the m0vie blog

My 12 for ’12: The Dark Knight Rises & Blockbusters with Brains…

Posted on December 31, 2012 by Darren

I’m counting down my top twelve films of the year between now and January, starting at #12 and heading to #1. I expect the list to be a little bit predictable, a little bit surprising, a little bit of everything. All films released in the UK and Ireland in 2012 qualify. Sound off below, and let me know if I’m on the money, or if I’m completely off the radar. And let me know your own picks or recommendations.

This is #1…

There’s a popular idea that just because a movie makes a lot of money, or just because it attracts a large audience, or just because it features fantastical elements, that it is somehow unworthy of discussion and debate. The Dark Knight Rises has been a divisive film, sparking a lot of debate about its relative merits and those of Christopher Nolan, the director and co-writer. Following on from the massive success of The Dark Knight, Nolan opted for an unconventional approach for his sequel. Structurally and tonally, The Dark Knight Rises represented a significant departure from The Dark Knight. While the The Dark Knight had been an urban crime thriller exploring the wake of 9/11, The Dark Knight Rises was an epic social drama pondering how divided American society had become.

It isn’t quite as fantastic as The Dark Knight, but it was strong, bold, vibrant and challenging film making – proof that budget does not belie brains.

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Filed under: On Second Thought | Tagged: bane, batman, batman begins, British Isles, Bruce, Christopher Nolan, ChristopherNolan, dark knight, Dark Knight Rises, DarkKnight Rises, film, Forbes, Guardian, Lykke Li, Mitt Romney, Moonrise Kingdom, Movie, Muppet, nolan, Silver Linings Playbook | 6 Comments »

Watch! The Full 1985 Version of The Hobbit! In Russian!

Posted on December 31, 2012 by Darren

Okay, since there’s no subtitles this is sort of a bit of a niche thing, but I found it and thought I’d pass it on.

Below is the full 1985 version of The Hobbit produced for Russian television. It is… a little less impressive than Peter Jackson’s adaptation, and not just because it’s in less than 48 frames per second and two dimensions. Still, I kinda admire the ambition of it, even if the results are less than spectacular. Check out how they take down Smaug, for an example, or the way that the action cuts back to the “narrator” before any expensive shots are required.

The whole thing calls to mind the sort of stuff the BBC were doing with Doctor Who at the time, and I can’t quite hate it. After all, the matte paintings are great and at least it seems committed to an idea that would have been technically quite difficult for a big-budget movie of the time, let alone state television.

Check it out below and let me know what you think!

Filed under: Movies | Tagged: bbc, Bilbo Baggins, Frame rate, Hobbit, J. R. R. Tolkien, Lord of Rings, peter jackson, Smaug | 1 Comment »

12 Movie Moments of 2012: Chris Cooper Raps (The Muppets)

Posted on December 31, 2012 by Darren

As well as counting down the top twelve films, I’m also going to count down my top twelve movie related “moments” of 2012. The term “moment” is elastic, so expect some crazy nonsense here. And, as usual, I accept that my taste is completely absurd, so I fully expect you to disagree. With that in mind, this is #1…

If you ever need proof of how delightfully absurd The Muppets was, the sight of Oscar-winner Chris Cooper dancing and rapping across his desk, only to unleash a storeroom full of chorus girls while Jason Segel looks on in confusion should do the trick. It’s a fantastic moment because it’s so ridiculously surreal. Cooper is rapping for about a minute of screen-time, meaning that it’s over before it has really begun – leaving both the characters and the audience wondering what the hell just happened.

In a great way.

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Filed under: Movies | Tagged: Academy Award, amy adams, art, avengers, Bret McKenzie, Chris Cooper, Dark Knight Rises, film, Hollywood Reporter, jason segel, Joseph Gordon-Levitt, Kermit, Lion King, Movie, multimedia, Muppet, New York City, popular culture, ricky gervais, Ty Burrell | 3 Comments »

Star Trek: The Next Generation – Loud as a Whisper (Review)

Posted on December 30, 2012 by Darren

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season (and a tiny bit of the second), episode-by-episode. Check back daily for the latest review.

At the very least, Loud as a Whisper has its heart in the right place. At least of most of its run time. Essentially an issue-driven (and guest-star-driven) show that is determined to prove to the audience that a disability need not define a person, it’s a little undermined by a subplot where Pulaski and Geordi discuss the possibility of making the Chief Engineer “normal” again. However, once you get past the earnestness of it all, Loud of a Whisper seems a little clunky as television drama, with all manner of potentially interesting ideas that are never really explored. The result is a massively disappointing story that feels a bit like a clumsy after-school special.

What goes around…

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Filed under: The Next Generation | Tagged: Data, Federation, Heart of Glory, Howie Seago, jean-luc picard, Klingon, Outrageous Okona, Sign language, Star Trek Next Generation, star trek: the original series, StarTrek, Troi, William Riker, Worf | 3 Comments »

12 Movie Moments of 2012: Shared Pop Culture History (Ted)

Posted on December 30, 2012 by Darren

When it comes to end of year “best of” lists, comedy seems to draw the short straw as a genre. Like some of the less earnest genres, comedy is far too easily overlooked in favour of something more “worthy” of attention. Seth MacFarlane’s Ted has been something of a contentious film this year. Depending on where you sit, the film is either the epitome of everything wrong with American comedy, or it was a refreshingly profane yet heartfelt breath of fresh air. I lean more towards the latter than the former, and I appreciated the way that it played to MacFarlane’s strengths – concealing a surprisingly sincere sentiment behind a cynical and glib exterior.

As such, it’s no surprise that the most effective sequence in the film – the opening credits – managed to play to both that side of MacFarlane and also to his wonderful ability to channel pop culture as something of a shared collective history. Call me sappy, but there was something wonderful about seeing Ted interact with Johnny Carson and watching Ted and John queue for The Phantom Menace in costume, that created a tangible sense of back story between the characters.

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Filed under: Movies | Tagged: art, avengers, best of both worlds, comedy, Dark Knight Rises, family guy, film, Flash Gordon, John, Johnny Carson, MacFarlane, mark wahlberg, mila kunis, Movie, multimedia, New York City, Phantom Menace, reviews, Roger Moore, Seth MacFarlane, star trek: the next generation, TED, United States | 1 Comment »

My 12 for ’12: Shame & Silence

Posted on December 30, 2012 by Darren

This is #2…

Addiction stories are very tough to do right. It’s far too easy to get caught up in the melodrama of the cycle – the excess, the withdrawal, the relapse, the epiphany. It’s tempting to wallow in each of those stages, to structure them as acts in a drama. It’s hard to resist the urge to heighten absolutely everything, to dwell on the heat of obsession and desperation that surrounds any addiction.

Director Steve McQueen and actor Michael Fassbender do a sensational job with Shame, avoiding these potential problems, offering a portrayal of addiction and personal collapse that is strangely understated and introverted rather than overwhelming or excessive. Indeed, the fact that the movie is about sex addiction might lead some potential viewers to worry. If ever an addiction lent itself to trashy and tasteless excess, one might imagine that sex would be that personal demon.

Instead, McQueen shows admirable restraint in tackling the topic. While he never blushes in presenting the depths of his lead’s degradation, he never sensationalises it. Instead, much like Brandon’s addiction, Shame is cold and clinical – and all the more powerful for it.

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Filed under: On Second Thought | Tagged: A. Scott Berg, art, Brandon, British Isles, colin firth, European Film Awards, film, Ireland, January, Lykke Li, Max Perkins: Editor of Genius, McQueen, Michael Fassbender, Movie, Public relations, Sexual addiction, sexuality, Shame, star wars, steve mcqueen, United States | 2 Comments »

Star Trek: The Next Generation – The Outrageous Okona (Review)

Posted on December 29, 2012 by Darren

Well, I’m not sure if you can call two solid episodes in succession a “streak” or a “roll”, but Where Silence Has Lease and Elementary, Dear Data were two hours of television that demonstrated how far the second season of Star Trek: The Next Generation had come since its rocky first season. However, it appears that the two very good episodes in a row did not represent a sudden change in direction and did not assure consistency. The Outrageous Okona is a bad episode, by just about any measure. It’s not necessarily as offensive as Angel One or Code of Honour, but it is quite painful to watch.

Unlike a lot of the bungled “message” shows in the first season that contained misjudged ideas or offensive elements, The Outrageous Okona is merely a terribly written and unfunny mess of an episode that simply gnaws at the viewer.

He works best Solo…

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Filed under: The Next Generation | Tagged: Angel One, Burton Armus, Data, Deanna Troi, Debin, Encounter at Farpoint, Han Solo, jean-luc picard, Last Outpost, Naked Now, Outrageous Okona, patrick stewart, picard, Star Trek Next Generation, star trek: the original series, Starfleet ranks and insignia, StarTrek, Wesley, Wesley Crusher, Where Silence Has Lease, William Riker | 4 Comments »

12 Movie Moments of 2012: Missing Children (End of Watch)

Posted on December 29, 2012 by Darren

I was not as taken with End of Watch as some were. I enjoyed the film, and I think both Michael Peña and Jake Gyllenhaal gave superb performances, but I think that the decision to structure the arc of these two police officers was a bit of a mistake – as the film resorted to clichés like drug cartels putting out a hit on these two individual cops. The film started as an impressively grounded and candid exploration of what life must be like in the line of fire, but then it became a much more conventional film (albeit shot in an unconventional manner).

Still, when End of Watch was good, it was great. It was raw, powerful stuff that gave an impression of what it must be like to do that job day-in and day-out. At its best, it demonstrated the obvious toll that these small day-to-day incidents must take on those protecting and serving. Often it was the smaller sequences that worked best, those with little-to-no connection to the overriding “cartel” arc – the kinds of things that felt like the stuff that must confront officers of the law on a daily basis.

None was more powerful than the rather simple house call investigating the disappearance of two small children.

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Filed under: Movies | Tagged: art, avengers, Dark Knight Rises, David Ayer, film, Filmmaking, Jake Gyllenhaal, los angeles, michael pena, Movie, multimedia, New York City, reviews | 4 Comments »

My 12 for ’12: The Muppets & Everything You Need, Right In Front Of You

Posted on December 29, 2012 by Darren

This is #3…

I can’t help but feel that The Muppets probably aren’t quite as popular over here as they really should be. After all, we had to wait about three months for the eventual release of the film in Irish cinemas. Even later this year, following all the publicity around the recent revival, I was only able to find one cinema in Dublin doing three screening of The Muppets’ Christmas Carol, despite the highly-publicised re-release. However, perhaps I shouldn’t take their international publicity for granted either. After all, Jason Segal spent six or seven years trying to guide everybody’s favourite felt performers to the big screen again.

Still, The Muppets demonstrated that the gang had lost absolutely nothing in transitioning out of retirement and back to the screen, demonstrating that all these sorts of characters need is a bit of sincere love and affection.

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Filed under: On Second Thought | Tagged: art, British Isles, christmas, Christmas Carol, disney, dublin, george lucas, Ireland, irish, Irish people, January, jason segel, joel schumacher, LucasArts, Lykke Li, Marvel Studios, Matrix, Muppet, Muppet Show, Muppets' Wizard of Oz, Phantom Menace, quentin tarantino, The Walt Disney Company, youtube | 1 Comment »

Star Trek: The Next Generation – Elementary, Dear Data (Review)

Posted on December 28, 2012 by Darren

If you needed more evidence of the improvement of Star Trek: The Next Generation between the first and second seasons of the show, Elementary, Dear Data certainly provides it. Like Where Silence Has Lease directly before it, Elementary, Dear Data works so well because it takes a couple of ideas hinted at and teased in the first season and then develops them just a little bit further.

There’s a sense that the universe of The Next Generation is slowly expanding. While the first season treated our main characters as masters of all they surveyed, Elementary, Dear Data hints that the universe still has more to teach them and that they have a lot to learn.

Unfortunately, the trend would not continue into the next episode, but Elementary, Dear Data proves that the writing team (and the cast) are learning to play to the show’s strengths and that the pieces are all positioned to allow for a solidly entertaining hour of television.