• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Non-Review Review: The Five-Year Engagement

The Five-Year Engagement is the best romantic comedy of 2012 so far. Reuniting the talents of Jason Segel and Nicholas Stoller, the film manages to offer a refreshingly frank and honest perspective of romantic relationships. The interactions feel more organic, the third act crisis is rooted in something more primal and relevant than some idle miscommunication and the resolution isn’t based on the notion that people can inexplicably change. Like Segel and Stoller’s superb Forgetting Sarah Marshall, The Five-Year Engagement is predicated on the assumption that love must mean accepting and embracing your partner for who they are, rather than what you want them to be. It’s a little depressing that this moral feels almost subversive in this day-and-age of formulaic and generic romantic comedies, but there’s no denying that The Five-Year Engagement is head-and-shoulders above most of its competitors.

They’ll get married this year… in a pig’s eye…

Continue reading →

Non-Review Review: Rock of Ages

Rock of Ages actually works quite well as a microcosm of the eighties – in both good and bad ways. It is loud, entertaining, engaging, shallow, beautifully constructed, hypocritical, energetic, charming, tasteless and somehow strangely irresistible in places. While the movie doesn’t necessarily always work, it is a perfect piece of cultural counter-programming to the summer’s sporting events. Light, fun and just a little dazed and confused, Rock of Ages is self-aware enough that it never collapses under its own weight. While it’s unlikely to be remembered as the best of the summer, it is a charmingly cheesy (if occasionally clumsy) power ballad musical that does exactly what it says on the tin.

He’s already made his marker…

Continue reading →

Non-Review Review: Final Destination

I am actually quite fond of the original Final Destination. Don’t get me wrong, it has its flaws (and some very fundamental ones at that) and the sequels drove the concept into the ground, but it actually has a fairly original premise for a teen horror movie. I’m fond of horror as a genre, and I’ll freely admit that I’m quite exhausted by the perpetual cycle of slasher movies or ghost stories or ghost story slasher movies. Instead of adhering rigidly to the conventions of the teen horror film, Final Destination feels like something of a breath of fresh air. It’s a well-constructed teen horror movie, even if it does fall into many of the same traps and issues.

Ali onboard…

Continue reading →

Home of the Brave: Is Brave a Pixar Princess Movie?

I have to admit, I’m having a hard time getting too excited about Brave. To be honest, the notion of an original Pixar movie should be a breath of fresh air after the incredibly disappointing Cars 2. The studio is, after all, responsible for quite a few modern classics – those rare cinematic treats that the entire family can sit down and enjoy together. However, despite my deep-biding affection for classics like Wall-E, Up, Finding Nemo, The Incredibles or any of the Toy Story films, I can’t seem to be too concerned about the approaching release of the studio’s latest animated effort. I can’t help but feel that – despite the fact it’s their first film that isn’t a sequel in quite some time – we’ve seen this all before.

Is Brave just a Pixar “princess” movie, the spiritual successor to the long line of Disney “princess” movies?

Continue reading →

On Second Thought: Alien Resurrection (Special Edition)

To celebrate the release of Prometheus in the United States this week, we’ll be taking a look at the other movies in the Alien franchise.

So this is Earth, huh?

This is Earth.

– Call and Ripley try not to sound too disappointed…

I am not the biggest fan of Alien: Resurrection. I think it is, to be frank, a mess of a film – the result of a director and a writer who seem a very poor fit for one another, with Jeunet’s macabre design aesthetic at odds with Whedon’s sardonic irony. It would take a fairly radical reworking of the film to solve that fair fundamental tonal dissonance… and the Special Edition is not that much of a reworking. Indeed, Jeunet himself has gone of record stating that his own definitive version the film was the original theatrical cut. He introduces the Special Edition on the superb anthology collection with that confession, “The special edition version you are about to watch is not the director’s cut, because the director’s cut is the version you watched in theatres in 1997.”

So it’s no surprise that while the Special Edition does add a bit more shading, nuance and complexity to the film, it doesn’t salvage it.

Not quite what the doctor ordered…

Continue reading →

Non-Review Review: Alien vs. Predator – Requiem

To celebrate the release of Prometheus in the United States this week, we’ll be taking a look at the other movies in the Alien franchise.

Alien vs. Predator: Requiem is pretty close to indefensible. I’m not the biggest fan of the original Alien vs. Predator, but I’ll concede the film throws a few interesting ideas into a disappointingly generic and less-than-enthusiastic monster mash run-around. While the first film wasn’t original, it at least looked to acknowledge its hokeyness in places. In contrast, the sequel is just soul-destroyingly mundane, taking anything that had been unique or compelling or interesting about these two iconic movie monsters and rendering it all completely pointless as it devolves them to the equivalent of generic teenager slasher villains.

Death of a franchise…

Continue reading →

Django Unchained Trailer!

Hey, it’s the awesome trailer for Django Unchained, which was one of my most anticipated movies of 2012… until Sony moved its UK and Irish release to 2013. Still, it looks pretty awesome. And I think it’s now officially my most anticipated movie of 2013.

On Second Thought: Aliens (Director’s Cut)

To celebrate the release of Prometheus in the United States this week, we’ll be taking a look at the other movies in the Alien franchise.

It seems that James Cameron’s Director’s Cut of Aliens is the only alternate cut of an Alien film preferred by any of the directors. Ridley Scott has gone on record stating that he considers Alien: The Director’s Cut to be an “alternative” cut of the film intended for long-time fans. David Fincher has explained that the only way he’d produce a version of Alien³ that he’d be happy with was if he were to shoot it from scratch. Jean-Pierre Jeunet believes that the theatrical cut of Alien: Resurrection is his preferred version of the film. So it seems that Cameron is the only director who has been able to successfully reintegrate material to produce what he feels to be a definitive version of the film.

And, to be honest, I’d agree. Aliens: The Director’s Cut is probably the best example of how to enhance an already superb film through the addition of previously excised material.

On LV-426, everyone can hear you scream…

Continue reading →

Celebrating 100 Years of Paramount in Poster Form…

I’m a sucker for a bit of movie nostalgia. To celebrate 100 years of Paramount, Gallery 1988 in Los Angeles have released this special and stylish poster counting down many of the iconic films they’ve released over the years. While I’m not too ashamed of how I did, I’ll freely confess that I didn’t quite get all of them. Might make a nice game over the weekend. Anyway, check it out below and click to enlarge. Awesome.

Non-Review Review: Alien vs. Predator

To celebrate the release of Prometheus in the United States this week, we’ll be taking a look at the other movies in the Alien franchise.

I like cheesy movies. I have a fondness for those old fashioned mix-and-match creature features from back in the day. I have a remarkable tolerance for some of those incredibly awkward B-movie adventures featuring relatively bland characters trapped in a strange and slightly illogical situations. As such, I’m probably a bit fonder of Paul W.S. Anderson’s creature-feature fight-night beat-’em-up schlock-fest Alien vs. Predator. I’m not so fond that I’d argue it’s a good movie – in fact, I’d readily concede that it’s a disappointing lifeless husk of a movie. However, I will concede that there are some interesting concepts and ideas buried quite deeply in the middle of that film.

Natural born predators…

Continue reading →