• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Non-Review Review: Cars 2

Cars 2 is a Pixar film that runs on an engine, rather than on heart. Technically, it’s magnificent. It’s well put together, features a winning cast, a lot of quite wonderful jokes and absolutely stunning action movies. However, the movie fails to make even the most basic of emotional connections. We’re always watching a bunch of cool cars doing cool car stuff, but we never feel good or bad about it. Even when a handful of cars meet tragic ends over the course of the movie, we never feel bad about it – we don’t really care about them, so we’re never concerned at the dangers they face. It’s a shame, because it’s a stunningly beautiful piece of animation, it’s just missing that wonderful soul that Pixar seems to install with its movies as standard.

Lightning, cameras, action!

Continue reading →

Non-Review Review: Platoon

I think now, looking back, we did not fight the enemy; we fought ourselves. The enemy was in us. The war is over for me now, but it will always be there, the rest of my days. As I’m sure Elias will be, fighting with Barnes for what Rhah called “possession of my soul.” There are times since, I’ve felt like a child, born of those two fathers.

– Oliver Stone Charlie Taylor meditates on Vietnam

I honestly think that Platoon might be my favourite war film ever made. It’s almost certainly my favourite Vietnam film ever made, despite my considerable respect for Apocalypse Now. However, though Stone’s classic is steeped in allegory and metaphor (see the above quote), I think that it works better as a personal account of the conflict, rather than Coppola’s attempt to capture the surreal nature of the war on celluloid. Stone actually served a tour over there, and I think that there’s a lot of his own personal perspective poured into the film, which makes it feel like quite a raw and powerful piece of cinema.

War is dirty business...

Continue reading →

Check Your Listings: The Displaced Cast List…

It happens every once in a while when I view a poster, or a DVD, or even browse the end credits of a film. I’m sure you’ve noticed it too. There’s a certain actor, who happens to be relatively well known (even in a particular geographic region) whose name happens to be featured rather prominently on those lists, ranking just below the leads of the given film. The only problem? Well, the person in question only appears in the film for a scene-and-a-bit, and actually warrants inclusion towards the end of the cast list… if at all.

One of these is the UK poster. Guess which one. Go on.

Continue reading →

Non-Review Review: Fanboys

Fanboys is a film that is borderline mediocre, but the tragedy is that it actually could have been really good. It’s quite strange, because the movie seems intent to straddle two audiences – aiming at once for both cult geek cred and mainstream appeal. Of course, the paradox of such an approach is that it frequently ends up alienating both core groups. The film is arguably too deeply entrenched in geek culture to ever find a large mainstream audience, but it’s also far too bland, safe and stereotypical for a geek audience. So it clearly hopes to please everyone, but winds up satisfying no one. Which is a shame, because it seems like it’s actually having a great deal of fun.

Indulge your Dark Side...

Continue reading →

A Bluffer’s Guide to the Dark Knight Rises Rumours…

This week has been a bit of an early Christmas for movie geeks such as myself, with Warner Brothers unveiling both the teaser poster and the teaser trailer to The Dark Knight Rises, the much-anticipated closing chapter to Christopher Nolan’s Batman trilogy. When we know a bit more later in the year, I’ll dig into the movie in a bit more depth, but it occurred to me that a lot of fans on-line are throwing out concepts and references that might seem a bit foreign to the uninitiated. I can’t imagine how strange it must be for a non-comic-book-fan to hear titles like Knightfall or “Lazarus Pits” thrown into casual conversation. So I’ve put together a bluffer’s guide to all the speculation and rumours, so that you can hopefully understand a bit more of what nerdy geeks like myself are talking about when we casually reference stuff like “I will break you!” It should be stressed that all these are 100% rumour, and not meant to reflect the film, but to help understand geeky references in discussions about the film. Sort of like a handy guide to the “offside rule”in soccer or such.

Welcome to underground comcis culture...

Continue reading →

Discussing The Dark Knight Rises’ Teaser Trailer: Long Day’s Journey Into Knight…

The trailer for The Dark Knight Rises has been doing the rounds on-line, as Warner Brothers try to keep it under wraps. Originally supposed to premiere before Harry Potter and the Deathly Hallows, Part II, I reckon it’s a matter of time before the studio officially releases it on-line. When they do, I’ll post it up here, but let’s actually talk a bit about the teaser and what it tells us – especially about this instalment as opposed to the previous two entries in Nolan’s superhero franchise.

Continue reading →

Non-Review Review: Harry Potter and the Deathly Hallows, Part II

Harry Potter and the Deathly Hallows, Part II is probably the strongest entry in the film series, and offers a fitting code to the saga of the famous boy wizard. Sleaker, leaner and meaner than most of its predecessors, I can actually understand – artistically – why Warners opted to split the final book into two distinct chapters. In many ways, the previous instalment (Harry Potter and the Deathly Hallows, Part I) felt like another year with the Hogwarts crowd, while the finale here represents an epilogue to the entire series. Threads hinted at and developed since the first film are all tied up here, and – isolated from a lot of the soap opera of early episodes – the last in the series provides some stunning closure.

The wiz kid returns...

Continue reading →

Harry Pottering On: Research & Reviews…

This evening, I will be lucky enough to attend a screening of Harry Potter & The Deathly Hallows: Part II, and have a chance to get my review on-line. However, I must concede that I am not a Harry Potter fanatic. I haven’t read the books. I’ve seen the films, enjoyed the majority for what they are, only found one to be an exercise in tedium, and have a genuine respect for what they’ve managed to accomplish in bringing to life a fairly iconic series of books in a manner that can please both the hardcore fans and the casual movie-goer. However, as I brace myself to attend the screening tonight, I wonder what a film critic owes their subject matter in terms of research. Do I owe the people who made the film, and – possibly – the fans that are going to see it, enough to dig into as much of the back ground as possible before the cinema lights go down?

Witch approach should I adopt?

Continue reading →

The Dark Knight Rises Teaser Poster Has Arrived…

… and it is awesome. It’s done in that rather minimalistic approach as the early Dark Knight posters.

And we get a teaser this week. I am really excited, and I hope it’s half as effective as the teasers for Batman Begins or The Dark Knight, both of which were perfect examples of trailers that spurred interest and intrigue without giving anything away.

Click to enlarge...

Ah Sure, It’s Grand: Random Thoughts on Critical Reception to Irish Films…

It’s always a bit interesting when a major and well-received Irish film is released, if only because it typically involves a fairly large divorce between the critical and audience reception to these films. It has been suggested that film critics are too quick to shower Irish films with praise they don’t deserve, out of some misplaced sense of patriotism. As the Trinity Film Review succinctly sums up:

An overrated Irish film is not hard to find. Our tendency towards the inflated evaluation of domestic filmmaking is a self-perpetuating one, leaving audiences indifferent towards the hyperbole-gavaged, entry-level film geese trotted out by our native industry, and filmmakers and critics alike complacent in the immutable, self-congratulatory expository routine the utter nakedness of which nobody seems inclined to comment on.

I have to admit, I’ve seen this in effect quite a few times, and it really bugs me – if only because it makes it harder to spot when a realgem of a film comes along. I honestly don’t think that this sort of attitude helps anyone.

I'm not down with that...

Continue reading →