• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

New Escapist Video! “Spider-Man: No Way Home Is the Year’s Best Nostalgia Play – Review”

I’m thrilled to be launching movie reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a three-minute film review of Spider-Man: No Way Home, which is in cinemas now.

New Escapist Column! On the Tangled Ethics of “Spider-Man: No Way Home”…

I published a new In the Frame piece at The Escapist this evening. This weekend marks the release of Spider-Man: No Way Home, so it seemed like a good idea to take a look at the movie’s big themes and ideas.

On the surface, No Way Home feels a lot like recent nostalgia plays like Star Wars: Episode IX – The Rise of Skywalker and Ghostbusters: Afterlife, in that it’s very much an appeal to the memory of a pop culture object. However, No Way Home has certain advantages over these movies, in that it’s a film that seems to be trying to be about more than just recycled imagery. However, it never seems like No Way Home is entirely sure what exactly it is about and what exactly it is trying to say about that.

You can read the piece here, or click the picture below.

New Escapist Column! On the Whole “Lord of the Rings” as an Extended Ending…

I published a new column at The Escapist today. This week, to mark the twentieth anniversary of the release of The Lord of the Rings: The Fellowship of the Rings, we’re taking a look back at the trilogy as a whole. We’ll be publishing three articles looking at the films, one each day. This is the third and final of the pieces.

The Lord of the Rings: The Return of the King is typically criticised for having too many endings. However, that is oddly appropriate. The entire trilogy is an extended ending. It’s a story about the end of a magical age, about how nothing lasts forever and how everything eventually fades into history. Frodo and his allies are fighting to save Middle-Earth from Sauron, but the films make it very clear that the world’s days are numbered.

You can read the piece here, or click the picture below.

New Escapist Column! On What Makes “The Two Towers” the Best “Lord of the Rings” Movie…

I published a new column at The Escapist yesterday. This week, to mark the twentieth anniversary of the release of The Lord of the Rings: The Fellowship of the Rings, we’re taking a look back at the trilogy as a whole. We’ll be publishing three articles looking at the films, one each day. This is the second.

The Lord of the Rings: The Two Towers is the most interesting film in the trilogy, in large part because it’s neither beginning nor ending of this epic saga. It is instead the story about what it feels like to exist in the middle of this epic struggle between good and evil, feeling small and powerless as the forces move around. It’s the most human of the films in the trilogy, the most nuanced, the most complicated. It is the only film that really lets shades of grey creep into the mix of its epic black-and-white morality.

You can read the piece here, or click the picture below.

 

New Escapist Column! On Marvel’s All-New, All-Different Streaming Villain Problem…

I published a new column at The Escapist yesterday. The penultimate episode of Hawkeye featured a major reveal of a significant villain for the show. This is very typical of how the Disney+ streaming shows have operated, so it seemed like a good opportunity to talk about Marvel’s streaming villain problem.

Marvel Studios have long been criticised for their fairly generic villains. However, in the transition from blockbuster releases to streaming series, the company has created a new sort of problem. Instead of generic and forgettable antagonists, these shows tend to feature puzzle boxes and references, clues and riddles. The identity of villains are often hidden and concealed, treated as late-in-the-story revelations that reward long-term fans at the expense of pacing and characterisation.

You can read the piece here, or click the picture below.

New Escapist Column! On How Only Peter Jackson Could Have Made the “Lord of the Rings” Trilogy…

I published a new column at The Escapist yesterday. This week, to mark the twentieth anniversary of the release of The Lord of the Rings: The Fellowship of the Rings, we’re taking a look back at the trilogy as a whole. We’ll be publishing three articles looking at the films, one each day. This is the first.

Most films are minor miracles. It is remarkable that films get made at all, let alone that many of them turn out to be good. This is particularly true of the Lord of the Rings trilogy, which seemed like an impossible assignment. At the time, Peter Jackson seemed like the most unlikely of directors to successfully adapt J.R.R. Tolkien’s unfilmable epic. However, in hindsight, it seems impossible to imagine that anybody except Jackson could have brought the film to life.

You can read the piece here, or click the picture below.

New Podcast! The X-Cast – Season 7, Episode 22 (“Requiem”)

The X-Cast is covering the seventh season of The X-Files. It is a season that arrives at an interesting point in the larger arc of the series, with the creative team trying to both prepare for the end of the show without actually committing to it. I joined Carl Sweeney, Cathy Glinski and Kurt North to discuss the season finale, which perfectly encapsulates this tension.

Requiem is an episode that existed in a variety of contexts between production and airing. When it was filmed, there was every possibility that it could be the last episode of The X-Files ever. Chris Carter wanted to use it as a launching pad to a series of spin-off movies. However, between filming and broadcast, its meaning shifted dramatically. Following a disastrous season, Fox had no choice but to greenlight an eighth season of The X-Files, and David Duchovny reached a settlement in his lawsuit against Fox. Requiem went from being a series finale to a season finale, without changing a single shot.

You can listen to the episode here, or click the link below.

Continue reading

New Escapist Column! On “The Green Knight” As the Year’s Best Christmas Movie…

I published a new In the Frame piece at The Escapist this evening. With Christmas fast approaching, it seemed as good a time as any to take a look at the year’s best new Christmas movie.

The Green Knight can make a claim to being a Christmas movie just in terms of setting. It is a movie that unfolds primarily across two consecutive Christmases. However, its festive themes run deeper than that. I n many ways, The Green Knight is an exploration of the clash between pagan belief systems and Christian theologies that speaks to the central tension of the holiday. This isn’t just a Christmas movie, it is in some ways, a movie about Christmas.

You can read the piece here, or click the picture below.

New Podcast! Your Feature Presentation – “Ranking the Spider-Man Films From Worst to Best”

The Escapist have launched a new pop culture podcast, and I was thrilled to join Jack Packard and Marty Sliva for the first episode. With the upcoming release of Spider-Man: No Way Home, it seemed like the perfect opportunity to take a look back at the cinematic adventures of the webslinger, and discuss how they rank.

264. Star Wars: Episode VIII – The Last Jedi (#—)

Hosted by Andrew Quinn and Darren Mooney, this week joined by special guests Luke Dunne, Alex Towers, Alexandra Harvey and Andy Melhuish, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This time, Rian Johnson’s Star Wars: Episode VIII – The Last Jedi.

A long time ago in a galaxy far away, the First Order and the Resistance struggle for control of the cosmos. Things are looking particularly grim, as the heroes find themselves divided; Rey is on a mission to recruit the lost Jedi master Luke Skywalker, Poe finds himself trying to hold the remnants of the fleet together, and Finn embarks on a journey to a wretched hive of scum and villainy.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

Continue reading