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Realm of Kings (Review/Retrospective)

This is the fifteenth in a series of comic book reviews that will look at the direction of Marvel’s shared universe (particularly their “Avengers” franchise) over the past five or so years, as they’ve been attempting to position the property at the heart of their fictional universe. With The Avengers planned for a cinematic release in 2012, I thought I’d bring myself up to speed by taking a look at Marvel’s tangled web of continuity.

Realm of Kings is a strange little chapter in the cosmic saga that Dan Abnett and Andy Lanning have been drafting. It seems to exist not really as a story in its own terms (although it does contain some interesting narratives) but rather as a bridge between War of Kings and The Thanos Imperative. It’s essentially the story of an attempt to find stability in a radically warped universe, one turned upside down by recent events. It feels somewhat smaller in scope than the other events that the pair have produced, not that there’s anything wrong with that. In fact, it’s nice to see a series exploring the consequences and aftermath of what has occurred, rather than simply pushing on right into the next big thing. While Realm of Kings does focus on “the Fault” opened at the climax of War of Kings that will become a galactic threat in The Thanos Imperative, the three miniseries are at their best when they explore the consequences of the political instability that the intergalactic war has produced.

That's gonna be Thor tomorrow...

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War of Kings (Review/Retrospective)

This is the twelfth in a series of comic book reviews that will look at the direction of Marvel’s shared universe (particularly their “Avengers” franchise) over the past five or so years, as they’ve been attempting to position the property at the heart of their fictional universe. With The Avengers planned for a cinematic release in 2012, I thought I’d bring myself up to speed by taking a look at Marvel’s tangled web of continuity.

War of Kings is perhaps the best thing to come out of Secret Invasion. In fact, the miniseries went out of its way to highlight its links to the Marvel comics mega-event, with the story even kicking off in a Secret Invasion: War of Kings special (note the order there, it isn’t War of Kings: Secret Invasion). However, not withstanding the attempts to tie the series back to the high-selling mainstream events that Marvel was consistently churning out, War of Kings is essentially an epic space opera, the story of an interstellar war and alien politics, told with the wit and charm that writer Dan Abnett and Andy Lanning have made the cosmic line famous for. Tying it into Secret Invasion only serves to highlight the deficiencies with that event, as the writers here attempt the same sort of story with the same sort of themes, but with more skill and grace than the bigger event could off.

Now is the time...

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Ed Brubaker’s Run on Uncanny X-Men – The Rise and Fall of the Shi’ar Empire (Review/Retrospective)

I’m currently wading my way through Marvel’s somewhat complicated continuity, with a major focus on The Avengers, what with the film due out in 2012 and all that. Anyway, this isn’t really a “big” crossover in its own right, but it factors into a big event I’ll be looking at later on today. Consider this an appendix.

Ed Brubaker’s run on Uncanny X-Men isn’t as widely praised as his work on Daredevil or Captain America – in fact, while Marvel couldn’t wait to churn out omnibus releases of his work on those two titles, his Uncanny X-Men run, like Matt Fraction’s run which followed, has been haphazardly collected. Part of me suspects that this might be down to factors outside Brubaker’s control – Joss Whedon was monopolising the most popular X-Men for Astonishing X-Men when Brubaker kicked off his run – but part of it comes down to the simple fact that Brubaker simply isn’t a great writer of team books. That said, writing a year-long space epic featuring none of the more iconic characters as his introductory arc probably didn’t help much.

Brotherly love…

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