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Brian Michael Bendis and Alex Maleev’s Moon Knight (Review/Retrospective)

This March, to celebrate the release of Captain America: The Winter Soldier, we’ll be taking a look at some classic and not-so-classic Avengers comic books. Check back daily for the latest updates!

One of the more endearing aspects of comic book publishing is the way that the “little guys” occasionally get a shot. There are mountains of titles published each month featuring iconic characters like Batman or Wolverine, but the major companies are occasionally willing to check chances on more quirky and unknown characters using top-tier talent. One of the big surprises of DC’s “new 52” relaunch was the decision to put superstar writer Geoff Johns on pop culture joke Aquaman.

Despite the fact that he has never quite set the world on fire, Marvel seems willing to invest in repeated attempts to launch the character of Moon Knight. Most recently, writer Warren Ellis has launched a new volume of the comic with artist Declan Shalvey. However, before the latest relaunch, Marvel tried another high-profile take on Moon Knight written by Brian Michael Bendis and illustrated by Alex Maleev, the duo responsible for one of the best-loved runs ever published on Daredevil.

The series made it to twelve issues, before Marvel cancelled it due to disappointing sales. Bendis has insisted that it was always the plan to end the series after twelve issues, but it seems strange that the series was not announced as a miniseries. Still, it’s easy to understand why Moon Knight struggled to find an audience. It’s great to have Bendis and Maleev crafting an on-going street-level comic book, but the series seems almost at war with itself, struggling with the difficulties of fitting this character in this particular role.

Oh what a knight...

Oh what a knight…

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Brian Michael Bendis’ Avengers – The Age of Ultron (Review)

This March, to celebrate the release of Captain America: The Winter Soldier, we’ll be taking a look at some classic and not-so-classic Avengers comic books. Check back daily for the latest updates!

Age of Ultron is Brian Michael Bendis’ last hurrah on Marvel’s massive Avengers franchise. Bendis began writing Avengers when it was a third-tier comic book property, and he was – in a large part – responsible for turning the comic franchise into a sales juggernaut. The fact that Marvel was simultaneously working on a massive cinematic universe built around these characters – if only because they’d sold off most of the other ones – probably didn’t hurt.

So, with Bendis moving off the Avengers franchise, ceding the crown of lead Avengers writer to up-and-comer Jonathan Hickman, he wrote Age of Ultron. It was a story the author had been hinting at for quite some time, from the first arc of his relaunched adjectiveless Avengers title through to his short run on Moon Knight. Having completed a grand sweeping story arc running from Avengers Disassembled through to Siege, Age of Ultron feels like an epilogue to Bendis’ run – a post-script to the tenure of the man who changed the franchise.

It also feels, rather awkwardly, like the most self-consciously Avengers-y Avengers story ever aveng(er)ed.

Over-exposure is killing Wolverine...

Over-exposure is killing Wolverine…

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Brian Michael Bendis’ Avengers – New Avengers Vol. 3-4 (Hardcover) (Review/Retrospective)

This is the eighth in a series of comic book reviews that will look at the direction of Marvel’s continuity (and, in particular at their “Avengers” franchise) over the past five or so years, as they’ve been attempting to position the property at the heart of their fictional universe. With The Avengers planned for a cinematic release in 2012, I thought I’d bring myself up to speed by taking a look at Marvel’s tangled web of continuity.

And now we’re entering a continuity-heavy area. You have been warned. As if we’ve been in a continuity-free zone for the past couple of weeks, remarks you, trusted reader. This is where my little experiment to venture deep into the heart of Marvel’s comic book continuity becomes a little bit more complicated and a little bit more difficult. Whereas the first part of Bendis’ run on New Avengers was relatively stand-alone (while still drawing on decades of events and continuity), it’s at this point the series becomes irrevocably intertwined with the on-going events at the heart of the Marvel Universe. It’s been described as “a spine”, and that’s pretty much exactly what it is: it’s a support structure which ties together the big Marvel events year-on-year, a thread that joins events like Civil War and Secret Invasion and Siege to each other and the greater fictional universe.

Wolverine learns the hard way not to bring claws to a gun fight...

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Brian Michael Bendis’ Avengers – New Avengers Vol. 1-2 (Hardcover) (Review/Retrospective)

This is the first in a series of comic book reviews that will look at the direction of Marvel’s “Avengers” franchise over the past five or so years, as they’ve been attempting to position the property at the heart of their fictional universe. With The Avengers planned for a cinematic release in 2012, I thought I’d bring myself up to speed by taking a look at Marvel’s tangled web of continuity. Get an overview of what I’m trying to take a look at here.

Alright. I figure I sound a bit hypocritical complaining about the impact of big events on Marvel’s storytelling continuity without reading said big events. Well, actually, I don’t think I’m a hypocrite – I think it’s perfectly reasonably that a reader should be able to pick up Ed Brubaker’s Captain America without having to worry about Mark Millar’s massive Civil War crossover which they either don’t know enough to care about or know enough not to care about. However, I feel like maybe – just maybe – I should try to ride this “cross-continuity” thing out just once and see if the story somehow justifies the damage it causes to the cohesion of individual runs.  Yes, I’m going to jump head-first into the event-populated minefield of continuity which is recent Marvel history, and I will be using New Avengers as a checklist to that. I’m going down the rabbit hole, following the arc from Civil War through to Siege.

Sentry is responsible for the Carnage in this run...

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Ultimate Spider-Man – Vol. 10-11 (Hardcover) (Review)

This represents the final volume of Ultimate Spider-Man, the relaunch of the popular character created by marvel as a way of introducing the iconic webslinger to the those who might be understandably wary of the backstory and continuity tangles the character has found himself in (did you know the character sold his marriage to the devil?). It’s been a landmark run, and a popular one and – by any measure – a successful one. There’s a reason that this ‘reboot’, to borrow a cinematic term, was famous for outselling the mainstream titles. So, as it winds down, what do we think?

What a Shocker…

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