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Non-Review Review: A Dangerous Method

Charles Issawi once formulated Syre’s Law, named for noted academic Wallace Stanley Sayre. “In any dispute the intensity of feeling is inversely proportional to the value of the issues at stake,” he argued. “That is why academic politics are so bitter.” Set in the shadow of not one but two looming European conflicts, David Cronenberg’s A Dangerous Method, adapted from the play The Talking Cure, makes sure that we know just how bitter academic politics can be. Ably supported by two strong performances from its three leads, the movie is at its most fascinating in exploring the ideological and personal relationships of Carl Jung and Sigmund Freud, but loses a large amount of momentum when we’re asked to accept Keira Knightley as a mad Russian.

Psycho-analysts, assemble!

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That One Scene…

You know the one I’m talking about. It’s the one scene in a bad movie that really got you, that managed to suggest that maybe there was a bit more to the film than met the eye. If it came towards the start of the film, it probably built up expectations that the finished product couldn’t meet. If it appeared in the middle, it made sure that you didn’t quite nod off towards the end. If it closed out the movie, you probably left feeling more satisfied with the movie-going experience than you really should. Often, however, these sequences are just frustrating because they just end up teasing what could have been.

Mauled by critics...

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Win Tickets to the Jameson Cult Film Club Screening of Reservoir Dogs…

Thanks to the wonderful folks over at The Jameson Cult Film Club, we have a lovely prize to give away. Two tickets to the Jameson Cult Film Club screening of Quentin Tarantino’s Reservoir Dogs during the Jameson Dublin International Film Festival. For those unfamiliar with the brilliance of the Jameson Cult Film Club, the group stage immersive cinema screenings in interesting locations around the city. To get an idea, check out the excellent job they did with Ridley Scott’s Alien. The location of this screening is top secret, but it will take place Tuesday February 21st. And Michael Madsen, aka Mister Blonde, will be in attendance at the screening.

We have a pair of tickets to give away, more information after the jump.

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Non-Review Review: The Muppets

It’s interesting to imagine what the reaction in the room must have been after Jason Segal was asked to name his next project, building off the success of Forgetting Sarah Marshall. The fast-rising actor and writer could have had his pick of any number of features, and yet he chose to work on a revival of The Muppets. After all, these were a group of characters who had enjoyed a reasonable revival with The Muppets Christmas Carol and Muppet Treasure Island in the early-to-mid-nineties, but had seen their fame quickly eroded with a string of poorly-received television and movie projects. It’s easy to imagine discussions being had about the “relevance” of the Muppets in the era of reality television and pandering television, as the film portrays with a fictional executive portrayed by Rashida Jones. It seemed like there was a lot of weight riding on the project, both for Segal and the studio, and for Jim Henson’s creations themselves.

I think they can all be extremely proud. I think it’s safe to describe the finished product as the best family film of the past year.

Brush with greatness?

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Non-Review Review: Just Go With It

I have to concede, I think Adam Sandler is sort of struggling through something a transitional stage of his career. We’re past the point where Sandler can so easily play the angry young man who defined films like Billy Madison or Happy Gilmore or Big Daddy, so we’re faced with an actor trying reconcile himself with that fact. Now, it seems the actor is preoccupied with the idea of finally growing up – as we see in films like Grown Ups and Just Go With It. The problem is that Sandler isn’t nearly as convincing or as interesting as a mellowing out man instead of an acting-out manchild.

Divorced from reality...

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Non-Review Review: The Raven (1963)

Part of me longs for the day that Edgar Allen Poe might get a cinematic adaptation befitting his work. I’m a huge fan of Poe, who is an author who seems destined to receive more cinematic homage that straight-up adaptation. So, despite having relatively little to do with the poem of the same name, is the epic team up of Boris Karloff, Vincent Price, Peter Lorre and Jack Nicholson worthwhile? Well, The Raven is almost too camp even for me.

I did say “almost.”

The Price is right...

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A Long Time Ago: The Star Wars Prequels Did Not Ruin Your Childhood…

This weekend, Fox are beginning their process of re-releasing Star Wars into cinema, converted into 3D. I’m fairly agnostic on the idea. I like the idea of eventually being able to see The Empire Strikes Back again in the cinema,but I’m withholding judgment until I see the post-conversion 3D in action. Part of me does think that it’s a mistake to begin with Star Wars: Episode I – The Phantom Menace, if only because it’s the weakest entry in the franchise. I would have liked to see the re-release following the original release order. Still, the fact that the franchise is once again invading theatres seems to have stirred up a lot of underlying resentment, from the core fans who seem to have been struggling with Lucas’ three prequel films – many claiming that the writer and director’s decision to revisit the franchise has retroactively ruined their childhood viewing experiences. It seems that, to fans, the original trilogy are almost tarred by association.

To be entirely honest, it’s hard to take this argument in any way seriously.

Feel the power of the dark side...

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Non-Review Review: Star Wars – Episode I: The Phantom Menace (3D)

In 1999, after decades of anticipation, George Lucas unleashed Star Wars: Episode I: The Phantom Menace. The response was… less than enthusiastic. After years of heightened anticipation, during which the original trilogy had been built up to near mythical status, anything less than the second coming was going to disappoint viewers. I think it is reasonable to say that The Phantom Menace fell well short of that particular target. That said, I’ve always felt a bit of sympathy for the first of the prequel trilogy. Not enough to label it as a good film (it really isn’t), but enough to argue that the fairly fundamental and central flaws do mask a number of virtues. Those virtues don’t quite redeem the film, but they do make the end result a lot more fascinating than most would concede it to be.

Schindler’s miffed…

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Tony Bedard’s Run on Green Lantern Corps – Revolt of the Alpha Lanterns & The Weaponer (Review)

As with Green Lantern and Emerald Warriors before it, Tony Bedard’s run on Green Lantern Corps feels like it’s trapped between two larger events, flowing out of Blackest Night and into War of the Green Lanterns. I think Bedard suffers a lot more than Geoff Johns and Peter Tomasi from this, merely because he’s new to the franchise – he did great work on R.E.B.E.L.S., but this is first time working with the cast of characters from Green Lantern. So, while Johns and Tomasi fall comfortably into their familiar routines, Bedard seems to struggle to find his feet, while telling his own story and managing the obligatory set-up for the next large-scale event.

That's the last time Sinestro calls Kyle a second-stringer...

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Non-Review Review: The Woman in Black

The Woman in Black is a stately, old-fashioned horror film – the kind of Victorian era ghost story that I honestly feared had vanished from the multiplex. James Watkins’ adaptation of Susie Hill’s cult 1983 horror novel revels in the classic horror conventions, complete with jump scares, a stylish atmosphere and a hyperactive orchestral string section. It’s very much a loving resurrection of the type of classy conventional scary movies that have been replaced by serial killer or found footage films. There are moments when the movie might stick a little bit too close to that classic formula, and it feels a little brisk in the middle, but it’s a hugely enjoyable and thrilling experience.

Potter at the gates at dawn?

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