• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Non-Review Review: Ghost Rider – Spirit of Vengeance

I’m convinced that there must be a half-decent Ghost Rider movie to be made. In fact, I’m sure that Nicolas Cage already made it, in the form of the deliciously pulpy Drive Angry, which touched on a lot of the grindhouse and B-movie qualities one expects from a movie featuring a stunt driver with a flaming skull who sucks souls from criminals. In contrast, Ghost Rider: Spirit of Vengeance feels like it’s trying a little too hard. The script feels just a little bit too stilted and conventional, while the direction seems to overcompensate, feeling gimmicky to the point of being distracting and almost disorientating.

Hell’s Angel…

Continue reading

Legends of the Dark Knight: Jim Aparo, Vol. 1 (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

The game was old and alluring… but when the Batman and his beautiful ally, Wonder Woman, buy into a sweep stakes of danger and double-cross, they learn too late that their tickets are punched…

– introduction to Play Now… Die Later!

I’ll freely concede that older comics are a mixed bag, and that they’re certainly an acquired taste. As much as I might recognise the importance of certain classic runs on iconic character, reading comics even a decade or two old is a strange experience for me. I can appreciate the care and craftsmanship going into them, but I’m frequently distracted by the redundant thought balloons, the bizarre logic and quaint characterisation. I know that’s my problem, and I freely concede that. Sometimes, however, I come across a piece of pure old-fashioned awesomeness that almost makes my feel that nostalgia many comic book readers recognise.

Legends of the Dark Knight: Jim Aparo, Volume 1 is such a book, collecting a portion of the iconic Brave and Bold run featuring art by Jim Aparo and scripts by Bob Haney. It is insane. It is awesome. It is fun. It is incredible. I was reluctant to put down these delightful unrestrained Batman stories, and I frequently found myself pumping my fist in the air with excitement and… well, awe. It’s never going to be considered high literature, but Jim Aparo and Bob Haney may have mastered the old-school “comic book” artform.

This isn’t even the craziest thing that happens this run…

Some of the more wonderful “comic book moments” captured here include:

  • the Joker forcing Batman and a friend to fight to the death… or he’ll shoot a puppy!
  • Batman accidentally selling his soul… to Hitler!
  • the Atom climbing inside Batman’s skull… and operating his body like a JCB!
  • Batman saving the Constitution and the Declaration of Independence… while tied to the cowcatcher on a train!
  • Batman teaming up with Kamandi… in a future dominated by talking animals and modelled on Planet of the Apes!

If none of these produce even a hint of childish glee, I don’t know what to say to you.

Even this image cannot capture the awesomeness of this comic… They left out the bit where the Joker is coercing them to do this by threatening to shoot a puppy… that has life-saving anti-virals in its blood for a plague the Joker started… to kill off a henchman who might testify against him…

Note: the ever-wonderful Bat-guru Chris Sims has done a whole slew of posts about the awesomeness of this comic. Here, here and here are some highlights.

Continue reading

The Amazing Spider-Man 101: Ultimate or Amazing…

Hey. With about a week to go until the release of The Amazing Spider-Man, we thought we’d publish a quick introductory guide to the latest adventure featuring the webcrawler, for those looking for a bit more trivia on the latest pending superhero release. I’ve had the pleasure of seeing it and, while reviews are embargoed until Friday (unless you’re a major publisher like The Guardian or The Hollywood Reporter apparently), here’s the skinny.

Continue reading

New Pitch Perfect Trailer…

Universal just sent over the trailer for Pitch Perfect, the upcoming comedy starring Anna Kendrick. That alone makes it well worth a look, but I have to admit I am intrigued by the idea of a comedy set in the world accapella. I am not even being sarcastic – I adore that sort of music. I am not even kidding or being ironic. Check out Mike Tompkins’s work. Anyhaw, Pitch perfect is opening in October and is from director Jason Moore, who gave us the awesome Avenue Q. Anyway, here’s the trailer.

Non-Review Review: Take Me Home Tonight

There’s something strangely charming about Take Me Home Tonight. I say “strangely” because I’m not blind to the movie’s many awkward flaws. I can spot the predictable plotting, the douchebag entitled protagonists and the shallow “high school crush” romance. None of these are any less conventional than the plot’s attempt to conceal saccharine romanticism with cheap lowbrow humour. I can see those problems with the film, but for some reason I think it works well in spite of them. I think the strongest aspect of Take Me Home Tonight is not the eighties setting (though that helps), but the sense that Topher Grace may have finally found his niche.

We can dance if we want to…

Continue reading

The House at the Abbey Theatre (Review)

Tom Murphy’s The House is big play with some clever ideas, but not quite enough to fill its somewhat extended run time. In fact, the first half of the play, as Murphy tries to settle into his groove, seems to run nearly forever – to the point where, sitting in my seat, I was starting to wonder if the actors had simply forgotten there was supposed to be an intermission. The second half, however, is much stronger and much more tightly focused. While the production itself is nothing less than impressive, one wonders if an editor might have been well-suited to take a hacksaw to Murphy’s script, or perhaps director Annabelle Comyn might have cut down on the staring into middle-distance.

House that now?

Continue reading

Non-Review Review: Sky Captain and the World of Tomorrow

Sky Captain and the World of Tomorrow evokes pulp science-fiction cinema with an earnestness and an eagerness that is endearing, if not infectious. Although the special effects have dated significantly in the time since the movie’s release, it’s hard not to admire director Kerry Conron’s use of computer graphics to forge a connection to classic cinema. However, one senses that Conron might have been better suited to emulate the mood, rather than merely the appearance, of these old adventure serials. The problem is that despite its rather wonderfully crafted appearance, there’s never anything in Sky Captain and the World of Tomorrow to really get excited about. And that’s a shame.

A ray of hope?

Continue reading

Non-Review Review: Rock of Ages

Rock of Ages actually works quite well as a microcosm of the eighties – in both good and bad ways. It is loud, entertaining, engaging, shallow, beautifully constructed, hypocritical, energetic, charming, tasteless and somehow strangely irresistible in places. While the movie doesn’t necessarily always work, it is a perfect piece of cultural counter-programming to the summer’s sporting events. Light, fun and just a little dazed and confused, Rock of Ages is self-aware enough that it never collapses under its own weight. While it’s unlikely to be remembered as the best of the summer, it is a charmingly cheesy (if occasionally clumsy) power ballad musical that does exactly what it says on the tin.

He’s already made his marker…

Continue reading

Celebrating 100 Years of Paramount in Poster Form…

I’m a sucker for a bit of movie nostalgia. To celebrate 100 years of Paramount, Gallery 1988 in Los Angeles have released this special and stylish poster counting down many of the iconic films they’ve released over the years. While I’m not too ashamed of how I did, I’ll freely confess that I didn’t quite get all of them. Might make a nice game over the weekend. Anyway, check it out below and click to enlarge. Awesome.

Looking at it Sideways: 2012, The Year of Unconventional Franchise Narratives…

By now I think we’ve all become quite familiar with the cycle of Hollywood movie franchises. I’m not inherently opposed to the concept – I think that Sturgeon’s Law applies at least as much to original and independent films as it does to big-budget franchise films. The prospect of movie sequels, reboots, prequels and remakes isn’t a new thing, after all. Hollywood has always had a tendency to emulate financially successful movies, finding a way to exploit the movie property to maximise the profit off the back of it. It’s an inherently commercial prospect, but virtually any form of mass media must be in order to be viable. However, I’ve been fascinated with how the Hollywood franchise train seems to be working this year – it seems like we’ve been getting stuff that’s a little different than the conventional reboots, sequels and remakes.

It’s a whole other universe out there…

Continue reading