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Marvel 1602 (Review)

After spending the tail end of last year looking at the tangled inter-continuity crossovers at Marvel, I thought I’d spend January looking at some of the looser “out of continuity” tales at the major companies.

Although DC invented the term “elseworlds” to describe alternative continuities featuring familiar characters in unfamiliar settings, it was really Marvel who ran with it. Even discounting the Ultimate line, Marvel has produced any number of alternative continuity worlds within the past decade or so – not stories or chapters, but worlds. Tales spin-off in so many different directions that these stories become viable alternative versions of the Marvel Universe, just with a variation upon a theme. Marvel Noir offers us the Marvel Universe as seen through a smokey glass-half-empty lens, with tales of Daredevil, X-Men and Spider-Man changed to fit in this strange new setting. Writer Neil Gaiman, however, crafted an especially interesting alternative to mainstream Marvel with 1602. It pretty much does exactly what it says on the tin, transposing the modern day Marvel Universe to 1602.

Take these broken wings...

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Thor 101: A Beginner’s Guide to Marvel’s Thor…

Another year, another slew of massive comic book adaptations. While most people are familiar with Batman or Superman, I think that we’re moving away from the more popular comic book properties being adapted for the big screen. Last month I wrote a brief introduction to the Green Lantern mythos, as Martin Campbell’s blockbuster approaches. The response was good enough that I thought I might take a look at Marvel comics’ upcoming blockbuster Thor, directed by Kenneth Branagh. Anyway, here’s the trailer.

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Realm of Kings (Review/Retrospective)

This is the fifteenth in a series of comic book reviews that will look at the direction of Marvel’s shared universe (particularly their “Avengers” franchise) over the past five or so years, as they’ve been attempting to position the property at the heart of their fictional universe. With The Avengers planned for a cinematic release in 2012, I thought I’d bring myself up to speed by taking a look at Marvel’s tangled web of continuity.

Realm of Kings is a strange little chapter in the cosmic saga that Dan Abnett and Andy Lanning have been drafting. It seems to exist not really as a story in its own terms (although it does contain some interesting narratives) but rather as a bridge between War of Kings and The Thanos Imperative. It’s essentially the story of an attempt to find stability in a radically warped universe, one turned upside down by recent events. It feels somewhat smaller in scope than the other events that the pair have produced, not that there’s anything wrong with that. In fact, it’s nice to see a series exploring the consequences and aftermath of what has occurred, rather than simply pushing on right into the next big thing. While Realm of Kings does focus on “the Fault” opened at the climax of War of Kings that will become a galactic threat in The Thanos Imperative, the three miniseries are at their best when they explore the consequences of the political instability that the intergalactic war has produced.

That's gonna be Thor tomorrow...

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Civil War (Review/Retrospective)

This is the fourth in a series of comic book reviews that will look at the direction of Marvel’s “Avengers” franchise over the past five or so years, as they’ve been attempting to position the property at the heart of their fictional universe. With The Avengers planned for a cinematic release in 2012, I thought I’d bring myself up to speed by taking a look at Marvel’s tangled web of modern continuity. Get an overview of what I’m trying to take a look at here.

Civil War was Marvel’s big event of 2006-7, and – as this lovely deluxe edition loves to remind you – it was “the industry’s best selling series in over a the decade”. The premise of the series is straight-forward enough – it’s a conflict between the heroes of the Marvel Universe (it’s all there in the title) – and perhaps that is the reason that the series has arguably had more crossover mainstream appeal than the vast majority of comic book crossovers. Marvel have produced a lovely deluxe hardcover which contains just about everything you could possibly want from the event, it’s just a shame I’m not overly impressed by the event itself.

I'm sure we can iron this out...

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House of M (Review/Retrospective)

This is the third in a series of comic book reviews that will look at the direction of Marvel’s “Avengers” franchise over the past five or so years, as they’ve been attempting to position the property at the heart of their fictional universe. With The Avengers planned for a cinematic release in 2012, I thought I’d bring myself up to speed by taking a look at Marvel’s tangled web of continuity. Get an overview of what I’m trying to take a look at here.

The X-Men represent the oddball of mainstream superhero comic books. In a genre and medium dedicated offering a static setup – things never really change or resolve – the X-Men are built upon the very idea of evolution. The whole basis of the franchise is the pursuit of equality by the genetically distinct mutant population, the idea that they and mankind can grow together. It has even been frequently suggested that these super-powered individuals represent out future or our replacements. However, the only way to actually tell a story like that is to follow it through to its logical conclusion – to let the ball roll and to let the world change. It feels a little counterproductive for Charles Xavier and his students to still be fighting for the same rights as everyone else nearly fifty years on – it might even seem a little stale. Grant Morrison’s superb New X-Men run offered a solution of sorts – it gave us a world where humanity would be extinct in a couple of generations and showed the growth and relationship between human and mutant subculture. Gone was the minority struggling against an oppressive majority – a more complex example of race relations had come into play with “mutant music” and “mutant slang” making their impression on the youth, amid a silent and almost invisible middle-class backlash. This was an ingenious approach which demonstrated the relevance of the franchise. Unfortunately, Marvel were not quite pleased with this – some people even, ridiculously, accused Morrison of telling all the remaining X-Men stories – and decided to set things right. They did that through House of M.

Dive in...

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Brian Michael Bendis’ Avengers – New Avengers Vol. 1-2 (Hardcover) (Review/Retrospective)

This is the first in a series of comic book reviews that will look at the direction of Marvel’s “Avengers” franchise over the past five or so years, as they’ve been attempting to position the property at the heart of their fictional universe. With The Avengers planned for a cinematic release in 2012, I thought I’d bring myself up to speed by taking a look at Marvel’s tangled web of continuity. Get an overview of what I’m trying to take a look at here.

Alright. I figure I sound a bit hypocritical complaining about the impact of big events on Marvel’s storytelling continuity without reading said big events. Well, actually, I don’t think I’m a hypocrite – I think it’s perfectly reasonably that a reader should be able to pick up Ed Brubaker’s Captain America without having to worry about Mark Millar’s massive Civil War crossover which they either don’t know enough to care about or know enough not to care about. However, I feel like maybe – just maybe – I should try to ride this “cross-continuity” thing out just once and see if the story somehow justifies the damage it causes to the cohesion of individual runs.  Yes, I’m going to jump head-first into the event-populated minefield of continuity which is recent Marvel history, and I will be using New Avengers as a checklist to that. I’m going down the rabbit hole, following the arc from Civil War through to Siege.

Sentry is responsible for the Carnage in this run...

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Thor and Captain America Costumes Leaked On-Line…

I actually think these are both pretty cool and as reasonably faithful as a big screen live-action adaptation could be, but the costumes for Thor and Captain America: The First Avenger have been leaked on-line. Click below for bigger images.

Source for Thor Concept Art: Cinema Blend

Source for Captain America Concept Art: Fused Film

I am actually quite happy with both, I think they are pragmatic adaptations of costumes which – while iconic – simply wouldn’t work in real life or on the big screen. It does seem though, in banishing the wings from the helmets of each hero (and Thor’s helmet altogether) that Marvel has a vendetta against feathers.

I am a little surprised that Thor hasn’t been “Ultimised” at all. The Marvel movies have shown a trend so far of trying to move iconic heroes more towards reality (or at least in the general direction) and I had kinda expected that Thor’s whole “Viking armour” schtick might be a bit much for mainstream movie-goers. I was kinda expecting something a bit more stripped-down, similar to the look Bryan Hitch gave him in the modernised retelling of the origin of the Avengers, The Ultimates, much in the same way that the movies have presented the Samuel L. Jackson version of Nick Fury, rather than the mainstream spandex-wearing version of the super spy – most memorably brought to life as David Hasselhoff, for those with a fondness for terrible movies.

Its hammer time...

Still, I’m just surprised. I’m certainly not disappointed. If Kenneth Branagh thinks he can pull this off, then, well… I trust Kenneth Branagh. Certainly more than I trust Joe Johnson.

Though the look above has kept the black “power” waistcoat (complete with bubbles), it’s more clearly influenced by the classic conception of the character, complete with chainmail armour and red cape. For those interested in nerdy nuggets of trivia, it’s the waistcoat which was the source of his power in The Ultimates, leading various skeptical characters to suggest that he wasn’t a god of thunder, just a nut job who had stolen some secret technology. This allowed the writer Mark Millar to explore the character’s divinity rather than simply throwing him into the mix with the other more technologically-driven heroes and skirting over the whole “a god walks amongst you” bit.

I’m now kinda curious about how Hugo Weaving’s Red Skull will look in Captain America. A red Skull is probably as least as difficult as that iconic red, white & blue uniform to adapt to screen.

Why Chris Evans is a good choice for Captain America…

It’s official. Chris Evans is Captain America. I’m sure the internet is on fire with people complaining and yelling and shouting – like they were when John Krasinski was the front runner. But I’m actually quite happy. He seems like a great fit for the role and – with a bit of luck – I can see the role doing for him what Tony Stark re-did for Robert Downey Jnr. It could be a star-making role. And I think he deserves that. But I also think there are other reasons he’s a great fit for the role.

Apparently Chris Evans wields the shield...

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Captain America: Bob Hope With Better Abs…

I remember announcing last year that Captain America: The First Avenger was the movie in the Marvel canon I was most anticipating over the next few years. Well, it looks like the gods of movie-making are out to smite me for my doubts about Jon Favreau and Kenneth Branagh by giving me a taste of what exactly director Joe Johnston has in mind for the erstwhile superhero and super-patriot. I have to admit – after thinking about Iron Man 2 and reading all the casting and discussion on Thor – that this take on Captain America seems rather… mundane. To say the least.

He can punch Hitler in the face, but can he manage a chorus line?

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Is The World Ready for a Black Captain America?

Apparently the casting of Captain America: The First Avenger is around the corner. We’ve had confirmation of several story details (I’ll probably come back to those later in the week) and confirmation of the fact that The Red Skull will be the baddie. Which shouldn’t be too much of a surprise, since he is the arch-foe in a rogues gallery which isn’t exactly brimming with iconic villains. I’ve been following discussions about the casting on-line for sometime now, and something has really surprised me when Will Smith’s name came up in connection with the role: apparently the internet nerds are not ready for a black Captain America.

Of course it has been done...

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