• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Todd Philips & “Unrated” Editions: Directors Above All?

Todd Phillips, the director of Due Date and The Hangover, has come out blasting Warner Brothers for releasing extended “unrated” cuts of his movie without his input or consent. He makes a strong case, and threatens to take it to the DGA:

Warner Bros., they’ll make your movie; your movie does well, and they want to create an unrated version, which is entirely against DGA rules because it’s not your cut. And they can’t call it the ‘Director’s Cut’ — they’ll call it ‘Unrated’ or some ridiculous term. Really all it is, is about seven minutes of footage that you cut out of the movie for a reason.

I’ve stuck for directors’ visions in the past – I mourned the passing of Del Toro’s Mountains of Madness or hoped that someday Frank Darabont’s Fahrenheit 451 might (against all odds) make to screen. Studio interference on films like Brazil, for instance, is almost unforgivable – and I was delighted to see justice was eventually done to Blade Runner. However, I can’t find myself entirely agreeing with what Phillips says here.

Let me tell you a spiel...

Continue reading

Non-Review Review: Ronin

Ronin is the perfect example of a movie that knows exactly what it is. It’s a high-octane thriller which bends and curves and uncertainties and all manner of similar complications. There’s no tangential elements to the plot, like an awkwardly-inserted love-story or an attempt to humanise any of the people involved. It’s just a well-made thriller with fantastic locations and wonderfully-staged action. At one stage, the grizzled French mercenary Vincent remarks, “No questions, no answers. That’s the business we’re in.” It’s refreshing and honest, and frank.

DeNiro's the big gun here...

Continue reading

The Starman Omnibus, Vol. 6 (The Grand Guignol) (Review/Retrospective)

March is Superman month here at the m0vie blog, what with the release of the animated adaptation of Grant Morrison’s superb All-Star Superman. We’ll be reviewing a Superman-related book/story arc every Wednesday this month, so check on back – and we might have a surprise or two along the way. Earlier today we reviewed the New Krypton crossover, which was largely driven by author James Robinson, so we thought we’d end the day by taking a look at the final collection of Robinson’s work on Starman.

This volume represents perhaps my favourite stories that James and the wonderful group of artists he worked with created because it has something that nearly every on-going superhero series doesn’t have – a definitive ending – and a whole satisfying one at that.

– Geoff Johns’ introduction

We’ve come a long way, baby. 80 issues, six hardcover collections, countless extras (including supplements, specials and miniseries). A collection of diaries written by James Robinson documenting his time writing the saga, collected in the back of each collection. Starman has been collected nearly perfectly, and the sixth volume is no exception. It’s still something of a mixed blessing, because – no matter how much I appreciate the sense of closure – I’m still sad to see the series end.

Birds of a feather...

Continue reading

Superman & Relevance: (Yet) More Thoughts on Snyder’s Superman…

March is Superman month here at the m0vie blog, what with the release of the animated adaptation of Grant Morrison’s superb All-Star Superman. We’ll be reviewing a Superman-related book/story arc every Wednesday this month, so check on back – and we might have a surprise or two along the way.

Dear Hollywood,

I am a movie fan. I am not an American. I didn’t read too many comic books as a child, and those I did never featured Superman. I say this as a means of introducing myself. I’ve been somewhat frustrated that you have been consistently unable to produce a good Superman film since Richard Donner was unceremoniously booted off the set of Superman II over 30 years ago. I know you’re working on a new film, so I thought I’d pen this open letter.

I’m sure David S. Goyer is a great writer, and look forward to his screenplay. After all, I appreciate his work on Nolan’s Batman Begins trilogy and his work with James Robinson on Starman (plus he helped kickstart this whole “superhero movie” business with Blade). Still, I can’t help but be a little concerned about this new Superman reboot you have to produce by the end of next year, lest the rights revert to the creators of the character.

Anyway, I want to talk to you about the relevance of Superman, as I’m sure it’s something you’ve talked about quite a lot, and perhaps it’s something you’re still concerned about.

Continue reading

Superman – New Krypton (Vol. I-IV), Last Stand of New Krypton (Vol. I & II) & War of the Supermen (Review/Retrospective)

March is Superman month here at the m0vie blog, what with the release of the animated adaptation of Grant Morrison’s superb All-Star Superman. We’ll be reviewing a Superman-related book/story arc every Wednesday this month, so check on back – and we might have a surprise or two along the way.

In fairness, it was too great an idea to ever ignore. At some point in the character’s publishing history, it was inevitable that Superman would be reunited with his people – the long dead planet Krypton. This storytelling opportunity forms the basis of the whole New Krypton saga, which crossed through the Superman line of comic books for well over a year. Unfortunately, despite having a rather wonderful core idea, it’s a ll a bit of a waste.

Up in the sky...

Note: This review contains what might be considered spoilers. But the title of the second sets of books in the header kinda give the game away.

Continue reading

Stop Motion Capture: Time to Worry About Tintin?

Mars Needs Moms bombed at the box office. Badly. Really badly. Ignoring the fact that Disney is in need of another hit, the failure of the Seth-Green-starring Robert-Zemeckis-produced motion-capture 3D CGI films raises serious questions about the future of that particular animation style. However, I wonder if it’s playing across the minds of Steven Spielberg and Peter Jackson as they add the finishing touches to their Tintin adaptation.

All at sea?

Continue reading

Supermarionation: Memories of the Gerry Anderson Shows…

Pert of me wonders if I’m writing of an experience unique to those who grew up in the British Isles. I’m not sure if the fad ever really caught in the United States during the sixties when the shows were originally produced or if they enjoy the same sort of nostalgia that they do over here. Of course, the production and success of Team America: World Police would suggest that American audiences are familiar with work of Gerry Anderson, but I somehow doubt that the shows he produced (most notably Thunderbirds, Stingray and Captain Scarlet and the Mysterions) made as strong an impact to kids who weren’t exposed to them every morning before school.

Having a ball...

Continue reading

Non-Review Review: Thunderbirds Are Go!

I happened to be flicking through the channels when I stumbled across Thunderbirds Are Go! For those unfamiliar with the concept, Thunderbirds is basically the television series that Trey Parker and Matt stone affectionately spoofed when making Team America: World Police (in fact, it was really the only “affectionate” part of the production). Anyway, Thunderbirds Are Go! was the series’ first attempt at a theatrical motion picture, shortly after the first season finished and shot back-to-back with the second. As far as “movies based on television shows” go, the film is essentially a feature-length regular episode. However, in this case, I don’t think there’s anything wrong with that.

"They'll never see through my cunning disguise!"

Continue reading

Non-Review Review: The Matrix Revolutions

Today I’m taking a look at the Matrix trilogy. All three films, all watched and reviewed in one day. Join us for the fun! All three reviews will be going on-line today.

I remarked in my earlier review of The Matrix Reloaded that I feel I’m in the minority in regarding the final part of the trilogy as a much stronger film than the second film in the cycle. I mean, if you look at the Rotten Tomatoes score, the second film is almost regarded as highly as the first (higher among top critics), while the third is very clearly “rotten.” On the IMDb, the second film scores higher among audiences than the third. However, while neither sequel comes close to matching the impact of the original, I do have a fondness for the third over the second. Perhaps my preference derives from the same reason many find it weaker – the fact that the only way to enjoy it is to really disengage from the underlying philosophical questions posed by the second film.

Whoa...

Continue reading

Non-Review Review: The Matrix Reloaded

Today I’m taking a look at the Matrix trilogy. All three films, all watched and reviewed in one day. Join us for the fun! All three reviews will be going on-line today.

No, what happened happened and couldn’t have happened any other way.

How do you know?

We are still alive.

– Morpheus and Neo have one of the least obtuse conversations in the film

The reaction to the second and third films in The Matrix series has always somewhat surprised me. I don’t mean that I can’t see the criticism typically levelled at the films – I can see it and I agree with most of it. I mean that most viewers regard the second film as stronger than the third, while I always considered it the other way around. Rewatching all three films in one day just cemented that opinion – but I’m still curious about why cinema fans tend to favour the middle instalment over the last. Neither is as efficient or effective as the first film, but while I appreciate the sense of closure (and action) of the third film, I find myself regarding a significant portion of the second film as just idle padding – the franchise positioning itself for a final film, which would then go on to ignore a lot of what was suggested here.

Blade of glory?

Continue reading