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New Escapist Column! On “The Batman” as an Argument for Superheroes…

I published a new In the Frame piece at The Escapist on Friday. With the release of The Batman this weekend, it seemed a good opportunity to take a look at the film, and what it says about the state of the superhero genre.

The superhero genre is arguably the dominant mode of American blockbuster cinema, the prism through which the populist form must be viewed in its present incarnation. Perhaps the superhero is best understood as a descendent of the classic pop archetypes like the cowboy or the gangster. However, very few superhero films actively engage with what that transition actually means, what makes the superhero a more modern American archetype than the cowboy or the gangster. The Batman is the rare superhero movie engaged with this question.

You can read the piece here, or click the picture below.

276. The Godfather: Part II (#3)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Deirdre Molumby and Brian Lloyd, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Francis Ford Coppola’s The Godfather: Part II.

In 1901, Vito Andolini is evacuated from the small town of Corleone, fleeing to the new world in the hopes of a new life. In 1959, his son Michael Corleone continues his efforts to legitimise the family business. However, will Michael’s efforts to maintain control of the empire that Vito built ultimately lead to the collapse of what both men held most dear?

At time of recording, it was ranked 3rd on the list of the best movies of all time on the Internet Movie Database.

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New Escapist Column! On How “Star Trek: Picard” Tries to Go Back to the Future…

I published a new piece at The Escapist this evening. We’re doing a series of recaps and reviews of Star Trek: Picard, which is streaming weekly on Paramount+. The second season premiere released this week, and it seemed like a good opportunity to take a look at the series.

The second season premiere of Picard is a much more openly nostalgic affair than the previous season had been. While the previous season often found itself caught between the past and the future, the second season seems to turn its gaze more earnestly backwards. It’s a complicated and somewhat flawed show, often retreating from the more interesting implications of its big ideas, but Picard is at least interested in grappling with the legacy of Star Trek: The Next Generation, and exploring why the utopian future it promised audiences seemed to slip from grasp.

You can read the piece here, or click the picture below.

New Escapist Column! “The Batman” as a Paranoid Conspiracy Thriller…

I published a new In the Frame piece at The Escapist yesterday evening. With The Batman releasing this weekend, it seemed like a good opportunity to take a look at Matt Reeves’ take on the Caped Crusader.

Reeves has discussed the influence of seventies cinema on The Batman. The film draws heavily from paranoid films of the era, movies like The French Connection, Klute and The Conversation. However, it is more than just nostalgia at play. The Batman finds an interesting thematic overlap between the seventies and the present day, particularly in its recurring fascination with voyeurism and surveillance. The Batman is many things, but it’s also a story about the importance of looking into the darkness, but realising that looking alone is not enough.

You can read the piece here, or click the picture below.

New Escapist Video! “The Batman Is a Bold and Beautiful Blockbuster”

I’m thrilled to be launching movie reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a three-minute film review of The Batman, which is in theatres on Friday.

New Podcast! Primitive Culture #114 – Star Trek and Vietnam

A little while ago, I had the pleasure of sitting down with the wonderful Tony Black to talk about Star Trek and Vietnam.

The general reading of classic Star Trek tends to play up the show’s liberal credentials, to read Star Trek as a utopian and pacifist series that was very much on the right side of history. This antiwar reading is supported by episodes like Errand of Mercy, The Trouble with Tribbles and Day of the Dove, among others. However, the show’s politics are decidedly more complicated. Like America itself, Star Trek was divided over the Vietnam War, as reflected in episodes like Friday’s Child or The Omega Glory, and most especially in A Private Little War.

The result was a fun (and involved) discussion, and you can listen to it below or directly via Primitive Culture‘s homepage on trek.fm.

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New Podcast! Your Feature Presentation – “Ranking the Live-Action Batmen from Worst to Best”

The Escapist have launched a new pop culture podcast, and I was thrilled to join Jack Packard for the sixth episode. Jack and I get to rank the live action Batmen, in preparation for the upcoming release of The Batman.

275. The Godfather (#2)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Philip Bagnall, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Francis Ford Coppola’s The Godfather.

Michael Corleone has spent most of his life running away from his family connections, enlisting in the United States Marines to avoid the siren call of his father’s organised crime empire. However, when Michael returns home for his sister’s wedding, events conspire to draw the prodigal son back into the family business.

At time of recording, it was ranked 2nd on the list of the best movies of all time on the Internet Movie Database.

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New Escapist Column! In the “Texas Chainsaw Massacre” Franchise…

I published a new In the Frame piece at The Escapist earlier this week. With the release of Texas Chainsaw Massacre on Netflix, it seemed like a good opportunity to take a look back at the larger franchise spawned from The Texas Chain Saw Massacre.

The Texas Chain Saw Massacre is one of the defining horror movies of the seventies, an innovative and influential low-budget indie that demonstrated what was possible outside the mainstream production machine. However, few horror classics have been as poorly served by the sequels that followed as The Texas Chain Saw Massacre. While most other major horror franchises can boast a genuine (or even just cult) classic among their sequels, the sequels to The Texas Chain Saw Massacre have been a slow and brutal slog into generic horror nonsense. Texas Chainsaw Massacre is just the latest stop on that journey.

You can read the piece here, or click the picture below.

274. Modern Times (#40)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Dean Buckley, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Charlie Chaplin’s Modern Times.

A factory worker suffers a psychotic breakdown on the assembly line, and loses his job. Upon recovery, he very quickly finds himself swept up in a series of misadventures that reflect the rapidly changing balance between human labour and industrialisation. Is there still room for the lovable tramp in a society so dramatically reinventing itself?

At time of recording, it was ranked 40th on the list of the best movies of all time on the Internet Movie Database.

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