February | 2011 | the m0vie blog

Ghost Rider by Jason Aaron Omnibus

Posted on February 23, 2011 by Darren

You’re the divine wrath of God himself, Johnny Blaze. Yet you spend all your time cruising around the U.S. of A. Did you really think that was the only country God cared about?

– Sara, The Last Stand of the Spirits of Vengeance

Ghost Rider is a strange character. Created in the seventies, he saw his stock take a huge increase in value during the nineties in the era of “darker and edgier” heroes before slowly fading down to relative obscurity. The closest the character has come to mainstream success has been the god-awful Nicolas Cage Ghost Rider film. So, he makes a strange choice to receive a Marvel Omnibus, somewhat comparable to the Omnibus collecting The Immortal Iron Fist a few years back. The prestige format is usually reserved for the best of the best, high profile runs (past and present) on characters of either historical importance or receiving a feature film in the coming year. Jason Aaron is a creator rising in prominence, but it still seems a strange choice to publish his Ghost Rider run in the format. That said, it is perhaps the best run ever written on the character.

Head-to-head, skull-to-skull...

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Filed under: Comics | Tagged: comic books, Comics, ed brubaker, ghost rider, ghost rider by jason aaron, ghost rider by jason aaron omnibus, ghost rider omnibus, ghost rider: heaven's on fire, heaven's on fire, hell-bent and heaven bound, Jason Aaron, john romita jr, Johnny Blaze, Mark Neveldine, marvel, marvel omnibus, matt fraction, nicolas cage, review | Leave a comment »

Non-Review Review: The Tempest

Posted on February 23, 2011 by Darren

This film was seen as part of the Jameson Dublin International Film Festival.

I have to admit that I have a soft spot for Julie Taymor’s Titus. It was a punk rock adaptation of perhaps Shakespeare’s trashiest play, and it was a fusion which just worked. The Tempest, on the other hand, is a very different beast. Far from being one of the Bard’s more easily forgotten plays, it has been one of his most highly regarded since its revival in the nineteenth century. It is, despite some outward cynicism, a far more optimistic and (dare I say it?) lighter piece than the orgy of death and destruction in Titus Andronicus. So Taymor’s skills aren’t quite as perfectly in step as they might be. That said, she’s still a remarkable director with a keen visual sense, and the movie manages to be engaging and entertaining, despite a few missteps.

It's a kinda magic...

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Filed under: Non-Review Reviews | Tagged: adaptation, alan cumming, classic, dreams, helen mirren, jameson dublin international film festival, Julie Taymor, metafiction, non-review review, play, prospera, Prospero, review, russell brand, shakespeare, Tempest, the tempest, Titus Andronicus, William Shakespeare | 6 Comments »

Metro Film Fight Club: The Fighter

Posted on February 23, 2011 by Darren

The wonderful folks over at Ross v. Ross asked me to contribute a very special edition of Film Fight Club, going over the ten Best Picture nominees. I stood in the corner for The Fighter, Marky Mark and what is left of Christian Bale. You can pick up a copy in the morning, or check it out here.

I got this guy in my corner...

UPDATE: Guess what just got put on the IMDb Hitlist? If you guessed Robert Rodriguez’s shoe ad, you guessed correctly, but that’s beside the point. Yep, we’re up there. Thanks to everyone for inviting me to take part, and it was a pleasure to cover the race with a bunch as witty, clever and insightful as that selection.

Filed under: Movies | Tagged: Academy Award, Academy Award for Best Picture, christian bale, david fincher, Fighter, King's Speech, mark wahlberg, Melissa Leo | 2 Comments »

Boardwalk Empire

Posted on February 22, 2011 by Darren

I don’t think any television show has been quite as anticipated as Boardwalk Empire. The entire digital television channel Sky Atlantic HD seems to be be marketed around the lush period drama, and well it might be. Sure, there are plenty of things to look forward to on HBO’s British channel, but nothing has the big name appeal of a period gangster television show starring Steve Buscemi and directed by Martin Scorsese. That combination was influential enough to secure the show a place on the family’s television planner, a huge vote of confidence if ever there was one – we like to watch stuff together, but a television show takes a lot of commitment (simply because it means getting everybody in the same room roughly once a week). Did Boardwalk Empire live up to the promise it offered? I think it’s too early break open the proverbial Champagne, but all indications so far are good.

Tonight we're going to party like it's 1920...

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Filed under: Television | Tagged: arts, Atlantic City New Jersey, Boardwalk Empire, hbo, martin scorsese, Organized crime, steve buscemi, Terence Winter | 2 Comments »

Non-Review Review: RED

Posted on February 22, 2011 by Darren

The way that society treats its elderly makes for great fodder for films. After all, what happens to us when we climb over that hill – when we make it all the way to retirement and cease to contribute in the most conventional manner? Will anybody care? Will anybody notice? It’s something that will (hopefully) happen to a lot of us, but it’s not necessarily something we give a lot of thought to – perhaps because we wouldn’t be too comfortable with the answers we’d find. “I never thought this would happen to me,” Joe Matheson confesses at one point as he strolls around “Green Spring Rest Home” with his old colleague, Frank. When Frank asks what he means, Joe elaborates, “Getting old.”

Up to their old tricks...

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Filed under: Non-Review Reviews | Tagged: brian cox, bruce willis, Ernest Borgnine, films, GoldenEye, helen mirren, john malkovich, Julian McMahon, Mary Louise Parker, Morgan Freeman, Movies, non-review review, RED, retired extremely dangerous, review, Richard Dreyfuss, spies, warren ellis | 2 Comments »

Putting the “-ess” in “Sexist”: Why Do We Have a Best Actress Award?

Posted on February 22, 2011 by Darren

The fact that no woman was nominated for Best Director (after Kathryn Bigelow became the first female to win last year) has caused a stir at this year’s Oscars. I’m not an excessively politically correct individual (just read the blog), but I like to think I’m sensitive to issues like that. Presumably the presumptive female directing nominees would have been either Debra Granik for Winter’s Bone or Lisa Cholodenko for The Kids Are All Right, and – to be honest – I don’t think either was better than any of the five existing nominees. The continued snubbing of Christopher Nolan bothers me far more.

As I thought about the complaint more and more, part of me wondered when the gender of an individual becomes important for awards like this – my gut feeling is “never.” The best is the best, why should we handicap or install quotas? Except for the fact that we do have gender quotas for certain awards. This train of thought led me wonder why we still have a Best Actress and a Best Supporting Actress category… And, to cut a long story short, I really couldn’t think of a good reason.

Are we kidding ourselves?

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Filed under: Movies | Tagged: Academy Award, Academy Award for Best Actor, academy award for best actress, Academy Award for Best Picture, actor, actress, Christopher Nolan, Clint Eastwood, female actor, gender, Kathryn Bigelow, Los Angeles Times, nelson mandela, sexism, sexist | 18 Comments »

Oscar Fatigue and the Pain of a Predictable Race…

Posted on February 21, 2011 by Darren

You know what? At this stage I’ve seen nine of the ten Best Picture nominees this year, and I’m quite happy. There isn’t a stinker amongst them, and all I’m short is 127 Hours (maybe this weekend, before the ceremony). And yet, despite being happier with the field than I have been in quite a while, I have to admit I’ve grown somewhat tired of the Oscars this year. Usually there’s some element of surprise, but everything this year seems so sown up that there’s really no energy left in the race. One need only look at the overwhelming consensus at Awards Daily to get a feeling for how stale the race is. Admittedly there’s generally a frontrunner or two, but this year it seems that most of the major awards might as well be handed out before the ceremony begins (just to make things more efficient).

You'd have to be trapped under a rock not to see the way this race is going...

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Filed under: Movies | Tagged: Academy Award, academy award for best director, Academy Award for Best Film Editing, Academy Award for Best Picture, Academy Award for Best Writing (Original Screenplay), academy awards, david fincher, films, King's Speech, Million Dollar Baby, Movies, Oscars | 9 Comments »

Non-Review Review: Agnosia

Posted on February 21, 2011 by Darren

This film was seen as part of the Jameson Dublin International Film Festival.

There were a lot of reasons to get excited about Agnosia, one of the anticipated highlights of the Jameson Dublin International Film Festival. The movie was written by Antonis Trashorras, the writer of The Devil’s Backbone, perhaps the film that put director Guillermo del Toro on the map. In fact, this film comes with an endorsement from del Toro himself, which has quite a large amount of weight among the film community. However, Agnosia lacks the magic or elegance of del Toro’s work, with director Eugenio Mira (whose last work was in 2004) able to craft a stylish visual design for the film – but never quite able to create a sense of magic or engagement.

99 Schwarz ballons...

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Filed under: Non-Review Reviews | Tagged: agnosia, agnosia (film), Antonis Trashorras, Devil's Backbone, Eugenio Mira, film, guillermo del toro, jameson dublin international film festival, MacGuffin, Movies, non-review review, pans labyrinth, review, Salvation Army, spain, spanish cinema | 2 Comments »

Eye See You: How Do We Watch Movies?

Posted on February 21, 2011 by Darren

The Dynamic Images and Eye Movement (DIEM) Project conduct research into where our eyes focus while watching entertainment. They run an informative blog here which goes into their function in more depth and they also have a vimeo channel here. I happened to catch a recent upload from them, covering six minutes from There Will Be Blood. Various circles on the screen indicate where the viewers’ eyes were focused (and for how long). Most of it seems fairly obvious (generally on movement in the foreground, but occasionally the background), but there were one or two surprises (the focus on a light bulb, for example). Watch it below:

There’s also a rather interesting one covering the opening sequence of The Simpsons. This is perhaps more interesting, as you can literally feel the eyes racing to keep track with everything presented at such speed – there’s a lot of movement in it, rather than the relatively static shots from the above film clip.

Also worth a luck (because there’s quite a lot going on) is the trailer for Harry Potter and the Half-Blood Prince. this is another case where the viewer is bombarded with information in quick succession and they are asked to take in a lot in a short time.

I can’t really say that there’s too much here that surprises me, but’s still fascinating to see where the typical viewer’s eye may wander during a given film clip. I wonder if there are directors and cinematographers looking at these clips right now, trying to figure out how to better construct shots.

Either way, it’s a fascinating little look at how we watch those film clips.

Filed under: Movies | Tagged: DIEM, Dynamic Images and Eye Movement, Dynamic Images and Eye Movement Project, eyes, films, Movies, the DIEM project, there will be blood | Leave a comment »

Non-Review Review: Outrage (Autoreiji)

Posted on February 20, 2011 by Darren

We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir. Today’s theme is “foreign noir” – a look at some of the neo-noir films from outside America.

This film was seen as part of the Jameson Dublin International Film Festival.

Outrage (also known as Autoreiji) is the latest film from actor/director/writer Kitano “Beat” Takeshi. He’s known to Western film fans perhaps best for his role in Battle Royale, but that significantly undersells his talent and his prolific career. He’s probably better known to wider audiences for his role as “Count Takeshi” on the gameshow Takeshi’s Castle (which became all the rage over here a few years ago). Outrage is essentially a Japanese crime thriller, and it follows the typical structure that one might expect from a conventional crime film – all the classic themes are there, from pride to arrogance to honour to betrayal – but what makes the film especially interesting is the way that it deals with the inherent paradox of the Japanese Yakuza.