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New Escapist Column! On Qui-Gon Jinn as the Flawed Figure at the Centre of the Phantom Menace…

I published a new In the Frame piece at Escapist Magazine this evening. Earlier in the week, a clip of Dave Filoni on Disney Gallery: The Manadalorian went viral, discussing the role of Qui-Gon Jinn in Star Wars: Episode I – The Phantom Menace. Filoni argued that Qui-Gon was a hero fighting for Anakin’s soul.

This is interesting, because it reduces Qui-Gon to a much more generic character than the version featured in the film. Qui-Gon is a deeply flawed character, one with several blindspots and one who is unable to assume the role of hero whether because of the audience’s understanding of the mechanics of a Star Wars prequel or because of the character’s increasing sense of disconnect with the larger universe. Qui-Gon is a character that means well, who positions himself as a hero in this story, but is unable to fulfill that function.

You can read the piece here, or click the picture below.

That One Scene…

You know the one I’m talking about. It’s the one scene in a bad movie that really got you, that managed to suggest that maybe there was a bit more to the film than met the eye. If it came towards the start of the film, it probably built up expectations that the finished product couldn’t meet. If it appeared in the middle, it made sure that you didn’t quite nod off towards the end. If it closed out the movie, you probably left feeling more satisfied with the movie-going experience than you really should. Often, however, these sequences are just frustrating because they just end up teasing what could have been.

Mauled by critics...

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Non-Review Review: Star Wars – Episode I: The Phantom Menace (3D)

In 1999, after decades of anticipation, George Lucas unleashed Star Wars: Episode I: The Phantom Menace. The response was… less than enthusiastic. After years of heightened anticipation, during which the original trilogy had been built up to near mythical status, anything less than the second coming was going to disappoint viewers. I think it is reasonable to say that The Phantom Menace fell well short of that particular target. That said, I’ve always felt a bit of sympathy for the first of the prequel trilogy. Not enough to label it as a good film (it really isn’t), but enough to argue that the fairly fundamental and central flaws do mask a number of virtues. Those virtues don’t quite redeem the film, but they do make the end result a lot more fascinating than most would concede it to be.

Schindler’s miffed…

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