass Be a Cinematic Watchmen?

Okay, I think we were all a little disappointed with Watchmen. Although the use of that word seems unfair. The book defined the comic book superhero genre in a way that bled into film long before the movie was made. Zach Snyder’s work seemed… redundant. Watchmen had influenced the comic books that came after and they had influenced the movies. If anything, the movie adaptation seemed much less mature and developed than the previous year’s Batman blockbuster – The Dark Knight. Publicity and reviews for this year’s Kick-Ass are beginning to emerge and it seems like it’s all good, so far. The film, along with Shutter Island, was the runaway hit of Butt-Numb-A-Thon this year, a sort of geeky Sundance. It’s an interest look at what “real” superheroes would look like, and part of me wonders if this is movie will end up being what Watchmen should have been?

Nicolas Cage's moustache could kick your ass...

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Non-Review Review: Invictus

I have to admit being quite impressed with Invictus. One of the benefits of living in Europe, but also one of the burdens, is that we typically have a week or two to surf the reviews of any film about to open, as it has typically been previewed (and released) in America long before it arrives on our humble shores. On one hand, this allows us to make carefully considered film choices, but it also means that our optimism for an upcoming release can be bashed against the rocks of poor critical acclaim. Invictus didn’t secure a Best Picture nomination and it didn’t exactly blow the socks off reviewers. I know that a reviewer should go in to a darkened cinema leaving all expectations and preconceptions aside, but unfortunately this is the real world. Invictus isn’t a cinematic classic, nor the highpoint of anyone’s filmography, but it is a solidly constructed sports and politics epic with a superb leading performance and a skilled hand behind the camera.

Nelson Mandela - Nobel laureate, South African President, Springboks manager...

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The Wonderful Roger Ebert…

If you are in anyway interested in cinema, you know Roger Ebert. You already know that Esquire have put together a profile piece on the man, and also he has written a continuation (I was going to say ‘response’, but that would imply hostility) on his own blog. Both are probably the most essential film-related reading of the week.
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Tarantino Plans A ‘Southern’…

This article begins with a massive disclaimer. I keep a pile of salt in my backyard because I need to take every planned project from Quentin Tarantino with a grain of salt. It build up after all the Kill Bill, Vol. 3 and Casino Royale rumours. Anyway, Tarantino has a new project planned – a Western. But, being the man he is, it certainly isn’t going to be your average gun-slinging morality tale:

I’d like to do a Western. But rather than set it in Texas, have it in slavery times. With that subject that everybody is afraid to deal with. Let’s shine that light on ourselves. You could do a ponderous history lesson of slaves escaping on the Underground Railroad. Or, you could make a movie that would be exciting. Do it as an adventure. A spaghetti Western that takes place during that time. And I would call it ‘A Southern.’

It’s certainly a novel take on the genre, right?

There are two kinds of people in the world: John Wayne people and Clint Eastwood people...

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Captain America: Bob Hope With Better Abs…

I remember announcing last year that Captain America: The First Avenger was the movie in the Marvel canon I was most anticipating over the next few years. Well, it looks like the gods of movie-making are out to smite me for my doubts about Jon Favreau and Kenneth Branagh by giving me a taste of what exactly director Joe Johnston has in mind for the erstwhile superhero and super-patriot. I have to admit – after thinking about Iron Man 2 and reading all the casting and discussion on Thor – that this take on Captain America seems rather… mundane. To say the least.

He can punch Hitler in the face, but can he manage a chorus line?

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When Cinemas Strike Back…

Hmm… I knew there wasn’t good news on the horizon when Disney announced they were steamrolling ahead with their plan to truncate the cinematic run of Tim Burton’s upcoming Alice in Wonderland adaptation. Obviously driven by the home entertainment market (and the fact that parents would be look for distractions for the kids as the summer holidays approach), they want to release the DVD 12 weeks after the movie premieres, rather than the standard 17 weeks. As you can imagine, this has ticked off the cinemas who make more money the later into a film’s release you see it, so it looks like we may have a boycott – in the UK at least. 95% of 3D screens may not be showing it. Including Cineworld, the largest cinema in Dublin.

Through the looking glass but not necessarily on the big screen...

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How Studios Put Together Valentine’s Day…

News broke last week that Julia Roberts received $500,000 a minute for her screentime in this year’s romantic ensemble comedy Valentine’s Day. Yes, for six minutes of screentime, she got $3m (which really doesn’t seem that impressive without the zeroes – so $3,000,000). However, that wasn’t the most interesting part of the coverage of the movie – well, at least for me. A bit of commentary revealed how Hollywood can attract so many big names under one matinee sign (which is, undoubtedly, a key part of the movie’s success).

Here's to you, Mrs. Roberts(on)...

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Non-Review Review: The Ruins

The Ruins is a decent enough little horror movie. In fact, it’s a cut above the average mould. Eschewing the torture porn or the gratuitous slasher movies, The Ruins is – after a fashion – a creature feature in the style of eighties. It can’t hold a candle to the true classics of the genre, like The Thing, but it offers a perfectly decent substitute. What’s more is the way that – like all good horror films – it is able to generate pure menace from what should be a ridiculous premise.

Worst. Vacation. Ever.

Note: Towards the end of this review, I’ll discuss some items which might be considered spoilers. Nothing as glaring as the ending, but some stuff you might not want to know ahead of time. I’ll flag it a paragraph beforehand, so don’t worry. If you want a recommendation, it’s an old-fashioned horror which works like any truly effective monster movie: the threat is not just outside the group, but also within it. It won’t rock your world and it isn’t a masterpiece, but is worth a go.

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Saw Franchise Dies a Painful Death…

What makes this particular painful about this story is that they’ve caused all the fuss over director Kevin Greutert over what is essentially a lame duck film. You could make the case that the writing’s been on the wall for the Saw franchise since the second movie which began a steep decline into ridiculous torture porn (so I enjoyed the first one, so sue me) or even since the last one which underperformed financially. Which is tough to do on a film that has a budget of your average 1970s Doctor Who serial, to be frank. Anyway, despite the seemingly large investment that making Saw VII in 3D would seem to represent (even crappy 3D ain’t cheap), it looks like Lionsgate are calling it a day. Saw VII will be the last of the franchise.

Brace (geddit?) yourself...

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Non-Review Review: The Man With Two Brains

Remember when Steve Martin was funny? I know, it was a long time ago, but think really hard. Remember when he was churning out consistently entertaining and amusing comedies which skirted the line of brilliance? Before he became the straight man to Alec Baldwin in It’s Complicated? The Man With Two Brains is a such a comedy. I’m not sure it’s consistent enough to justify the description ‘classic’, but ‘vintage’ fits it best. A vintage Steve Martin comedy.

And brains to spare...

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